ArtSake

Set off some dazzling fireworks (naturally, I mean safely and legally) – it’s time to celebrate July’s news and notes from past MCC fellows/finalists.

Shakedown, an exhibition at DODGE Gallery in NYC, includes work by Taylor Davis (Sculpture/Installation Fellow ’99), Sheila Gallagher (Drawing Finalist ’10), and Laurel Sparks (Painting Fellow ’04). The show also features Massachusetts artists Robert de Saint Phalle, Jane Fox Hipple, and Douglas Weathersby, among others.

Rebecca Doughty (Painting Finalist ’10), Eric Gottesman (Photography Fellow ’09), Frances Hamilton (Drawing Fellow ’98), and Dawn Southworth (Drawing/Printmaking/Artist Books Finalist ’04) are all exhibiting work in Picture Books, featuring art in all media that pictures, or, references a book within the composition, or, is a book of some kind. The show runs at Clark Gallery in Lincoln through August 6, 2011.

Chuck Holtzman (Drawing Fellow ’06), Joel Janowitz (Painting Fellow ’08) and Harold Reddicliffe (Painting Fellow ’10) join Mary Armstrong, Carol Gove, Conley Harris, and Anne Lilly for an exhibition at Victoria Munroe Fine Art in Boston. The show of drawings, paintings, and sculpture runs through August 20, 2011.

Camilo Ramirez (Photography Fellow ’09) and Irina Rozovsky (Photography Finalist ’09) are exhibiting in a dual show of their recent photography, called Details at a Distance. The show runs at Fountain Studios in Brooklyn, NY, July 9-30, 2011, with an opening reception July 9, 7-10 PM.

An installation of the work of Karen Aqua (Film & Video Fellow ’11), called Animal, Vegetable, Mineral, will be on exhibit at the Brickbottom Gallery in Somerville, through July 10, 2011. The exhibition features pastel drawings, sounds, and video from Karen’s final film, Taxonomy, which was completed one month before her untimely passing on May 30, 2011. There will be a memorial tribute to Karen’s life and work on July 10, 2011, 2 PM, at the Center for Arts at the Armory in Somerville.

Sweetgrass, a film by Ilisa Barbash and Lucien Castaing-Taylor (Film & Video Fellows ’11), will be broadcast on PBS as part of the POV series starting July 5, 2011.

Congratulations to Michele Caniato (Music Composition Fellow ’07) for receiving a Fulbright award. He will be in Helsinki, Finland for four months starting in September, hosted by Metropolia University and will be composing, conducting, and lecturing.

On her blog, Cheryl Clark (Poetry Finalist ’10) added an audio recording of her reading from the Commonwealth Reading Series this past March 2011.

Patrick Donnelly (Poetry Fellow ’08) has a great interview on the Mass Poetry Festival blog, where he discusses opportunities available at The Frost Place, a poetry education center where he is Director of the Advanced Seminar.

Janet Echelman (Crafts & Sculpture/Installation Fellow ’09) was recently interviewed by CNN!

Samantha Fields (Sculpture/Installation Fellow ’11) has a solo show, Ecstasy and Common Sense, at NK Gallery in Boston. The show will run July 6-29, 2011, with an opening reception July 8, 6-8 PM.

Laura Harrington‘s (Playwriting Fellow ’05, ’97) novel Alice Bliss is a People Pick, receiving four out of four stars in the July 4th issue of People Magazine. Laura will join JoeAnn Hart for a reading on Wednesday, July 6, 2011, 7:30 PM, at Gloucester Writer’s Center (call for start time). Laura will also have a joint reading with fellow debut author Rebecca Makkai at the Boston Public Library (Tues, July 12, 2011, 6 PM). And, she’ll have a talk, Q&A, and signing at Stellina’s Restaurant in Watertown, on Wednesday, July 13, 6-7:30 PM.

Gregory Hischak‘s (Playwriting Finalist ’11) new full-length play Volcanic in Origin had its world premiere at the Source Festival in Washington D.C. and runs through July 3, 2011. Read an essay about the play by its dramaturg LaRonika Thomas.

Congratulations to Rania Matar (Photography Fellow ’11, ’07), whose A Girl and Her Room series is featured in a same-titled exhibition at The Mosaic Rooms in London, UK (through July 23, 2011). Also, Umbrage Editions will print a book of photos from the A Girl and Her Room series, scheduled for release Spring 2012. Rania’s exceptional work has recently been awarded the Legacy Award by Debra Klomp Ching in conjunction with the 17th Juried Exhibition at the Griffin Museum of Photography (through August 29); First Place at the Off the Wall Exhibit at the Danforth Museum of Art (through August 7, 2011); First Prize at The Julia M. Cameron Awards: Category Portrait, People and Figure; and Winner in the PDN Magazine Photo Annual 2011 in the Personal Category (featured in the June 2011 edition). Rania’s work is included in a number of group shows: University of Maine Museum of Art Photo National 2011 Exhibition (through September 24, 2011); Photographic Resource Center Exposure 2011 Exhibit (opening reception: July 21, 6:30PM, exhibit through August 21); Beirut Exhibition Center, Rebirth: Lebanon 21st Century Contemporary Art (through July 24, 2011).

Rachel Mello (Painting Finalist ’10) has a solo show of works from her Cities and Shadows Series at Soapbox Gallery in Brooklyn, NY, July 8 through July 20, 2011. There will be an opening reception on Saturday, July 9 5-7 PM. Rachel’s monoprint School of Pliers in Peril is featured in Crest Hardware Art Show in Brooklyn, NY, a show that features art inspired by and/or involving hardware. The show runs through July 30. Also, Rachel’s work was recently featured in Multiple/Unique at the Washington Street Art Center in Somerville.

Congratulations to Nathalie Miebach (Sculpture/Installation Fellow ’09), who received a TED Global Fellowship! As part of the Fellowship, she’ll participate in the TED Global Conference, which will be held in Edinburgh (UK), July 11-15, 2011.

Caleb Neelon (Sculpture/Installation Fellow ’07) was one of the innovative thinkers invited to speak at the June 2011 TEDxBoston! Read a recent interview with Caleb on the Converse blog.

