Archive for the ‘music’ Category

Announcing Artist Awards in Film & Video, Music Composition, and Photography

Monday, May 22nd, 2017

Eduardo Rivera, SHADES OF AZUL (2016), archival pigment print from a large format negative, 50x40x1 in

Mass Cultural Council is honored to announce the 2017 Artist Fellowship awards in Film & Video, Music Composition, and Photography. The awards include 18 fellowships of $12,000, and 17 finalist awards of $1,000. See a full list of this year’s fellows and finalists.

The awards are anonymously judged, based solely on the artistic quality and creative ability of the work submitted. Applications were open to all eligible Massachusetts artists. A total number of 584 applications were received: 137 in Film & Video, 96 in Music Composition, and 351 in Photography.

Still image from ANYUKA, a film-in-progress by Maya Erdelyi

David Fiuczynski

The Film & Video panelists were Luis Arnias, Alice Bouvrie, Anna Feder, and Doug Jones. Brendan and Jeremy Smyth and Nori Takei served as first-round readers. The Music Composition panelists were Michele Caniato, Laura Cetilia, Lynn Chang, and Kate Soper. The Photography panelists were Makeda Best, Caleb Cole, Irina Rozovsky, and Susan Stoops. Paula Tognarelli served as a first-round reader.

This is the second series of Artist Fellowships awards to be given by Mass Cultural Council in 2017. In January 2017, Mass Cultural Council announced awards in Crafts, Dramatic Writing, and Sculpture/Installation/New Genres.

Sandra Matthews, MARGARET AND JENNIFER IN 1973/JENNIFER AND MARGARET IN 2013 (2017), photographic collage/ inkjet print

Jason Palmer, photo by Arvo Wichmann

Still image from STALIN, LENIN, AND OTHER TALES FROM SOUTH INDIA (working title), a film-in-progress by Kavita Pillay

Marky Kauffmann, STORM COMING (2013), archival inkjet print, 18x7.5 in

Find a full list of 2017 Artist Fellowships awardees.

Images: Eduardo Rivera, SHADES OF AZUL (2016), archival pigment print from a large format negative, 50x40x1 in; still image from ANYUKA, a film-in-progress by Maya Erdelyi; David Fiuczynski in performance; Sandra Matthews, MARGARET AND JENNIFER IN 1973/JENNIFER AND MARGARET IN 2013 (2017), photographic collage/inkjet print; Jason Palmer in performance, photo by Arvo Wichmann; still image from STALIN, LENIN, AND OTHER TALES FROM SOUTH INDIA (working title), a film-in-progress by Kavita Pillay; Marky Kauffmann, STORM COMING (2013), archival inkjet print, 18×7.5 in.

Fellows Notes – Apr 17

Tuesday, April 4th, 2017

In April, a shower of news from past and present MCC Artist Fellowship awardees.

 

Natalie Alper, Anne Neely, Jo Ann Rothschild, and Maxine Yalovitz-Blankenship are part of the group exhibition Expanding Abstraction: New England Women Painters from 1950 to Now at the deCordova Museum (4/7-9/17).

MCC Artist Fellowship Program awardees Colleen Coyne, Cynthia Gunadi, Thomas McNeely, and Rosalind Pace read at Porter Square Books (4/21, 7 PM).

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Amy Archambault created the installation Hideout at Boston Children’s Museum (thru 6/18). Read about the installation in The Boston Globe.

Steven Bogart directs Peerless for Company One Theatre (C1), performed at the Boston Public Library (4/27-5-28, 7 PM). All tickets are pay-what-you-can in this production, produced in conjunction with the Library’s “All the City’s a Stage: A Season of Shakespeare.”

Meryl Cohn‘s play The Final Say is part of the Smith College New Playreading Series (4/6, 7:30 PM).

Nicole Duennebier‘s paintings are featured in Hi-Fructose, a contemporary art magazine.

Beth Galston has a solo exhibition, Luminous Garden, at the Mattatuck Museum, Waterbury, CT (thru 7/17).

Christy Georg will give a slide lecture at Santa Fe Clay (4/14, 1 PM) about her project Great Guns, one of the most ambitious projects attempted in the 43-year history of the Kohler Arts/Industry Residency Program. Read about the project in ArtSake.

James Heflin‘s debut poetry collection Krakatoa Picnic will be published by Hedgerow Books (5/1).

Robert Knox‘s novel Suosso’s Lane, based on the Plymouth, Mass. origins of the infamous Sacco-Vanzetti case, was published by Web-e-Books as an ebook in late 2015. The paperback edition was published in April 2016. Robert discusses the novel at the Ventress Memorial Library in Marshfield (4/13, 7 PM). His first poetry collection, Gardeners Do It With Their Hands Dirty, is scheduled for publication later this month by Finishing Line Press. He reads from the collection at Plymouth Public Library (4/24, 7 PM). Currently, he is a contributing editor to the online poetry journal Verse-Virtual.com, and he currently has poetry published in the March edition.

Niho Kozuru‘s sculpture Longfellow Column has been acquired for the permanent collection of the Fuller Craft Museum. The mold for Longfellow Column comes from a balustrade at the Cambridge home of poet Henry Wadsworth Longfellow.

Danielle Legros Georges reads at the Rozzie Reads Poetry/Open Mic at Roslindale House (4/27, 7 PM).

Yary Livan, master ceramist and National Endowment for the Arts Heritage Fellow, returns to the Loading Dock Gallery in April with One Man’s Journey: Restoring a Lost Tradition(3/29- 4/30).

Stephanie Lubkowski‘s solo viola piece Avanc will be performed in the Equilibrium Concert Series as part of their commissioning project concert at the New School of Music in Cambridge (4/15, 8 PM).

Rania Matar‘s work will be part of The Photography Show at AIPAD with Pictura Gallery in NYC, and of the exhibition Action at a Distance at Angela Meleca Gallery, in Columbus, OH. She has an artist talk at Gund Gallery at Kenyon College (4/4, 4 PM), coinciding with her current Mellon artist-in-residency and with the exhibition Aftermath: The Fallout of War — America and the Middle East.

Nathalie Miebach is exhibiting in State of the Art, Discovering American Art Now at the Mint Museum in Charlotte NC (4/22-9/3). She is also giving artist talks at Crystal Bridges Museum, part of a symposium called “Art in Conversation: Environment, Identity and Memory” (4/7-4/8), and at Broward College in Fort Lauderdale, FL as part of their “Future Environments” lecture series (4/19).

James Morrow and his company james morrow/The Movement present a free House Dance Jam at the Boston Center for the Arts Calderwood Pavilion 4/8, 6 PM).

