ArtSake

Part of the thrill of making art is discovering how your audience interacts with your work. In our conversations with artists in numerous disciplines, we’ve asked: What’s the most surprising response to your work you’ve ever received?

Kathleen Volp, visual artist
I have been under the impression that the subject of many of my pieces was a deeply textured cantaloupe. I was surprised to find many viewers didn’t even remotely see a cantaloupe! Not even a kumquat. People saw protoplasm or coral or some kind of micro-organism or a CAT scan of the brain. It’s all good, even exciting, but really, really shocking to me. How could I not have seen this in my own work?

Mary Kocol, photographer
When I first started exhibiting at Gallery NAGA in 1993, some people thought the photographs were paintings – perhaps because I presented the work without mats or glazing, the traditional way to exhibit photos back then.

Ilie Ruby, writer
I once had a short story ravaged by wolves in a writing workshop. A friend suggested that the best revenge was revision. I looked over the story, dotted some i’s, crossed some t’s, and decided I was happy with it as it was. Then I haphazardly tossed the story into a box marked “contest,” (not knowing what contest it actually was). A few weeks later I received a phone call: “Congratulations, your story has just won the Edwin L. Moses Award for Fiction chosen by T.C. Boyle!” I received a huge prize, a small amount of satisfaction, and learned never again to listen to wolves.

Joshua Meyer, painter
I once stood in front of my paintings with the poet Robert Hass as he described my art to me. I felt like I was in the midst of one of his poems, a participant.

Scott Tulay, visual artist
My daughters, who are eight and five, consistently complain that my drawings are “too scary.” They will ask me, “Why can’t you draw something nice, with color, like with a rainbow?” Once in a while, however, I’ll do a drawing, and they’ll tilt their heads to the side and say, “Not bad, Dad.” This scares me.

Christopher Faust, painter
I had someone point out to me that there was something wrong with my composition – that the figures were too in the middle. When I told him I knew that and I did it on purpose, he kind of got angry and confused, then he stopped talking to me. I also had a piece stolen recently from a show.

Tara Masih, writer
“I love that story about your father.” When I told the woman it was fiction, that the character was not my father, she burst out, “Don’t tell me that! It was better when I thought it was real.” People seem to have a pathological need to have writing be autobiographical.

Rick Berry, painter
Tears.

Paul Goodnight, painter
Silence.

Jeff and Jane Hudson, musicians
YouTube and iTunes.

Shelly Reed, visual artist
Well, the most common response is that people very carefully and diplomatically suggest that I add at least a bit of color. The most surprising response was when someone contacted me from my Web site and asked me to design their tattoo.

Merrill Comeau, mixed media collage artist
I was working at the National Park of the Old North Bridge, on the edge of the Concord River. As I walked down, I fell into a sink hole of mud up to my knee. When I got to a good spot to work, I removed my boots and socks, washed them out in the river and hung them on branches to dry. I set out my tarp, stacks of fabric, lunch, etc. and worked all day. When I climbed back up to the bridge, the Park Ranger told me a group of women, seeing me on the edge of the river, asked where to leave money for the homeless person (me).

Salvatore Scibona, writer
My local Provincetown bookseller tells me that on the day my book (The End) came out, he sold a copy to a woman from New Hampshire, a tourist, the wife of a retired minister. It sounded interesting, she said; she liked the cover. What could be more commonplace than a person on a walk in a small town stopping to buy a book and taking it home? But also, what could be more unlikely, more uncanny from a writer’s point of view, than that a stranger he will never know should walk down a street with years of the writer’s thoughts in her bag?

Image: Kathleen Volp, BOUND MELON #2 (2011), photographic transfer, oil, metal and graphite on fabric and wood panel, 12x12x1 in.

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November, upon us like a helping of heavily syrupped sweet potatoes, brings with it this bounty of news from our past Fellows/Finalists…

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Artist Ann Wessman has created an installation born from love – and pain. Tonight, Friday, October 14, from 5:30-7:30 Ann will be at the Kingston Gallery for a reception.

My brother David died of HIV/AIDS in 1996. He had been diagnosed in 1985 and was considered a “long term survivor” among that huge first wave of young gay men infected in the early 80′s.

While he was relatively healthy for eight years, the period from 1993-1996 was fraught with intermittent unbearable suffering. During that time I for some reason keep telling myself, “do not forget this.”

It has been 15 years since David died. I watched him descend into dementia as a result of central nervous system lymphoma, a symptom of AIDS. I also watched my 102 year old grandmother lose her memory in the last year of her long life and I watched my mother succumb to Alzheimer’s disease and a broken heart.

As I witness my own memory faltering, in what I assume is the normal aging process, I have become interested in the idea of memory and how it is maintained, particularly in the digital age of fragmentation, sound bites, etc.

How will we remember in the future, will it look different than it does today?

This exhibition is dedicated to the memory of my brother, David Christopher Peters, 1955-1996, and to all we have lost to AIDS.