Liz Nofziger (Sculpture/Installation Fellow ’05) is among the artists in Shifting Terrain: Landscape Video at the Currier Museum of Art in Manchester, NH. The exhibition runs July 2-September 18, 2011, with an opening reception July 7, 5:30-7:30 PM.

Masha Obolensky‘s (Playwriting Finalist ’11) ten-minute Girls Play has been selected to participate in The Samuel French Off-Off Broadway Short Play Festival. The festival, now in its 36th year, takes place at The Lion Theatre on Theatre Row in NYC on July 19-24. Read an interview with the playwright on the Festival’s blog.

Monica Raymond‘s (Playwriting Finalist ’07, Poetry Finalist ’08) story Ludd and the Perkadoodles was a runner up for the contestoria contest at HERE ARTS CENTER. Read it online.

Alison Safford (Sculpture/Installation Fellow ’03) just completed a solo show at Gallery 303 at the New England Institute of Art.

Katy Schneider (Painting Fellow ’00) is featured in Inside/Out, a dual show with David Gloman of expressive landscapes and interiors, at studio21south in North Adams, through July 10, 2011.

Congratulations to Tracy Heather Strain and Randall MacLowry (Film & Video Fellows ’07), whose Lorraine Hansberry Documentary Project won a $30,000 grant from the National Endowment for the Arts!

Naoe Suzuki (Drawing Fellow ’06) is collaborating with the theatre company Dramahound Productions for a fascinating multi-media installation. Mi Tigre, My Lover at the Open Source Gallery in Brooklyn, NY features a play based on Naoe’s paintings, which are inspired by early 20th century female tiger trainer Mabel Stark. The paintings serve as the backdrop for a play by Anne Phelan. The play runs June 25-July 9, 2011, at 306 17th Street, between 5th and 6th Ave, South Slope, Brooklyn.

Rachel Perry Welty‘s (Sculpture/Installation Fellow ’09, Drawing Fellow ’04) Rachel Perry Welty 24/7 at the DeCordova Sculpture Park and Musueum was very favorably reviewed in Art in America Magazine.

Nine Houses: nine matted archival pigment prints by Maxine Yalovitz-Blankenship (Drawing Fellow ’83, Painting Finalist ’82, ’83), has just been published by Tahawus Press. The prints are in a clothbound boxed folio, limited to an edition of fifty, and are accompanied by text and poetry, written in response to the images, by Alan Lightman, Maxine Kumin, Florence Ladd, John Baeder, Elizabeth McKim, and her fellow Guggenheim Fellows: Morris Halle, Philip Levine, Ann Patchett, and Richard Wendorf.

Kevin Young (Poetry Fellow ’10) will present an afternoon of poetry at The Mount, the historic home of Edith Wharton in Lenox, MA. The reading, presented in partnership with the Amy Clampitt Fund, is on July 9, 2011, at 4 PM. Tickets are $12 and are available online.

Evan Ziporyn (Music Composition Fellow ’11) will present in The Music of Evan Ziporyn on Thursday, July 7, 2011, 8 PM, at the Shalin Liu Performance Center as part of the Rockport Music Festival. The composer will perform along with musicians including “friends from Bang on a Can.” Speaking of: from July 13 through July 31, the tenth annual Bang on a Can Summer Music Festival takes place at MASS MoCA in North Adams. Evan Ziporyn, who has been actively involved in the festival since its inception, will pariticpate in the Festival, which is dedicated to programming today’s most innovative new music and includes public performances, recitals, and lectures, plus workshops for participants in everything from Balinese music to improvisation, master classes, music business seminars, and more.

Past Fellows Notes
June 2011
May 2011
Apr. 2011
Mar. 2011
Feb. 2011
Jan. 2011

Are you a past fellow or finalist with an event, honor, or other bit of news you’d like to share? Tell us about it.

Images: production photo from Masha Obolensky’s GIRLS PLAY, featuring scenic design by Caitlin Fergus; Samantha Fields, Detail of SHE SPEAKS FOLLY IN A THOUSAND HOLY WAYS; Liz Nofziger, PORE; Evan Ziporyn, photo by Kevin Yatarola.

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So, you want art this weekend. You’ve come to the right place. Here’s a handy dandy guide to your art-seeking travels.

Your starting point is Taunton, Massachusetts, on Sat., June 4, 2011, for the Dighton Cow Chip Festival. There, you’ll behold chainsaw sculptor “The Machine” Jesse Green as he lives out his slogan – “Carving Dreams into Reality” – by sculpting (live, in real-time, and using the previously mentioned chainsaw) a cow sculpture that’s to become Taunton’s newest fixture.

Then, make your way due north until you reach the cool waters of the Charles River, where the Cambridge River Festival (Sat, June 4) can offer you music, puppetry, dance, theatre, improv, a parade, children’s programming, and all manners of interactive and creative fun.

Cross the Charles River to Boston – specifically, to the Rose Kennedy Greenway. There, FIGMENT Boston (June 4-5) awaits you. FIGMENT Boston is a part of the national FIGMENT project, a “forum for the creation and display of participatory and interactive art by emerging artists across disciplines.” Over 80 artists are participating in FIGMENT Boston this year, including live video installation, interactive music performance, architectural dance installation, and many, many other interesting projects that are too hard to compact into a reasonable sentence. May we humbly suggest this event is likely to be far out.

Next, head north to Salem, MA. You’ll find the Salem Arts Festival, a weekend-long (June 3-5) celebration of visual, performing, and literary art. You can take a magic carpet ride, learn bellydance, do improv, and see tons of art.

Now, I understand that, with four festivals already under your belt, you’re weary, hungry, possibly a touch over-festive. But you must persevere. For a little over 30 miles from Salem is the formidable city of Lowell, where you’ll breathlessly rush through the doors of the Merrimack Repertory Theatre. There, the Lowell National Historical Park hosts an evening of Irish dance and fiddle music Saturday night, featuring master artists and their apprentices, from the MCC’s Traditional Apprenticeship Program. Read more at our sibling blog, Keepers of Tradition, on this fascinating evening of solo, duet, and group performances.

You may rest now.

It’s Sunday morning (almost noon – you slept late). Rise, and see art.