Congratulations to Ethan Murrow, who won the 2017 Brooke and Hap Stein Emerging Arts Prize from the Museum of Contemporary Art Jacksonville. This month, his solo show The Cowboy will exhibit at Winston Wachter Gallery in Seattle (4/18-6/20, reception 4/18 6-8 PM).

Abraham Ravett‘s film Holding Hands with Ilse will screen in the Massachusetts Multicultural International Film Festival at UMASS Amherst (4/19, 7:30 PM).

Monica Raymond wrote the texts for two songs, Snow Queen and The Garden in the Snow (composed by Charles Turner) to premiere at an all-day arts festival at Arts at the Armory (4/14).

Susan Rivo‘s documentary Left on Pearl has its official premiere at the Boston International Film Festival in the Paramount Center’s Bright Family Room (4/14, 5:30 PM).

Dawn Southworth has a solo exhibition of paintings and sculpture, Premonition, at Clark Gallery (4/4-5/9, reception 4/8, 4-7 PM).

Peter Snoad‘s documentary play, The Draft, about personal experiences with the Vietnam War draft, is now available on DVD and streaming through the Media Education Foundation. The play was filmed in performance during its premiere at Hibernian Hall in Roxbury where Peter was Visiting Playwright from 2013-15. Peter returns to Hibernian Hall when his short play Apple Pie is performed by Roxbury Repertory Theatre as part of its “Six Playwrights in Search of a Stage” festival (4/15-4/16).

Laurel Sparks is among the artists exhibiting in Witches at September Gallery in Hudson, NY (thru 5/7). Laurel will participate in an event, Witches Performance Night, on 4/22, 6–8 PM.

Joyce Van Dyke has a staged reading of her new play The Women Who Mapped the Stars at Central Square Theater (4/17, 8 PM). There will be a workshop production at the same theatre in May/June. Her play Daybreak will have a staged reading (4/21, 7:30 PM) at Pan Asian Repertory Theater in New York. Her new play Ballad for Americans will have a staged reading at Northeastern University (5/1).

Read past Fellows Notes. If you’re a past fellow/finalist with news, let us know.

Image: trailer for LEFT ON PEARL by Susan Rivo, premiering this month at the Boston International Film Festival.

Fellows Notes – Mar 17

Thursday, March 2nd, 2017

It’s March, the equator is about to pass by the center of the sun (happy Spring Equinox), and our past Artist Fellowships awardees continue to shine with honors, exhibitions, readings, and so much more. Here’s the latest news.


Lisa Nilsson, from the 40 Years of Fellowships project. This month, the artist exhibits at the Currier Museum of Art

 

Elizabeth Alexander, Ambreen Butt, Fred H C Liang, Lisa Nilsson, Jane South, Randal Thurston, and August Ventimiglia are among the artists featured in Deep Cuts: Contemporary Paper Cutting at the Currier Museum of Art in Manchester, NH (thru 5/21.)

Laura Chasman and Leslie Sills join Nancy Gruskin for the exhibition Life: from life at room83 Spring in Watertown (3/9-4/22, reception 3/11, 3-5 PM).

Frannie Lindsay and Lynne Potts read as part of the Brookline Poetry Series at the Brookline Public Library Main Branch in Brookline Village (3/19, 2 PM).

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Sophia Ainslie has an exhibition of paintings at the Boston City Hall Mayor’s Art Gallery, in conjunction with Women’s History Month (thru 3/31).

Simeon Berry reads at the Gloucester Writers Center (3/15, 7:30 PM).

Ben Berman will read from his new poetry collection Figuring at the Figure at Brookline Booksmith (3/16, 7 PM).

Sarah Bliss curated and is presenting From the Farm at the Alchemy Film & Moving Image Festival in Scotland. From the Farm is a curated program of 13 films made at the Independent Imaging Retreat (aka Film Farm) offered in rural Ontario every summer by Canadian experimental filmmaker Philip Hoffman and his dedicated staff.

Ria Brodell has a solo show of paintings, Butch Heroes, at
Gallery Kayafas (3/3-4/8, opening reception 3/3, 5:30-8 PM). She’ll also be releasing the limited edition book Butch Heroes: Paintings by Ria Brodell, with book signing and panel discussion 3/18, 3 PM.

Kim Carlino has a solo exhibition, The Primary Line, (3/1-3/28), at the UMass Amherst Herter Art Gallery.

Lucien Castaing-Taylor and collaborator Véréna Paravel, who are among the Foster Prize Artists at the ICA Boston, will give an in-gallery Foster Talk (3/16, 7 PM).

Caleb Cole has a solo show of photography, To Be Seen, at Gallery Kayafas (3/3-4/8, opening reception 3/3, 5:30-8 PM).

Harriet Diamond has a new installation, Driven from their Homes, at the Oxbow Gallery (3/2-3/26, reception 3/10, 5-8 PM, artist talk 3/23, 7 PM).

Congratulations to Duy Doan, winner of the 2017 Yale Series of Younger Poets competition. The poet’s manuscript We Play a Game was selected by Series judge Carl Phillips.

Mary Jane Doherty is screening two of her early films, Gravity and Three Fish, as well as an excerpt of a new work, Sonic Boom Boom, as part of the DocYard Series at Brattle Theatre in Cambridge (3/20, 7 PM).

Andrew Haines has an exhibition of paintings, Distracted Driving, at Clark Gallery (thru 4/1, reception 3/4, 4:30-7 PM).

Shannon Heaton has a new podcast, Irish Music Stories, available on iTunes. This month, she performs in Portland, ME (3/17, 7 PM) and Medford, MA (3/18, 8 PM).

Joo Lee Kang has a solo show VictoriANimals at Gallery NAGA (3/3-3/25, opening reception 3/3, 6-8 PM).

Congratulations to Stefan Lanfer, whose play Prudence was selected to be part of a first ever reading of new plays at American Stage in Tampa, FL. Locally, the play will have public readings by the open theater project at Bella Luna Café (3/20) and by the Emerson Theatre Collaborative in CT (4/8) in April.

Stephanie Lubkowski‘s composition Right now, in a second will be performed by Transient Canvas at the Music Mansion in Providence, RI (3/3, 8 PM) and at the Equilibrium Concern Series at Third Life Studio in Somerville (3/4, 8 PM). Also, the Charles River Wind Ensemble will premiere all three movements of Stephanie’s wind ensemble piece Circles Circling at the Scottish Rite Masonic Museum and Library in Lexington (3/13, 3 PM).

Richard Michelson‘s children’s book Fascinating: The Life of Leonard Nimoy was awarded the 2017 Sydney Taylor Silver Medal from Association of Jewish Librarians and a 2016 Junior Library Guild Gold Medal. His just-published picture book The Language of Angels received a 2017 Junior Library Guild Gold Medal. Richard will reading from my work in Seoul, South Korea (3/30) and at the Poetry Center at PCCC in Paterson NJ along with Mark Doty (4/1).