First, head to South Boston, where there’s a Spring Open Studio at the Distillery & King Terminal (Sun., June 5, 2011). See the current participating artists and check out some previous work by some of those same artists in an older post we did about their Fall open studios.

Finally, make your way, by roller skate, rickshaw, unicycle, or – if need be – an easier mode of transport, to the Tufts University Art Gallery in Medford. A show of MCC Fellows just opened (see pictures of the opening on our Facebook page). If you want a sense of the range and vision of work being produced by visual artists in Massachusetts, you have arrived at your destination. While you’re there, use your cell to call a special number for audio commentary by the artists.

There. You’ve reached the end of our guide. But feel free to expand the map.

Image: Gallery view of paintings by Monica Nydam, from a show of MCC Fellows at Tufts University Art Gallery.

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June is here. Sunshine is real. Let’s experience some art.

Here are a few ideas, care of our Fellows Notes (current news of past MCC fellows/finalists).

We are excited to announce New and Recent Work by 13 Massachusetts Cultural Council Award Recipients in Painting and Drawing, an exhibition at Tufts University Art Gallery in Medford. The exhibition will run June 2 – July 31, 2011, with an opening reception Thursday, June 2, 5:30-8 PM. The 13 exhibiting artists are all Fellows in Drawing and Painting from the 2010 grant cycle, including: Cree Bruins, Christopher Faust (his painting Vanishing Point is above), Jan Johnson, Masako Kamiya, Yanick Lapuh, Joshua Meyer, Monica Nydam, Daniel Ranalli, Harold Reddicliffe, Matthew Rich, Cristi Rinklin, Evelyn Rydz, and Michael Zelehoski. There will be an Artists’ Talk on Thursday, June 2, 5-6 PM, featuring Cree Bruins, Jan Johnson, Yanick Lapuh, Joshua Meyer, and Michael Zelehoski.

Numerous MCC fellows/finalists contribute artwork to Flourish, a juried exhibition of alumni of the Massachusetts College of Art and Design. The show, running June 8-July 9, 2011 in the Sandra & David Bakalar Gallery, features work by Elizabeth Alexander (Sculpture/Installation Fellow ’11), Claire Beckett (Photography Fellow ’07), Candice Smith Corby (Painting Fellow ’08), and Adam Lampton (Photography Finalist ’07), among other MassArt alums. Tammy Dayton (Moth Design), Michelle Lamunière (curator, Harvard Art Museum), and Edward Saywell (curator, Museum of Fine Arts, Boston) served on the selection committee.

Six MCC fellows/finalists are in new issue of Hayden’s Ferry Review: Sally Bellerose (Fiction/Creative Nonfiction Finalist ’04), Simeon Berry (Poetry Fellow ’06), Patrick Ryan Frank (Poetry Fellow ’06), Elizabeth Graver (Fiction/Creative Nonfiction Fellow ’06), Caroline Klocksiem (Poetry Fellow ’08), and Tara L. Masih (Fiction/Creative Nonfiction Finalist ’96).

Alan Colby (Sculpture/Installation Fellow ’07) and Linda Price-Sneddon (Sculpture/Installation Fellow ’01) both have work in a group show curated by Jeff Hull at A Street Gallery, 4 Clarendon St, Boston MA. The show runs June 4-30, 2011, with an opening reception Saturday, June 4, 3-5 PM.

Rebecca Doughty (Painting Finalist ’10), Eric Gottesman (Photography Fellow ’09), Frances Hamilton (Drawing Fellow ’98), and Dawn Southworth (Drawing/Printmaking/Artist Books Finalist ’04) are all exhibiting work in Picture Books, featuring art in all media that pictures, or, references a book within the composition, or, is a book of some kind. The show runs at Clark Gallery in Lincoln from June 6-August 6, 2011. There will be an opening reception 4-6 PM on Saturday, June 11, following a daylong sidewalk book sale.

Two MCC fellows/finalists are featured in the show Fresh Work: A Sampler of New England Photographers as part of the Flash Forward Festival Boston. Toni Pepe (Photography Finalist ’11) and Camilo Ramirez (Photography Fellow ’09) will both have work on display at the Fairmont Battery Wharf in Boston, June 3-June 5, 2011, with an opening reception on Friday, June 3, at 7 PM.

Photography by Claire Beckett (Photography Fellow ’07) is included in The Workers, a multi-disciplinary exhibition exploring the many aspects of labor, at MASS MoCA in North Adams.

S. Bear Bergman (Playwriting Fellow ’05) received a Lambda Literary Award for co-editing Gender Outlaws: The Next Generation.

Liza Bingham (Painting Finalist ’10) will have work in the 2011 Season Preview Exhibit at the Schoolhouse Gallery in Provincetown, MA, June 3-29, 2011, with an opening reception on June 3, 6-9 PM.

Alexander Chee (Fiction/Creative Nonfiction Fellow ’10) is currently a Fellow at Civitella Ranieri in Umbertide, Italy. The residency encourages the creative process by providing uninterrupted time to devote to work, as well as a collaborative spirit with the visual artists, writers, and musicians who are invited as Fellows.

Laura Harrington (Playwriting Fellow ’05, ’97) will publish her new novel, Alice Bliss (Pamela Dorman Books, Penguin/Viking, 2011), in June 2011. She’ll have numerous author events in New England: Harvard Bookstore in Cambridge (Weds, June 8, 2011, 7 PM); Barnes & Noble in Peabody, MA (Thurs, 6/9, 7 PM); Jabberwocky Bookstore in Newburyport (Fri, 6/10, 7 PM); Concord Bookshop in Concord (Sun, 6/12, 3 PM); Broadside Bookshop in Northampton (Tues, 6/14, 7 PM); Toad Hall Books at the Rockport Library (Wed, 6/15, 7 PM); and a joint reading with fellow debut author Rebecca Makkai at the Boston Public Library (Tues, July 12, 2011, 6 PM). Read an ArtSake interview with Laura.

Gregory Hischak‘s (Playwriting Finalist ’11) new full-length play Volcanic in Origin will have its world premiere at the Source Festival in Washington D.C., June 10-July 3, 2011.

Rania Matar (Photography Fellow ’11, ’07) is among the ten photographers selected by Whitney Johnson, picture editor at The New Yorker, for inclusion in EXPOSURE 2011, the 16th chapter of the Photographic Resource Center’s juried members exhibition. Selected work will be on exhibition from Thursday, July 21 to Sunday, August 21, with an opening reception at the PRC on Thursday, July 21.

Koji Nakano (Music Composition Finalist ’11, ’09) will present the second concert in his Asian Young Musicians Connection, which commissions new music by Asian composers. The concert takes place Friday, June 3, 2011, 7:30 PM, at the California State University at San Bernardino Recital Hall.

Anne Neely (Painting Finalist ’10) has work in the exhibition Maine As Muse, at Lohin Geduld Gallery in NYC, through July 8, 2011.

Masha Obolensky‘s (Playwriting Finalist ’11) ten-minute Girls Play has been selected to participate in The Samuel French Off-Off Broadway Short Play Festival. The festival, now in its 36th year, takes place at The Lion Theatre on Theatre Row in NYC on July 19-24. Girls Play was the winner of the 2010 KCACTF National Ten-Minute Play Award.

On Saturday, June 11, 2011, Susan Rivo (Film & Video Finalist ’11) will have a work-in-progress screening of her fascinating documentary Left on Pearl at The Berkshire Conference on the History of Women at UMass-Amherst (Thu, June 9–Sun, June 12). Left on Pearl explores a forgotten episode in local history, when, in March 1971, a group of women took over a Harvard University building to dramatize the need for a Women’s Center. Susan will also participate in a panel discussion at the conference called “Documenting Second Wave Feminism through Film.” Learn about the conference.

Candice Smith Corby‘s (Painting Fellow ’08) autobiographical, deadpan-humored mixed-media paintings are part of Patio, an exhibition at Drive-By Projects in Watertown. The show, which also features Matthew Clowney, Amze Emmons, Steve Novick, and Douglas Weathersby, runs June 9-August 25, 2011, with an opening reception – featuring Weathersby’s lemonade stand! – Friday, June 10, 6-8 PM.

Cam Terwilliger (Fiction/Creative Nonfiction Fellow ’08) has a short story, Cherry Town, in the most recent issue of The Literary Review. His story Reply Hazy appears in The Good Men Project. And he shares great advice gleaned from years of serving as a reader for literary journals and awards, in The Review Review.

Hannah Verlin (Sculpture/Installation Fellow ’11) has a solo show, Knowing Not Knowing, at Boston Sculptors Gallery in Boston, through June 26, 2011. There’s a SOWA First Friday reception: June 3, 5–8 PM.

Past Fellows Notes
May 2011
Apr. 2011
Mar. 2011
Feb. 2011
Jan. 2011

Are you a past fellow or finalist with an event, honor, or other bit of news you’d like to share? Tell us about it.

Images: Chris Faust, VANISHING POINT (2010), Acrylic on canvas, 36×48 in; Camilo Ramirez, FLIGHT SUIT (2008), Archival Inkjet Print, 16 in x 20 in; Cover art for ALICE BLISS by Laura Harrington (Pamela Dorman Books, Penguin/Viking, 2011).

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Anybody remember the video game Air-Sea Battle for the Atari 2600, circa late-70s/early-80s? When trying to come up with a unifying theme for this post, I remembered that game, which involved various pixelated battles between 8-bit planes, ships, and anti-aircraft guns. (I should’ve known I was headed for a life in the arts when my friend and I used to spend all afternoon making our anti-aircraft guns, whose pivoting canons looked a little like mouths, have long strange conversations rather than shoot down planes.)

Anyway, some of the recent news from awardees in our Artist Fellowships Program does indeed relate to the air, the sea, and battle (though perhaps not so much to talking anti-aircraft guns… perhaps a theme for an artist’s future project? Get on that, Massachusetts artists’ community!)

This month, Jan Johnson (Drawing Fellow ’10) is one of the artists exhibiting  at the A.I.R. Gallery in Brooklyn, NY in A woman’s work is never done. The show, curated by Susanne Altmann, includes work by women artists that focuses on diverse artistic approaches and blends “the personally meaningful with a close and objective eye toward cultural observation” (read more). The show runs through January 30, 2011.

Jan’s recent work (see above) are drawings made with needle and thread, sometimes incorporating found and mixed media elements. It’s fascinating work. You can see images of the A.I.R. exhibition, including Jan’s work, on A.I.R. Gallery’s Facebook page.

One of my favorite local art blogs is Boston Handmade, a blog by a group of Massachusetts-based artists whose creative work is made by hand. So imagine my delight when in a recent post, member/blogger Karen Mahoney of City by the Sea Ceramics wrote about a visit to Fuller Craft Museum in Brockton, where she discovered the work of Nathalie Miebach (Sculpture/Installation Fellow ’09). She wrote:

Last week I went to the Fuller Craft Museum in Brockton and had so much fun! I discovered one artist in particular I’m excited to have found and I’d like to share her with you.

Sculptor Nathalie Miebach compiles the data of tides, temperature, winds, moon phases and other specifics of various environments and creates sculptures made of “reed, wood, data”. She had two pieces in one of the current exhibits at Fuller, The New Materiality: Digital Dialogues at the Boundaries of Contemporary Craft.

Along with showing in The New Materiality, Nathalie has a new solo exhibition opening at the Fuller this month: Changing Waters, Nathalie’s largest installation to date. It will be on exhibit January 15, 2011 – September 25, 2011, with an opening reception February 27, 2011, 2-5 PM.

So, that’s air and sea, now for the battle. In November, Eric Henry Sanders‘s (Playwriting Fellow ’09) play Reservoir had its world premiere at The Drilling CompaNY Theatre in New York (read about the play and hear a scene performed on ArtSake). The show was extended through January 16, and the New York Times recently reviewed the play, writing:

Woyzeck, Georg Büchner’s 1837 play about a soldier driven to madness and murder by poverty, exploitation and jealousy, is sometimes considered the first modern tragedy and is a primary source of absurdist theater… Reservoir, a timely, urgent reimagining, smartly written by Eric Henry Sanders and presented by the Drilling Company, tracks Büchner’s general story line but focuses on the dilemmas of a contemporary military life.