Nathalie Miebach has an artist talk/concert at the Clay Center for Arts and Sciences in Charleston, WV (3/22, 5-7 PM). It will will include musical performances by composers Mischa Salkind-Pearl and Matthew Jackfert, who have both written pieces about Nathalie’s work. Also this month, she’ll present artist talks at Winchester High School and Abington High School.

Stephen Mishol has a solo exhibition, Place at the Neiman Center at Columbia University School of the Arts (thru 3/17). His work is also featured in DRAW/Boston at the Massachusetts College of Art (thru 3/4).

Congratulations to Ethan Murrow, whose children’s book The Whale, co-created with Vita Murrow, was selected for the Longlist for the 2017 Kate Greenaway Medal.

Anne Neely is in the group exhibition Thinking About Water: Artists Reflect (3/22-6/30, opening reception 3/22, 7-9 PM) at The Metropolitan Waterworks Museum in Boston.

Brad Nelson has a solo exhibition This Tells Me Where I Am, at frosch&portmann in New York City (3/0-4/23, opening reception 3/9, 6-8 PM).

Masha Obolensky‘s play Marvelous Fruit will be read at Boston Playwrights’ Theatre (3/19, 7 PM).

Gabriel Polonsky will screen and hold a director’s talk for his film Release from Reason (3/11, 3-5 PM), in conjunction with the Life: from life at room83 Spring Gallery. The documentary, currently in-progress, is about the life and work of Boston Expressionist painter Arthur Polonsky (the filmmaker’s father).

Monica Raymond recently returned from a three-week residency at the Atlantic Center for the Arts, where she showed work as part of an exhibit of Erasure Texts and read new poems and performed improvised poetry and music as part of INsideOUT (3/9). She will be reading poems from the sequence A Walk on Norfolk Street (set in Cambridge 2013, around the Boston Marathon bombings) at the Brandeis Women’s Studies Research Center (3/28, 3 PM), part of a daylong symposium Women’s Sense of Place.

Shelley Reed has a solo exhibition, A Curious Nature, at Fitchburg Art Museum (thru 6/4, opening reception 3/12, 2-5 PM).

Tara Sellios has a solo exhibition of photography, Testimony, at Blue Sky Gallery in Portland OR (3/2-4/2, reception 3/2, 6-9 PM, artist talk 3/3, 12 PM).

Laurel Sparks is among the artists exhibiting in Witches at September Gallery in Hudson, NY (3/18-5/7, opening reception 3/18, 6-8 PM).

Naoe Suzuki has recently returned from a month-long residency at the Tokyo Wonder Site. Currently, she’s exhibiting in Cloudlands at the Albany International Airport (thru 7/31).

Cam Terwilliger‘s as yet unpublished novel Yet Wilderness Grew in My Heart is the winner of the 2017 Caledonia Novel Award.

Sarah Wentworth‘s photograph Rugosa Window, is one of the pieces in the Maud Morgan Art Center Chandler Gallery‘s 2017 Small Works Salon (3/20-4/14, reception 4/2, 3-5 PM). The exhibition was juried by gallery owner Howard Yezerski.

Kris Willcox‘s essay Love and Compost will soon be published in the Portland Review.

Evan Ziporyn was featured in WBUR’s ARTery for his orchestral version of David Bowie’s album Blackstar.

Read past Fellows Notes. If you’re a past fellow/finalist with news, let us know.

Image: interview with Lisa Nilsson, from the 40 Years of Fellowships project. This month, the artist exhibits at the Currier Museum of Art.

Fellows Notes – Jan 17

Monday, January 9th, 2017

Each month, we share the news and honors of Artist Fellows & Finalists. Here’s the newest, in this new month of the new year.

Cover art for BEFORE YOU by Rebecca Doughty (Houghton Mifflin Harcourt 2017)

Regie Gibson, Letta Neely, Monica Raymond, and David Valdes Greenwood are among the artists whose work will be performed at Pinning Our Hopes, an evening of poems and scenes exploring the years ahead under the new president. The show, which is curated by David Valdes Greenwood, has two performances (1/14, 4 PM and 8 PM) and is free/donation-based.

Marky Kauffmann and Rania Matar both have photography in Outspoken: Seven Women Photographers at the de Menil Gallery at Groton School (opening reception 1/18, 7 PM). Marky Kauffmann curated the exhibition.

Kenji Nakayama and Ben Sloat are among the artists in the exhibition All That Glitters Is Not Gold at Drive-by Projects (1/28-3/11, reception 1/28, 4-6 PM).

Rachel Perry, Joe Wardwell, and Deb Todd Wheeler are among the artists exhibiting in Loud and Clear at Miller Yezerski Gallery (1/6-2/7).

Daniela Rivera and Evelyn Rydz are both exhibiting in latinx@mericañaza at Samson Projects.

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Kati Agócs had the U.S. premiere of her string quarter Tantric Variations, performed by the Cecilia String Quartet on Stradivari instruments, at the Library of Congress in Washington, D.C. in December.

Alexandra Anthony has a one-week theatrical run of her film Lost in the Bewilderness in Athens, Greece (1/12-1/18) at the Alkyonis Art Cinema. National Greek TV (ERT) will broadcast the film 1/15. The film’s December premiere in Greece received press attention in Madame Figaro and THETOC.gr.

Carrie Bennett has poetry in Issue 30 of jubilat.

Steven Bogart has a staged reading of his play Rehearsal at First Church in Boston Unitarian Universalist (1/24, 7 PM).

David Bookbinder has recently published two books: 52 (more) Flower Mandalas (an adult coloring book collaboration with Mary O’Malley) and Paths to Wholeness: Fifty-Two Flower Mandalas.

Rebecca Doughty has a new picture book, Before You, which will have a book launch event at Joie de Vivre in Cambridge (1/15, 4-6 PM).

Michael Dowling co-wrote the feature film Brave New Jersey, and it’s screening at the Berkshire Film Festival (1/12, 6 PM reception, 7 PM screening, q&a to follow).

Samantha Fields has a performative sculptural installation in the exhibition Is this Something at the Lasell College Wedeman Gallery (1/24-2/11, reception 1/29, 4-6 PM). Next summer, she will be Artist-in-Residence at the John Michael Kohler Arts Center in Wisconsin.

Sean Greene has a solo exhibition, Impulse Control, at the Williston Northampton School Grubbs Gallery (thru 1/30, reception 1/14, 1 PM).

Carrie Gustafson is exhibiting in the New York Ceramics and Glass Fair (1/18-1/22).