The review praises Eric’s characterizations, calls his resolution “satisfyingly ambiguous,” and suggests “the best lesson from Reservoir is how to draw new meaning from a classic.”

Well done, all. For more news from past MCC fellows/finalist, read Fellows Notes.

Images: two works by Jan Johnson: CHART OF YOU, ME, THE BABY, THE GUEST AND GOD (2009), Silk and cotton thread on cotton, 16 1/2×11 in; RING AROUND, WE ALL FALL DOWN AND HOW TO GET UP AGAIN (2007), Cotton thread on cotton, 11 1/2×17 in; two works by Nathalie Miebach: BOSTON TIDES (2006), Reed, wood, data, 6x6x2 ft; Detail of WARM WINTER (2007), Reed, wood, data, 6x5x6 ft, both photos taken at Fuller Craft Museum by Karen Mahoney; poster for RESERVOIR by Eric Henry Sanders, produced by The Drilling CompaNY.

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This post is a pictorial tour of some of the exceptional stuff past fellows/finalists from MCC’s Artist Fellowships Program are currently up to.

1. Reimagined tea pots. Leslie Sills (Crafts Fellow ’95) created the above work, called HIGH TEA. The sculptural teapot is among the works included in The Teapot Redefined, an exhibition of sculptural teapots at Mobilia Gallery in Cambridge (through Oct. 31). The work was inspired by Leslie’s artist residency this past summer at Watershed Center for the Ceramic Arts, which borders a sheep farm in Newcastle, Maine.

2. National film releases. Jeff Zimbalist’s (Film & Video Fellow ’05) documentary The Two Escobars is being released in San Francisco this month, is currently running in New York, and will have an LA release next week. The film recently received a glowing review by The Onion’s AV Club (and those discerning hipsters are tough to impress!).

3. Chinese World Expos. Martha Jane Bradford (Drawing Fellow ’85) collaborated with Chantal Harvey to produce Acquarella: The Fable, digital/virtual art on view in the Air Tree Exhibit in the Madrid Pavilion of the World Expo in Shanghai, curated by Spanish curator and virtual arts leader Cristina García-Lasuén. Martha (Alizarin Goldflake in Second Life) produced, directed, and designed most of the virtual environment, while Chantal Harvey helmed the 3-D computer animation. Watch the clip with narration in English or Chinese.

4. Literary/culinary benefit events. Former Poetry Slam National Champion Regie Gibson (Poetry Fellow ’10) will emcee the literary feast A Taste of Grub, a November 5 fundraiser for Grub Street, a writers’ service organization based in Boston.

5. Edens-in-progress. TRIIIBE (Sculpture/Installation Fellows ’09), the artists collective of Alicia, Kelly, and Sara Casilio and photographer Cary Wolinsky, is turning Boston University’s massive 808 Gallery space into a site-specific installation. In Search of Eden will evolve as creators and observers participate in developing a present day version of the Garden of Eden. If you’re in search of art that’s visually arresting, socially engaged, and possessed of a truly unique vision, then traveler, I think I know where to find your paradise.

6. Collaborative, two-part installations. Liz Nofziger (Sculpture/Installation Fellow ’05) and Linda Price-Sneddon (Sculpture/Installation Fellow ’01) have created a multi-media installation showing at two different art venues. Part one of That Which Changes That Which Stays the Same shows at the Villa Victoria in Boston through November 3, 2010. Part two shows at the Essex Art Center in Lawrence through December 8, with an Artists’ Talk Wednesday, November 17, 7-8 PM. The artists’ collaboration is itself the result of a collaboration (woah, meta) between Villa Victoria and Essex Art Center, called Exchange.

For more exceptional stuff, check out Fellows Notes.

Images: Leslie Sills, HIGH TEA (front and side view), ceramic; still from THE TWO ESCOBARS by Jeff and Michael Zimbalist; still from ACQUARELLA by Martha Jane Bradford and Chantal Harvey; Regie Gibson; promotional image for A Taste of Grub; TRIIIBE, FINE; installation view of THAT WHICH CHANGES THAT WHICH STAYS THE SAME by Liz Nofziger and Linda Price-Sneddon.

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Nine Boston-area artists are in the Institute of Contemporary Art/Boston’s 2010 James and Audrey Foster Prize Exhibition.

We’ve been sharing Studio Views with the finalists for the prestigious $25,000 Foster Prize, and I’ve found it interesting the way artists’ descriptions of their art-making often seem to parallel the work itself. Fred H.C. Liang writes with evocative complexity about his complex, evocative work, and Evelyn Rydz unifies disparate elements in her description the way disparate, recontextualized images are brought together in her drawings. Meanwhile, Stephen Tourlentes‘s attention to process in his description and in his work allows the thematic overtones of his photos to resonate ever more clearly.

And here, Matthew Rich (Painting Fellow ’10) shares his studio and work in many, many fewer words than I’ve just used, much in the way his cut-paper compositions employ a subtlety and minimalism to distinctive, arresting effect.

1. My studio (looking towards the Northeast).

2. My materials (values)

3. More materials (complements)

4. My palette (large[new] to small[old] colors).

5. My workspace (the table, the floor).

6. My drums (in the corner).

7. A finished work (TWIST, 2009)

8. Another finished work (COMBINATION, 2009)

Work by Matthew Rich, along with that of the other eight 2010 Foster Prize finalists, will be exhibited at the Institute of Contemporary Art/Boston through January 17, 2011.

Images: all images courtesy of Matthew Rich; six studio images; TWIST (2009) Latex on cut paper, linen tape 36×58 in; COMBINATION (2009) Latex on cut paper, linen tape, 38×60 in.

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Composers, dramatic writers, and sculpture/installation artists: the deadline to apply for a 2011 Artist Fellowship in Music Composition, Playwriting, or Sculpture/Installation is this Monday, September 20, 2010 (this is a postmark deadline for mailed materials).

In other words: there’s still time! Read full program guidelines and apply – pronto, ASAP, and post haste.

The fellowships are anonymously-judged grants of $7,500 and finalist awards $500, based solely on the artistic excellence of the work submitted.