Michael Hoerman‘s poems “Disoriented Fascination,” “The God-box Killer,” and “The B-side of Stuxnet,” published in Eureka Literary Magazine, were nominated for the Pushcart Prize.

Eric Hofbauer‘s album Three Places in New England (with The Eric Hofbauer Quintet) was named one of the Boston Globe’s Top Ten Jazz Albums of 2016.

Joel Janowitz has a solo exhibition, Protected Trees, presented by Cambridge Arts at Gallery 344 (1/23-4/7, reception 1/30, 6-8 PM).

Niho Kozuru is among the artists in Plastic Imagination Fitchburg Art Museum (thru 1/15).

Scott Listfield is exhibiting in Supersonic Invitational (New York City), Platinum Blend 3 at Modern Eden Gallery (San Francisco), BRINK at Antler Gallery (Portland), and a Rick and Morty-themed exhibition at Gallery 1988 in LA.

Caitlin McCarthy is included in the book The Top 100 Indie Writers in the World.

Nathalie Miebach is in the group show Weather or Not, That Is the Question at the Children’s Museum of New York City (1/16-5/23). She’s also exhibiting in Rooted, Revived, Reinvented: Basketry in America at the University of Missouri Museum of Art and Archeology (1/27-5/14).

Anna Ross has a poem, Back Porch Aubade, published on Harvard Review Online.

Evelyn Rydz‘s exhibition Floating Artifacts is at Tufts University Art Gallery (1/24-5/21, opening reception 1/26, 5-7:30 PM). As mentioned above, she’s also exhibiting in latinx@mericañaza at Samson Projects.

Jenine Shereos has a solo show of new work, Thaw, at Tower Hill Botanic Garden in Boylston (1/14-3/8, reception 2/25, 5-7 PM).

Karen Skolfield won the Jeffrey Smith Editors’ Prize in poetry at Missouri Review.

Shubha Sunder wrote about the writing workshop experience for the Grub Street’s GrubWrites blog.

Read past Fellows Notes. If you’re a past fellow/finalist with news, let us know.

Image: cover art for BEFORE YOU by Rebecca Doughty (Houghton Mifflin Harcourt 2017).

Apply Now for an Artist Fellowship in Film & Video, Music Composition, & Photography

Monday, December 19th, 2016

Image: THE LIGHT UNDER THE DOOR by TSAR FEDORSKY

We’re excited to announce that the Massachusetts Cultural Council is now accepting 2017 Artist Fellowship applications in the categories of Film & Video, Music Composition, and Photography. Deadline: Monday, January 23, 2017.

The Artist Fellowships are unrestricted, anonymously judged, competitive grants of $12,000 and finalist awards of $1,000, in recognition of artistic excellence.

Who should apply for an Artist Fellowship? Massachusetts artists creating original work who meet eligibility requirements (see guidelines) are encouraged to apply. Read our tips on applying for an MCC Artist Fellowship.

We know artists work in ways that are not always easily categorized. If you have any questions where your work might best fit in the program, don’t hesitate to ask us.

 


Play an excerpt from VESSEL by Kati Agócs (Music Composition Fellow ’15)

 

There are two deadlines per fiscal year, divided by discipline, and this is the second deadline. Applications in Crafts, Dramatic Writing, and Sculpture/Installation/New Genres were accepted earlier in 2016, with a October 3, 2016 deadline. Grant results in those categories will be announced by February 2017.

Read full program guidelines, eligibility requirements, and application instructions.

Allison Cekala, still image from FUNDIR (2014)

Still image from MY HEART SWIMS IN BLOOD by John Gianvito (Film & Video Fellow '15)

 

Images and media: Tsar Fedorsky (Photography Fellow ’15), from the series THE LIGHT UNDER THE DOOR (2013), silver gelatin 15×15 in; excerpt from THE VESSEL by Kati Agócs (Music Composition Fellow ’15); still image from FUNDIR (2014) by Allison Cekala (Film & Video Fellow ’15); still image from MY HEART SWIMS IN BLOOD by John Gianvito (Film & Video Fellow ’15).

Fellows Notes – Nov 16

Thursday, November 3rd, 2016

It’s November, a month to vote, eat sweet potato casserole, and celebrate new art.

Here’s the latest news from current and past MCC Artist Fellows/Finalists.

Liza Bingham, CARTOON CONTRAIL (2016), acrylic and oil on muslin over panel, 14x20 in

Claire Beckett, Caleb Cole, and Stephen Tourlentes will participate in an Artadia Art & Dialogue event with Whitney Museum of Art Curator Elisabeth Sherman (11/9, 6:30-8:30 PM) at the MassArt Design and Media Center Lecture Hall.

MCC Artist Fellowship Program awardees Kathleen Brennan, Anna V.Q. Ross, and Gary Whited read at the Public Library of Brookline (11/15, 7 PM).

Michael Joseph and Molly Lamb are both included in PhotoLucida’s Critical Mass 2016 Top 50 list.

Congratulations to Georgie Freidman and Emily Lombardo, both of whom are among the School of the Museum of Fine Arts (SMFA) 2017 Traveling Fellows.

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Kati AgocsThe Debrecen Passion is Music Web International’s Recording of the Month. Two songs from the album are up for consideration on the 2017 Grammy ballot.

Liza Bingham has a solo exhibition of paintings, Hot Pink, Soft Pink, Rusty Orange, White, at the new Boston project space and gallery How’s Howard (11/4-12/11, opening reception 11/4 5-9 PM).

Janet Echelman will give a presentation, Soft Structure: Sculpting at the Scale of Cities, hosted by the MIT Department of Architecture, on 11/17, 6-8 PM.

Georgie Friedman has work in Constructed Video at Boston Cyberarts Gallery (11/12-12/18, reception 11/11, 6-8 PM). Also, she has a site-specific video installation at the Strand Theatre in Dorchester, Traces of Wind and Water (thru 11/14), with “Artist Hours” at the site 11/6, 5-6:30 PM. (See news about the artist’s award from SMFA, above.)

Raul Gonzalez has a solo exhibition of drawings and paintings, Forbidden Frontera, at Carroll and Sons Gallery (11/2-12/21, reception 11/4 5:30-7:30 PM).

Justin Kimball has a solo exhibition of photography, Elegy, at Carroll and Sons Gallery (11/2-12/21, reception 11/4 5:30-7:30 PM). Signed copies of Justin Kimball’s book Elegy will be available for purchase.

Niho Kozuru has a solo show, Positive Vibration, at Miller Yezerski Gallery (thru 11/15, opening reception 11/4, 5-8 PM).