In this post you can see/hear some of the work that’s been successful in this grant; the image is a still from the performance piece Bailout by TRIIIBE (Sculpture/Installation Fellows ’09); in the audio clip you can hear Company One performing a scene from Reservoir by 2009 Playwriting Fellow Eric Henry Sanders.

And check out our tips for applying, based on feedback from past Artist Fellowships panelists and our own observations.

Image and media: Still from the performance piece BAILOUT (2008) by TRIIIBE; Company One performs a scene from Reservoir by Eric Henry Sanders (Playwriting Fellow ’09), directed by Shawn LaCount, with Fedna Jacquet as Psychiatrist and Brett Marks as Hasek.

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The Rifrákt artist collective takes the conventional approach to art exhibitions and bends it a bit (the name is a play on the word “refract”). Founded by Carolyn Hulbert and Stephanie Goode, the collective shows work in a variety of spaces, including private homes, galleries, and alternative spaces like coffee houses and libraries. And, with their latest effort, the book 25 Emerging Boston Artists 2010, they aim to advance the featured artists while donating proceeds to causes they support.

We interviewed co-founder Carolyn Hulbert and Stephanie Goode about Rifrákt and the new book, as part of our Art and Philanthropy series, looking at artists who merge creative projects with philanthropic goals.

ArtSake: I was interested in something Carolyn said in an interview with TeaParty Boston, that one of the motives behind forming Rifrákt, along with exhibition opportunities, was helping the members grow as professional artists. How important is community and dialogue to your work, and your careers?

Carolyn: Community and dialogue are very important, especially when you’re trying to create a name for yourself, or for a collective. It helps to start in an environment you consider home, where you know and see people and they start to recognize you and your work. Even though our subjects aren’t directly connected to our community, our work is a product of where we live and the time we are living in.

Stephanie: If one is used to traditional schooling with the benefits of critique groups, Rifrákt and groups like ours make the transition to the art world outside school easier. It helps with self motivation especially.

ArtSake: Can you talk about how the new book came to be? How does the book fit in with Rifrákt’s goals, as a collective?

Stephanie: Carolyn and I talked about doing the book to showcase artists work, hoping that it would help each artist in exhibition and public representation. For some artists, getting their work out there can be very difficult without prior knowledge, contacts, and steady stream of personal strength as potential rejection letters come in. The book was a chance for us to see who else was out there in Boston that we felt everyone should know about. Rifrákt has always been a group aimed to help not only ourselves as we continue our career, but also those in our community.

Carolyn: We just wanted to see more opportunities for emerging artists in Boston. The book was the first larger scale project that we have done, and there are definitely more plans for projects that involve Boston-based artists.

ArtSake: Rifrákt has had four exhibitions since June 2009, and one upcoming in August. Can you talk a little bit about your curatorial process and how you select your venues?

Stephanie: Exhibition and competition is very prevalent in Boston, a city full of art schools. Creating your own alternative space is one way to curate and exhibit your own work within your own means and desires. We started doing one-night house shows with the core members and other guest artists in 2009. Basically, we took in any artist who wanted to exhibit their work and had the same positive and strong energy that we embodied. As time went on, more and more people became interested in joining. We created our website, adding to our member count, and began contemplating exhibiting in spaces other than apartments.

Carolyn: Most of our upcoming shows are through networking with previous and current Rifrákt members. Most of our venues are selected from research and networking. We definitely look at a lot of artist web sites, blogs, venue and gallery web sites, and try to see if it’s a good fit for us.

ArtSake: Carolyn, your own prints and paintings are influenced by ancient cultures, animal imagery, and mysterious symbols. What draws you to the subjects of your work?

Carolyn: The subject of my work is something that is personal or something I am very interested in at the moment. I love the unknown and mysteries. I can’t get enough of ancient cultures. There seems to have been a closer or more spiritual relationship between humanity and the earth. I feel by painting or drawing that, I feel closer to being a human, as well as transferring that feeling into my work. Most of the animal imagery is culture related, or is a current or past pet. I love adding Iceland my cat or Sais my dog into my work, or even using them as inspiration for a piece.

ArtSake: Stephanie, what draws you to the subjects of your work?

Stephanie: Most of my work revolves around psychology, and could be viewed as art therapy. Many projects work within the human psyche, dreams, familial spaces and nostalgia. I am always interested in why things are, how they came to be, analyzing. When I first started taking art seriously in my early teens, I worked a lot with drawing and mixed media. I became heavily involved within traditional photography in college. Now I am bringing back some of the mixed media work, printing photographs on adhesive vinyl, collage works on paper and assemblage projects for the future involving my own and found photographs.

ArtSake: What’s next for Rifrákt?

Carolyn: Rifrákt will be showing at Voltage Coffee and Art in August and at the West End Library branch in September. We will probably do a few small projects and a couple more proposals and submissions. We do have a proposal for a collaboration with another Boston collective! As for me, I have grad school on the mind, so I am taking my time and doing research.

Stephanie: We will continue to show and collaborate. I would like to grow in members and expand our reach beyond current limits. Perhaps collaborate with other Boston collectives, NYC collectives or show in corporate galleries and other venues that we haven’t been able to participate in before. Personally I would like to continue building a body of new work and grow in contacts to exhibit said projects. I may want to collaborate with glass and sculpture artists as well.

25 Emerging Boston Artists 2010 features work by Valerie Arruda, Fiona Boyd, Jessica Brilli, Alexandra Carter, Corey Corcoran, Leah Cunningham, Barbara Geoghegan, Stephanie Goode, Todd Goodman, Luba Grenader, Maggie Hennessy, Amy Hitchcock, Carolyn Hulbert, Vanessa Irzyk, Marco Jimenez, Scott Listfield (Painting Finalist ’10), Rachel Mello (Painting Finalist ’10), Aaron Morris, Nathaniel Price, Jennifer Reich, Nora Richardson, Anna Rochinski, Alec Strickland, Patricia Sarrafian Ward, and Brandy Wolfe.

An opening reception for 25 Emerging Boston Artists 2010 takes place on Friday, August 6, 6-10pm at The Temple in Jamaica Plain. The free event will include musical performances by Huellas and The Organ Beats starting at 7:30pm.

Copies of the book will be sold at cost through the 8/6 event. After that, all proceeds from the regularly-priced book will be generously donated to the Massachusetts Cultural Council.