Danielle Legros Georges will read at the MIT Stata Center (11/7, 7 PM) and at Porter Square Books (with Kirun Kapur and Steve Yarbrough, 11/11, 7 PM). Her book The Dear Remote Nearness of You was awarded the 2016 Sheila Motton Book Prize by the New England Poetry Club. She will be sitting on the panel “New Directions in Caribbean Poetry” at the Miami Book Fair (11/20).

Scott Listfield is among the artists in Lunar Attraction (thru 9/4/2017) at Peabody Essex Museum. He’s also in the two-person exhibition Anthropecene at Antler Gallery in Portland, OR. Read an interview with the artist on the gallery’s blog.

Melinda Lopez has a new, one-woman play, Mala, at ArtsEmerson (thru 11/20). In recognition of the playwright’s achievements, Mayor Marty Walsh named October 29, 2016 Melinda Lopez Day in Boston. Read excellent reviews of Mala in the Boston Globe, WBUR’s ARTery, and Boston Magazine.

Rachel Mello has a solo exhibition, That Space Between Flying and Falling at Laconia Gallery (thru 12/18, Artist’s Talk 12/2, 6:30-7 PM).

Nathalie Miebach is exhibiting in the group show Intersections: Artists Master Line and Space at Akron Art Museum (thru 1/15). The museum will host a concert featuring work by Boston composers Christian Gentry and Mischa Salkind-Pearl, created in collaboration with Nathalie Miebach (11/3, 7 PM). Also this month, the artist has talks or events at the University of Akron Synapse Art Science Lecture series (11/2), the Sculpture Center in Cleveland (11/4, 11/5) and the New York Art Teacher Association at their annual conference in Albany, NY (11/18).

James Morrow and his dance company, james morrow/The Movement, present A Quarter Past Midnight at the Boston Center for the Arts Calderwood Pavilion (11/11 and 11/12, 8 PM). The performance is part of the dance artist’s Choreography Residency at the BCA.

Carl Phillips will read in the Blacksmith House Poetry Series (11/7, 8 PM).

Monica Raymond was selected as a Visiting Scholar for 2016-2018 at the Brandeis Women’s Studies Research Center. Also, “The Bag Song” from Paper of Plastic (an opera co-created with composer Charles Turner and performed at the Arkansas Science Slam in Oct) won Rough Magic Shakespeare Company‘s First Prize for a science song.

Jo Ann Rothschild is in the group exhibition Painting Is Not a Good Idea at HallSpace in Dorchester (11/19-1/7, opening reception 11/19, 3-6 PM).

Tracy Heather Strain and Randall MacLowry‘s film company, The Film Posse, created The Battle of Chosin, the latest documentary on the PBS series American Experience.

August Ventimiglia is among the artists in Wood + Paper + Earth at Drive-By Projects (11/5-12/17, reception 11/5, 4-6 PM).

Joe Wardwell has a solo show at LaMontagne Gallery in Winchester (thru 11/11) and another exhibition, Soon I Will Be President at Southern New Hampshire University McIninch Art Gallery (11/3-12/17, opening reception and artist talk 11/3, 5-7 PM).

Elizabeth Whyte Schulze‘s exquisite basketry, described as “three dimensional paintings,” are the Spotlight Exhibition at Mobilia Gallery (thru 12/15).

Suara Welitoff has an exhibition of multimedia and installation work, What Time This Feels at 186 Carpenter in Providence, RI (thru 12/10).

Cary Wolinsky has a solo exhibition of photography, Cary Wolinsky: Fiber of Life at Fuller Craft Museum (thru 2/26).

Read past Fellows Notes. If you’re a past fellow/finalist with news, let us know.

Image: Liza Bingham, CARTOON CONTRAIL (2016), acrylic and oil on muslin over panel, 14×20 in.

Fellows Notes – Feb 16

Thursday, January 28th, 2016

It’s a Leap Year, so there’s an extra day this month to enjoy the awesomeness of Massachusetts artists!

For a taste, we offer news from past Fellows and Finalists of MCC’s Artist Fellowships.


Melinda Lopez, who has a new play opening this month (see below), in the 40 Years of Fellowships project

 

Two exhibitions at the University of New Hampshire Museum of Art feature past MCC awardees: Sophia Ainslie and Cristi Rinklin join Nathan Miner in the three-person exhibition, Groundswell, while Shelley Reed and Randall Thurston exhibit in Natural Wonder. Both shows run thru 4/3.

Elizabeth Alexander and Randall Thurston are both exhibiting in Paper and Blade: Modern Paper Cutting at the Fuller Craft Museum (thru 7/24).

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Deborah Abel of the Deborah Abel Dance Company recently returned home from a 3 city tour of India where she gave Bhakti Modern Dance master classes. See pictures from a master class at Kalakshetra Conservatory of Music and Dance in Chennai India in January.

Kati Agócs was recently featured on WBUR’s The ARTery for a recent concert of her work. Kati’s new CD The Debrecen Passion was featured by WQXR as its album of the week.

Allison Cekala‘s solo show Salt Mountain at the Howard Art Project was listed as Cate McQaid’s highlights from 2015, and her photo show Salt is on view at the Mayor’s Gallery at City Hall (thru 2/29). Allison’s project Fundir (which she submitted to win her 2015 fellowship) is a video piece tracking salt gathered from northern Chile and transported to Boston for winter road maintenance. She spoke on a segment in PRI’s The World about the road salt harvesting and transport process.

Alexander Chee‘s new novel Queen of the Night is published this month. He was interviewed on Late Night with Seth Meyers!

Georgie Friedman‘s video installation Slippery Slope is on view at the Wold Atrium of Union College in Schenectady, NY (thru 11/2016).

Matthew Gamber‘s Grammar, a survey of recent photography works, is on view at College of the Holy Cross Cantor Art Gallery (thru 2/27).

John Gianvito curated the four-person exhibition High Low at the Fort Point Arts Community Gallery (2/23-3/29, opening reception 3/3 5:30-7:30 PM).

Rebecca Kaiser Gibson was interviewed by Mass Poetry about her new book Opinel. She has upcoming readings at The Blacksmith House (2/22, with Michael Morse) and Boston Athenaeum (4/27).

Sean Greene is in the 20th Anniversary Exhibition at William Baczek Fine Arts (thru 3/12), and he’s among the artists who worked with a chair to create a new work, in Take a Seat at the UMass Amherst Museum of Contemporary Art (thru 2/27, silent auction 2/28).

Marky Kaufmann has a solo show, Landscapes and Prayers at Griffin Museum’s Digital Silver Imaging Gallery (thru 3/11, opening reception 2/18, 6-8 PM). Also, Marky curated and is exhibiting in Outspoken, a show of six female photographers (including Rania Matar), at Middlesex School in Concord.