Images: book jacket for 25 EMERGING BOSTON ARTISTS 2010 by Rifrakt Artist Collective; Vanessa Irzyk, UNTITLED (2009), oil on panel, 22×24 in; Marco Jimenez, YOUR DOG WAS AMAZINGLY CUTE, YOU WERE OKAY (2010), Missed Connections, mixed media; Carolyn Hulbert, SAIS AND HIS FRIEND OF GOLD (2010), digital print, silkscreen & gold leaf, 12×16 in; Stephanie Goode, RED, 9 HOURS (2003), light jet print, aluminum/plexiglas mtd. 12×12 in, editioned; Rachel Mello, WHITHER SHALL I WANDER (2009), Oil on hardboard cut to silhouette, 21 1/2 x 31 1/2 in.

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Leah Giberson‘s unique process may be part of the reason that the familiar subjects of her mixed media works – houses, mobile homes, and other symbols of suburbia – take on an almost fantastical vitality. Look closer, they urge; there’s more than meets the eye here.

In the midst of mounting two solo shows (one in the New England area – see below), Leah let us peek into her workspace to see how she creates her arresting works.

I begin my paintings with photographic images printed onto archival photo rag paper. I often cut parts of the image out before adhering it to a wooden panel and then paint directly upon this surface, editing the original image as I go.

I paint over anything that feels extraneous or distracting, allowing the parts that resonate with me to be seen more clearly.

By the time I am done with the painting, there is very little (if any) of the original photographic image remaining.

Work by Leah Giberson is currently on exhibit at Nahcotta Gallery in Portsmouth, NH, running through July 31, 2010. Opening reception is July 2, 5-8 PM. Her solo show “This is What Remains” opens at Rare Device in San Francisco on July 9 (opening reception, 7-9 PM), and runs through August 31.

Online, you can see her work at leahgiberson.com, her Esty shop, on Flickr, and in Tiny Showcase.

Images: all images by Leah Giberson, acrylic on photographic print on panel; REAR VIEW, 9×12 in; two works in progress; WESTLAKE GOLD, 10×10 in; REVERE BEACH, 16×20 in; WESTLAKE GREEN, 8×8 in.

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June 2010

We compile a monthly list of presentations, honors, publications, and events featuring past and present MCC Artist Fellows & Finalists. As you’ll see, the news is good – not just about these award-winning artists, but also about the breadth and vitality of contemporary arts throughout the Commonwealth.

Two past fellows are featured in Solstice: a Magazine for Diverse Voices. Poetry by Ben Berman (Poetry Fellow ’08) and short fiction by Grace Talusan (Fiction/Creative Nonfiction Fellow ’02) were included in the Winter/Spring 2010 issue.

Patrick Donnelly (Poetry Fellow ’08) joins stage/screen writer Sinan Ünel (Playwriting Finalist ’07) for a reading at the Lesley University MFA Program summer residency, in the Marran Theater in Cambridge, on Sunday, June 27 at 7 PM. The full reading series schedule also includes Rachel Kadish (Fiction/Creative Nonfiction ’08) on June 28 at 7 PM, and later, NPR writer David Rakoff.

Two past fellows/finalists recently received funding from The LEF Foundation’s Moving Image Fund. Marlo Poras (Film & Video Fellow ’05) received a $15,000 production grant to work on The Mosuo Sisters, about two sisters who lose their jobs in Beijing and return home to a remote Himalayan village to help keep their family afloat. Jeff Daniel Silva (Film & Video Finalist ’09) was awarded a $25,000 post-production grant for his film Ivan and Ivana, about a couple from war-torn Kosovo, now making a life in the US. Congratulations!

Irina Rozovsky (Photography Finalist ’09) is among the artists exhibiting in Familiar Bodies at Carroll and Sons Gallery in Boston. The exhibition, which includes the work of photographers who focus their cameras on the nearest people in their lives, also includes Robert and Shana ParkeHarrison (Photography Fellow ’01), Camilo Ramirez (Photography Fellow ’09), and Sage Sohier (Photography Finalist ’05). The show runs through June 26, with an opening reception June 4th, 5:30-7:30 PM.

Brian Corey (Painting Fellow ’08) has a solo show at Kingston Gallery in Boston, called The Terrain That Remains. The show runs June 2-27, 2010, with an opening reception Friday, June 4, 5-7:30 PM, and an artist’s talk Saturday, June 12, 4 PM.

Denver Office of Cultural Affairs: we applaud your good taste in public artists. They recently commissioned Janet Echelman (Crafts & Sculpture/Installation Fellow ’09) to create a Biennial of the Americas installation.

Ralf Yusuf Gawlick (Music Composition Fellow ’09) premiered Kinderkreuzzug, his dramatic cantata for children’s voices and small chamber ensemble, in April (read about it on ArtSake). Boston College has put together a fabulous audio slideshow about the performances.

Michael Hoerman (Poetry Fellow ’04) will read on June 17 for ThoughtCrime, a reading series at Khon’s Wine Bar and Darts, 2808 Milam in Houston, Texas. He joins the roster of the 5th Annual Word Around Town Tour for a weeklong series of readings around Houston in July. On September 10 and 11 he will be a featured performer at Houston Fringe Fest, an annual performing arts festival presented by FrenetiCore at Frenetic Theater in Houston’s East End.

Lisa Kessler’s (Photography Finalist ’05) solo exhibition Seeing Pink is at the Davis Orton Gallery in Hudson, NY. The show, which explores the idea of the color pink in American, runs June 3-June 27, with an opening reception Saturday June 12, 6-8 PM.

Yanick Lapuh (Painting Fellow ’10) is among the artists in Eye Spy: Playing with Perception at the Peabody Essex Museum, June 19, 2010 to June 1, 2011.

Jane D. Marsching (Photography Finalist ’03) has a host of Spring/Summer exhibitions and events. She’s part of Resurrectine at the Ronald Feldman Gallery, NYC, through June 28, a large-scale group show that embraces the notion of transformation. In April, Jane opened a dual photo exhibition (with Andrea Juan) called Tribute Phase II: Polar Encounter. Sites for the exhibition, which was curated by Veronica Willenberg, CEO of Art in Lobby, include the International Book Fair, the PanAmerican Hotel, and Botanica Gardens, all in Buenos Aires, Argentina. Jane will also take part in an alumni exhibition of art at Hampshire College’s Johnson Gallery (June 11-July 30, 2010, reception June 12, 4-6 PM).