Caroline Klocksiem has poetry in the latest issue of Opon.

Daniel Kornrumpf is exhibiting in Extrapolation at the Trustman Art Gallery at Simmons College (2/4-3/4, reception 2/4, 5-7 PM).

Joy Ladin recently received a National Endowment for the Arts Literature Fellowships, and she was featured in an interview on the NEA’s Art Works Blog.

Siobhan Landry was featured on Neighbor Media for a new film project exploring the abolitionist history of this region, specifically Georgetown, MA.

Sandy Litchfield‘s solo show Filterscape is on view at Carroll and Sons Gallery (thru 2/27).

Melinda Lopez (featured in the 40 Years of Fellowships video, above) has a new play, Back the Night at Boston Playwrights Theatre (2/4-2/28).

Rania Matar has gotten advance reviews for her new photography book L’Enfant-Femme from The Guardian, ARTslant, LensCulture, and The Daily Telegraph.

Cynthia Maurice is in the two-person show Out the Window & Around the Town at Brickbottom Art Gallery in Somerville (thru 2/27).

Rachel Mello co-curated and is exhibiting in the Sketchbook Show 2016 at the Nave Gallery (thru 3/3).

Vanessa Michalak recently accepted a position for the Spring semester as the “Emerging Artist in Residence” at Penn State, Altoona. She has an upcoming Exhibition in the McLanahan Gallery on campus (3/17-4/3).

Nathalie Miebach has pieces in two shows that are part of the State of the Art: Discovering American Art Now exhibition: Minneapolis Institute of Art (2/18-5/29) and Telfair Museum in Savannah, GA (2/19-9/4).

Anne Neely‘s Water Stories: Conversations in Paint and Sound, created with Halsey Burgund, is traveling from its original setting at the Museum of Science Boston to Old Dominion University Baron and Ellin Gordon Gallery in Norfolk, VA (thru 3/13).

Cecelia Raker is a 2016 PlayLab Fellow at Company One Theatre in Boston.

Kathryn Ramey has a new book, Experimental Filmmaking – BREAK THE MACHINE. There will be a book launch event on 2/4, 6-8 PM, at City Feed and Supply in Jamaica Plain, including a hand-drawn film workshop by AgX Film Collective.

Monica Raymond‘s play A to Z is a finalist for the Association for Theatre in Higher Education Award of Excellence in Playwriting.

Cristi Rinklin is among the artists exhibiting in Collaboration: The Artist and the Land at the Sharon Arts Center at the New Hampshire Institute of Art (thru 2/20).

Anna Ross wrote a moving tribute to C.D. Wright for the Mass Poetry blog.

Samuel Rowlett has a solo exhibition entitled Landscape Painting in the Expanded Field as part of the O P E N exhibition series at the Julian Scott Memorial Gallery at Johnson State College. At a gallery talk related to the exhibition, Samuel conducted an interactive digital painting session, with students and visitors using smartphones as both palette and canvas!

Mary Sherman‘s Eri, After Dark was performed at Drive-By Projects in January.

Sarah Slifer Swift is embarking on the second year of her Trident Live Art Series at Trident Gallery in Gloucester MA. The series is a platform for local and regional performance-based artists to show current projects in a salon setting. The upcoming show on 2/6, 7 PM features a new duet by Swift and cellist Kristen Miller.

Sarah Sousa (one of the brand new Poetry Fellows!) is featured in Mass Poetry’s Poem of the Moment, with her poem Epistle.

Laurel Sparks has a solo show, Magic Squares, at Sarah Lawrence College Barbara Walters Gallery (thru 3/13). There will be an artist lecture on 2/16, 4 PM.

TRIIIBE, aka the identical triplets Alicia, Kelly, and Sara Casilio along with photographer Cary Woliknsky, have a solo show at Fitchburg Art Museum, TRIIIBE: same difference (2/7-6/5, opening reception 2/7, 1-3 PM).

Evan Ziporyn was named one of the 40 Most Intriguing Musicians of 2016 by The Daily Beast.

Read past Fellows Notes. If you’re a past fellow/finalist with news, let us know.

Media: Melinda Lopez, interviewed at the Huntington Theatre Company, for the 40 Years of Fellowships project.

Laura Andel: Vivid Composition

Friday, January 8th, 2016

LauraAndelJacobBlickenstaff

When we first envisioned the MCC’s 40 Years of Fellowships video project, we wanted a title sequence that captured the excellence and innovative spirit of Massachusetts artists. Once we heard Laura Andel‘s (MCC Music Composition Fellow ’99) song Sao Dao, we knew it was the song we wanted: vivid, textured, and brilliantly alive – perfect to accompany Basia Goszczynska‘s vibrant animation. Longer sections from Sao Dao are also featured in the videos of photographer Rania Matar and sculptor Niho Kozuru.

Since winning her MCC award, Laura has moved to New York, where she conducts the Laura Andel Orchestra and works in a wide array of projects. We asked Laura about creating Sao Dao, her memories of receiving her MCC award, and her current work as composer and interdisciplinary music artist.

Do you remember where you were and what you were doing when you got the news about your MCC fellowship?
It was sometime in 1999, I had just gotten home, and checked for voicemail messages on my home’s answering machine. It was then when I heard a recorded message from someone from MCC congratulating me that I had received a Fellowship in Music Composition. I could not believe my ears!

What are the origins of the composition Sao Dao?
It is almost 20 years later, and I still remember the moment when I started to imagine Sao Dao. I remember the excitement when I composed the staccato melody, and began working on its fragmentation and sonic modulations. I also remember when I started interweaving the staccato melody with the half-tone legato lines and rhythmic section. I still remember the joy while working on it.

Listen to an excerpt of Sao Dao

When my 20-piece jazz orchestra first read the score in 1997, it took a few pass-throughs for the music to start to sink in before magic happened. Since then, Sao Dao was played many times at concerts, and it was usually a “hit.” Often, audience wanted to hear Sao Dao as an encore.

LauraAndelConducting

Share a surprise twist in the Laura Andel story.
How I ended moving from Buenos Aires, my hometown, to Boston, is a chance story, if such things exist. A musician friend of mine had just visited Boston in 1992, and told me that she wanted to go to study there, but didn’t want to go by herself. She proposed that we go together, so we started to prepare together for this trip. A year later, I went to Boston, and she stayed in Buenos Aires! Time went by, and I ended up making Boston my home for more than seven years!

What films have influenced you as an artist?
Many films have been inspirational for my work. Here is a list of five:
Woman in the Dunes by Hiroshi Teshigahara (Japan, 1964)
Stalker by Andrei Tarkovsky (Soviet Union, 1979)
The Exterminating Angel by Luis Buñuel (Mexico, 1962)
The Hand in the Trap by Leopoldo Torre Nilson (Argentina, 1961)
State of Dogs by Peter Brosens & Dorjkhandyn Turmunkh (Mongolia, 1998)

Computer, longhand, or typewriter?
ALL OF THEM. Each has its own unique quality.

What excites you about the project you’re working on now?
My creative process revolves not only around music composition, but also around music drawings, or drawing “sound.” I love to create original music drawings and graphic scores.

Drawings are deeply linked to the initial stages of my compositional process, and they function as a way of deciphering my abstract sound thinking and compositional structures. In a way, my music drawings are the charts of how sounds are coded and visualized in my brain. Through the act of drawing, I initiate an intimate dialogue between sound and its representation, and develop the different sonic landscapes for my music.

From the SEASHELL SERIES by Laura Andel
From the SEASHELL SERIES by Laura Andel
Musical drawings by Laura Andel
APSIDES by Laura Andel
More drawings can be seen here

Also, I have recently started building my own musical instruments in clay. After the instruments are built, the sounds are also recorded to become part of electroacoustic works.

Listen to an excerpt of Soplo, an Electroacoustic Composition for Seashell-shaped Clay Trumpet & Tin Ecuadorian Dulzainas

As a music composer, and especially as someone who has started to work with clay, modeling an instrument with my own hands adds one more layer to the concept of searching for a personal sound. There is also a sense of continuity from the process of working with clay to model an instrument to the sound that results from it. In a way, it feels like modeling sound.

Construction process of a seashell-shaped clay trumpet, inspired after an ancient Mochica clay trumpet
Construction process of a clay trumpet, inspired after an ancient trumpet from the Moche culture (South América, c. 200 a.d.).
Construction process of a seashell-shaped clay trumpet, inspired after an ancient Mochica clay trumpet
More clay instruments can be seen here

What’s next?
I am working on a new large-scope interdisciplinary project that involves composing electroacoustic music, building seashell-shaped trumpets in clay, music drawing, video work, and Tesla-inspired plasma lamps.

SOPLO by Laura Andel

I am also redesigning my website, and feeling thrilled that the first pages have just gone live! You can visit the new website at www.lauraandel.com

Laura Andel, photo by Carlos Liachovitzky

Images: three portraits of Laura Andel by Jacob Blickenstaff; musical drawings by Laura Andel (two from the SEASHELL SERIES and APSIDES); two images of the construction process of a seashell-shaped clay trumpet; SOPLO by Laura Andel; portrait of Laura Andel by Carlos Liachovitzky.

40 Years of Music Composition

Thursday, December 31st, 2015

If you watch the MCC’s 40 Years of Fellowships videos, which tell the stories of some of the incredible artists we’ve funded since 1975, the over-arching story (as we see it, anyway) is that when a community supports artists, the impact is wide-ranging and profound. But the project also tells a parallel story: each video features music by a past MCC Music Composition Fellow, and each composer offers a glimpse into the rich musical legacy of Massachusetts.

Here are the composers that we have been honored to partner with in the project, to date.

Laura Andel (Fellow ’99)
Originally from Argentina, Laura Andel studied jazz composition at Berklee College of Music in Boston before receiving her 1999 MCC Fellowship. Laura’s 1997 song “Sao Dao” (it was part of her 1999 MCC application!) moves and feels like a living creature: vivid, multi-textured, and vibrant. A section from the song accompanies the animated title sequence that plays before each of the videos. Longer sections from “Sao Dao” are featured in the stories of photographer Rania Matar and sculptor Niho Kozuru.

Deborah Henson-Conant (Fellow ’84, ’87)
Deborah Henson-Conant is a fascinating, one-of-a-kind performer and creator, with innovative compositions and performance techniques for the harp. Excerpts from her songs “996” and “Merceditas” are featured in the stories of playwright Melinda Lopez, filmmaker Alexandra Anthony, and the 40 Years of Fellowships Highlight Reel (embedded above). Deborah wrote that winning the state fellowships was a big part of the reason she chose to stay and create in Massachusetts.

Shirish Korde (Fellow ’79, ’01, ’07, ’11)
Highly respected and internationally acclaimed, Shirish Korde creates lush, textured, and sophisticated works drawing from diverse world traditions. He’s one of the most highly awarded artists in the history of the fellowships program; fitting, then, that his violin concerto “Svara-Yantra” is featured in the story of choreographers Diane Arvanites and Tommy Neblett, who have likewise won numerous awards over multiple decades.

Lewis Spratlan (Fellow ’75, ’88)
Lewis Spratlan‘s operas, choral works, and orchestral and other compositions are intellectually fertile and alive with surprises. His composition “Hesperus Is Phosphorus” is featured in the highlight reel above, as well as in Lewis’s own video for the series, which illuminates the long arc of a creative work (and the long arm of artist support!).

Sai Ghose (Fellow ’03)
Sai Ghose‘s jazz composition “The Changing Table” felt like a perfect fit for our conversation with poet Carl Phillips, for whom the fellowship marked the beginning of an incredible career. Whether it’s the title or the spontaneity of the Sai Ghose Trio‘s performance, the song seemed to us to exemplify the moment of change, when a new array of possibilities opens up (such as, say, the sudden windfall from an artist fellowship).

Scott Wheeler (Fellow ’05)
Scott Wheeler is a highly-acclaimed composer of concert music, often choral or dramatic work. Like other composers in this article, his MCC award is just one of many, many honors, including a Guggenheim Fellowship and multiple MacDowell Colony Residencies. An excerpt from “City of Shadows,” a work of haunting beauty and precision, accompanies the story of paper artist Lisa Nilsson, and multiple excerpts accompany a video featuring Cambodian master potter Yary Livan.

Eric Hofbauer (Fellow ’09)
Innovative and powerful jazz compositions are the specialty of Eric Hofbauer. His song “Surely Some Revelation Is at Hand” is complex, driving, and (we thought) a fine complement to the story of painter Sean Greene. Eric’s own story of winning the MCC Fellowship is a memorable one: at the time he won, the Great Recession was in full effect, and he called the fellowship his “jazz bailout” when it allowed him to keep several of his numerous musical projects afloat.

Fellows Notes – Nov 15

Friday, October 30th, 2015

This month, while the sunshine ebbs, the news from past awardees of MCC’s Artist Fellowships shines ever shinier.

Naoe Suzuki, LOVE, SUNSHINE, mixed media on laser cut paper

Liza Bingham and Zehra Khan are among the artists in Lost Cat: Art in the Age of Social Media, at Cape Code Museum of Art (11/24-1/17, events 12/5).