Tara L. Masih’s (Fiction/Creative Nonfiction Finalist ’96) Rose Metal Press Field Guide to Writing Flash Fiction was awarded a bronze medal from the 2009 ForeWord Book of the Year Awards in the writing category.

Congratulations to Cynthia Maurice (Drawing Fellow ’02), who received the Jurors First Prize from the Danforth Museum 2010 Off The Wall Juried Exhibit. The prize was selected by Jen Mergel, Senior Curator of Contemporary Art, MFA and Helen Molesworth, Chief Curator of the ICA.

Nathalie Miebach (Sculpture/Installation Fellow ’09) is among the artists exhibiting in The New Materiality: Digital Dialogues at the Boundaries of Contemporary Craft at the Fuller Craft Museum, through February 6, 2011. Artists in this show use new technologies in tandem with traditional craft materials – clay, glass, wood, metal and fiber – to forge new artistic directions.

Liz Nofziger (Sculpture/Installation Fellow ’05) has a solo show, Underwater, at the Melle Finelli Studio, June 4-July 16, 2010, opening reception: June 4, 5 – 8 PM.

Monica Nydam (Painting Fellow ’10) has a solo show of new paintings at LaMontagne Gallery in Boston, through June 19.

Linda Price-Sneddon (Sculpture/Installation Fellow ’01) has a solo show at HallSpace in Boston, Soon… Our Salvation. The show, which opens Saturday, June 5 (reception 3-6 PM) and runs to July, is inspired by the UFO Mythos, Armageddon evangelism and small town parades.

Monica Raymond’s (Playwriting Finalist ’07, Poetry Finalist ’08) radio play The Telemarketer will be performed on Shoestring Radio Theater on KUSF 90.3 FM in San Francisco. The performance will air at 6:30 PM Eastern time, June 30, and listeners outside the San Francisco area can access a live Internet stream. The performance will also stream for one week following the live broadcast, on Shoestring Theatre’s Web site.

Salvatore Scibona (Fiction/Creative Nonfiction Fellow ’06) was named as one of The New Yorker’s 20 Under 40 fiction writers to watch.

Leslie Sills (Crafts Fellow ’95) has a mixed-media sculpture in a furniture exhibition at the Mobilia Gallery in Cambridge. The exhibition runs June 15-July 31st, with an opening reception June 17, 6-8 PM.

Orbiting Mars, a full-length comedy by Peter Snoad (Playwriting Fellow ’09), will receive a staged reading at the Penobscot Theatre in Bangor, ME June 23 in its Northern Writes New Play Festival. The play recently won the annual new play contest of Santa Cruz Actors’ Theatre in Santa Cruz, CA. Several of Peter’s short plays have been staged recently or are slated for upcoming productions. The Greening of Bridget Kelly and My Name is Art will feature in the London Fringe August 11-14, part of a repeat of Liminal Productions’ “American Bytes” series by emerging American playwrights that was first produced in April at the New Wimbledon Studio in Wimbledon, London. Stone’s Soup Theatre in Seattle included The Greening of Bridget Kelly in its short play festival in May, and My Name is Art can be seen at the Raconteur Theatre in Columbus, OH through June 12. Boston Actors’ Theatre produced Either Or in its SLAMBoston festival on May 19. Peter has a new website where you can check out his work: www.petersnoad.com.

Cam Terwilliger (Fiction/Creative Nonfiction Fellow ’08) was featured in a recent Boston Globe article by Danielle Dreilinger about a memoir writing workshop he ran for seniors living at the Somerville Home. Cam was supported in the effort by a Somerville Arts Council grant.

Debra Weisberg (Drawing Fellow ’08) is among the artists in By Hand at Brickbottom Gallery, Somerville, June 6-26, opening reception Sunday, June 6, 6-8 PM.

Rachel Perry Welty (Sculpture/Installation Fellow ’09, Drawing Fellow ’04) was commissioned by the Museum of Fine Arts Boston to create a limited edition benefit artwork.

Deb Todd Wheeler (Sculpture/Installation Fellow ’03) has a solo exhibition, BLEW, at the Miller Block Gallery in Boston. The show, which runs through June 26, features blown film polyethylene – aka plastic. Read a nano-interview with Deb on ArtSake.

Tracy Winn’s (Fiction/Creative Nonfiction Fellow ’08) short story collection Mrs. Somebody Somebody comes out this month in paperback, and she’ll be reading at the Salem Athenaeum on June 11 at 5 PM, at Newtonville Books on June 17 at 7 PM, at Barnes & Noble in Lowell on June 18 at 7 PM, at The Book Rack in Newburyport on June 19 at 3 PM, and at Gibson Books in Concord, New Hampshire on July 1 at 7 PM.

Jeff Zimbalist’s (Film & Video Fellow ’05) documentary The Two Escobars, a film about the convergent stories of murdered soccer star Andrés Escobar and Columbian drug baron Pablo Escobar, will have a Hometown Screening in the historic Academy of Music in Northampton on Sunday, June 20 at 7:30 PM, followed by a post-screening Q&A. The film, which was commissioned to celebrate ESPN’s 30th anniversary with 30 documentary films, will have its ESPN premiere on June 22. It also premieres in Florida and screens at the Los Angeles Film Festival this month (on Friday, June 18th and Sunday, June 20th) and recently screened at the Tribeca Film Festival and the Cannes International Film Festival.

Past Fellows Notes
May 2010
Apr. 2010
Mar. 2010
Feb. 2010
Jan. 2010

Are you a past fellow or finalist with an event, honor, or other bit of news you’d like to share? Tell us about it.

Images: Linda Price-Sneddon, drawing from the SOON…OUR SALVATION suite; Brian Corey, COORDINATES UNKNOWN (2010), Ink, Acrylic, on Paper,7×8 in; Lisa Kessler, CODE PINK, from SEEING PINK; Deb Todd Wheeler, image from BLEW.

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