In October, the Mayor’s Office of Arts and Culture and the Massachusetts College of Art and Design (MassArt) announced that 11 artists were selected for the City of Boston’s first artist-in-residence program, Boston AIR, including Peter DiMuro (MCC Choreography Fellow ’90), Georgie Friedman, Caleb Neelon, and Liz Nofziger.

Rebecca Doughty and Zehra Khan join Phillip Knoll for Animal/Animist at Room 83 Spring Gallery, in Watertown, MA, (11/5-12/20, reception 11/7, 5-7 PM).

Congratulations to the ten artists named as 2015 Brother Thomas Fellows, including past MCC awardees Raúl Gonzalez III, Masako Kamiya, Balla Kouyaté, and Danielle Legros Georges. The Fellows receive unrestricted grants of $15,000 through a fund established at the Boston Foundation in 2007 to honor the legacy of Brother Thomas Bezanson, a Benedictine monk and world-renowned ceramic artist.

Warren Mather and Janice Redman join Janice Jakielski in the show Not Really Practical at the Trustman Gallery at Simmons College (11/9-12/14, reception 11/12, 5-7 PM).

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Elizabeth Alexander has a solo show at Flanders Gallery in Raliegh, NC, A Changeable and Unpredictable Nature: Elizabeth Alexander, 11/6-12/8.

Stacey Alickman has a solo show, Humpty Dumpty II, at Kingston Gallery (thru 11/29, opening reception 11/6, 5:30-7:30 PM).

Alexandra Anthony recently had the U.K. Premiere of her film Lost in the Bewilderness which won the Odysseus Award for Best Creative Documentary at the London Greek Film Festival. The film garnered a positive Boston Globe review when it screened in the Arlington International Film Festival in October, and it will screen at the Wellesley College Davis Museum (Collins Cinema) 11/5, 6 PM, q&a with filmmaker to follow.

Domingo Barreres has a solo show at the Brookline Arts Center, Domingo Barreres: Myth, Reality And The Illusive Glimmer Of Recognition (thru 11/20).

Congratulations to Alice Bouvrie, whose documentary film A Chance to Dress won Best Documentary Short at the Arlington International Film Festival in October.

Laura Chasman has two portraits in the exhibition Director’s Favorites: 1999- 2015 at the New Britain Museum of American Art in CT (thru 1/3).

Candice Smith Corby has a solo show, Forever and Forever and Forever, Is a Long Time at Miller Yezerski Gallery (11/20-12/22, reception 12/4, 5-8 PM).

Patrick Donnelly has his inaugural reading as Poet Laureate of Northampton on 11/1, 4 PM, at the Smith College Neilson Library. He was Mass Poetry’s Poet in the Spotlight for October.

Vico Fabbris will teach Watercolor and Inventive Thinking at the School of the Museum of Fine Arts, Boston for a five-week course (11/2-11/30).

Patrick Gabridge has the world premiere of his play Lab Rats at Boston’s Atlantic Wharf (11/6-11/15), in Salisbury, MD (11/19), and in Ocean City, MD (11/20-11/23).

John Gianvito‘s film WAKE (Subic) premiered at the Viennale in Oct/Nov.

Raúl Gonzalez III, along with winning at Brother Thomas Fellowship (see above), will have a solo show, Regalo, at the Boston University Annex Gallery (thru 12/13).

Eric Gottesman will celebrate the US launch of his new photography book Sudden Flowers at Foto DC, 11/8, 5 PM.

Deborah Henson-Conant, whose musical compositions are woven into several of the MCC’s 40 Years of Fellowships videos, wrote a great blog post about the impact of her two Massachusetts Artist Fellowships, in the ’80s.

Congratulations to Elizabeth James-Perry, who won an inaugural Rebecca Blunk Fund award from the New England Foundation for the Arts. The awards are grants of $2,500 each in unrestricted support to support the creation of new work and for professional development. The fund is in honor of the legacy of former NEFA executive director Rebecca Blunk, who passed away in 2014.

Ben Jolivet‘s play Cain and Abel had its world premiere at the Wilbury Theatre Group in Providence, RI.

Rebecca Kaiser Gibson joins Gary Whited for a reading at the Suffolk University Poetry Center (11/4, 7 PM).

Cristina Kotz Cornejo launches the inaugural Women in Motion Summit at Emerson College this month (11/9), a gathering of women in film/media to discuss experiences and effect change.

Kate Leary‘s story Holy Family will be published in the November 11 issue of Amazon Day One, a weekly literary journal for the Kindle. Day One features just one story and one poem by emerging writers per issue, plus author interviews. A week after the publication, the story will be available as a Kindle Single.

Rania Matar‘s photography book L’Enfant Femme is published this month. The book features an Introduction by Her Majesty Queen Noor of Jordan, an essay by Lois Lowry, author of The Giver, and an afterword by Kristen Gresh, Estrellita and Yousuf Karsh Assistant Curator of Photographs at the Museum of Fine Arts, Boston. This month, her work is exhibiting in the Taylor Wessing Photographic Portrait Prize 2015 exhibit at the National Portrait Gallery, London (11/12-2/21).

Anne Neely has an exhibition of 30 watercolors inspired by living on the coast of Maine, traveling to Ireland for an Artist Residency in County Kerry, and a trip to Japan, called Transforming Place. It’s at The Robert Lehman Art Center at Brooks School in North Andover (thru 12/18).

Lisa Olivieri‘s documentary Blindsided is an official selection for the Broken Knuckle Film Festival.

Dave Ortega‘s 24-page comic Dias de Consuelo Issue I is now available! The publication is the first in a series about the artist’s 100-year old abuela, Consuelo Herrera, beginning in the tumultuous years of the Mexican Revolution. The artist will be participating in Comics Arts Brooklyn (11/7) where he will have copies of the Dias de Consuelo, as well as limited copies of Poor Mexico, a new zine published by Bien Vestido Press.

Naoe Suzuki has a solo exhibition, In Solidarity, at the University of Massachusetts Lowell Art Gallery (thru 11/25). A catalogue of Naoe’s work, Be Water, My Friend will be published this month. Earlier in the year, Naoe won a Pollock-Krasner Foundation grant, which enabled her to work on her project Water, is Taught by Thirst in Berlin and at Blue Mountain Center in the Adirondacks.

Joyce Van Dyke‘s play Daybreak (previously produced as departed/A Dream Play, is being produced at the Tufts University Balch Arena Theater (10/29-11/7), directed by Barbara Wallace Grossman (MCC board member!).

Read past Fellows Notes. If you’re a past fellow/finalist with news, let us know.

Image: Naoe Suzuki, LOVE, SUNSHINE, mixed media on laser cut paper.


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