- Ann Wessman

Ann Wessman- Memory·Loss
Kingston Gallery through October 30, 2011

Image credit: All images are by Ann Wessman.

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Highly suggested: Think/Do/Experience one, some, or all of the following things in the next few days:

WEDNESDAY, OCT. 12 (tonight) Alice Bouvrie‘s (Film & Video Fellow ’11) film Thy Will Be Done (see a clip, above) screens at the Marran Theatre at Lesley University, 7 PM, free. This documentary tells the story of male-to-female transsexual Sara Herwig in her journey to ordination in the Presbyterian Church. The artist and cast will be on hand for discussion.

THURSDAY, OCT. 13 Nathalie Miebach (Sculpture/Installation Fellow ’09) speaks at the Newton Senior Center, hosted by the Newton Art Association, free, 7:30-9:30 PM, coffee/discussion begins at 7 PM. Nathalie, who was recently featured at the Fuller Craft Museum and was a Global TED Fellow, transmutes weather data into 3D woven structures and musical multi-media art. This chance to get a glimpse into her brain is not to be missed.

FRIDAY, OCT. 14-SATURDAY, OCT. 15 The Think Art Conference takes place at Boston University. The event, which is free and open to the public and is organized by Toni Pepe (Photography Finalist ’11), is an interdisciplinary conference that brings together scholars and artists. This year, the participants explore the manipulation of memory and how the individual (and society) remembers.

SATURDAY, OCT. 15 The Boston Book Festival is a free, day-long schedule of events, readings, workshops, and other bookish happenings at Copley Square. While it’s hard to pick out a favorite happening among the power-packed day, this is pretty super: The Drum, an audio literary magazine founded and edited by Henriette Lazaridis Power (Fiction/Creative Nonfiction Fellow ’06), is sponsoring PERAMBULIT. PERAMBULIT lets you experience a fictional narrative of the Boston Book Festival by listening to stories as you walk along the festival’s routes. Find out more about how you can hear stories by Ethan Gilsdorf, Jenna Blum, Daphne Kalotay, Matthew Pearl, Steven Brykman, Catherine Elcik, Becky Tuch, and Henriette Lazaridis Power, created especially for the Boston Book Festival’s Copley Square location.

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Set off some dazzling fireworks (naturally, I mean safely and legally) – it’s time to celebrate July’s news and notes from past MCC fellows/finalists.

Shakedown, an exhibition at DODGE Gallery in NYC, includes work by Taylor Davis (Sculpture/Installation Fellow ’99), Sheila Gallagher (Drawing Finalist ’10), and Laurel Sparks (Painting Fellow ’04). The show also features Massachusetts artists Robert de Saint Phalle, Jane Fox Hipple, and Douglas Weathersby, among others.

Rebecca Doughty (Painting Finalist ’10), Eric Gottesman (Photography Fellow ’09), Frances Hamilton (Drawing Fellow ’98), and Dawn Southworth (Drawing/Printmaking/Artist Books Finalist ’04) are all exhibiting work in Picture Books, featuring art in all media that pictures, or, references a book within the composition, or, is a book of some kind. The show runs at Clark Gallery in Lincoln through August 6, 2011.

Chuck Holtzman (Drawing Fellow ’06), Joel Janowitz (Painting Fellow ’08) and Harold Reddicliffe (Painting Fellow ’10) join Mary Armstrong, Carol Gove, Conley Harris, and Anne Lilly for an exhibition at Victoria Munroe Fine Art in Boston. The show of drawings, paintings, and sculpture runs through August 20, 2011.

Camilo Ramirez (Photography Fellow ’09) and Irina Rozovsky (Photography Finalist ’09) are exhibiting in a dual show of their recent photography, called Details at a Distance. The show runs at Fountain Studios in Brooklyn, NY, July 9-30, 2011, with an opening reception July 9, 7-10 PM.

An installation of the work of Karen Aqua (Film & Video Fellow ’11), called Animal, Vegetable, Mineral, will be on exhibit at the Brickbottom Gallery in Somerville, through July 10, 2011. The exhibition features pastel drawings, sounds, and video from Karen’s final film, Taxonomy, which was completed one month before her untimely passing on May 30, 2011. There will be a memorial tribute to Karen’s life and work on July 10, 2011, 2 PM, at the Center for Arts at the Armory in Somerville.

Sweetgrass, a film by Ilisa Barbash and Lucien Castaing-Taylor (Film & Video Fellows ’11), will be broadcast on PBS as part of the POV series starting July 5, 2011.

Congratulations to Michele Caniato (Music Composition Fellow ’07) for receiving a Fulbright award. He will be in Helsinki, Finland for four months starting in September, hosted by Metropolia University and will be composing, conducting, and lecturing.

On her blog, Cheryl Clark (Poetry Finalist ’10) added an audio recording of her reading from the Commonwealth Reading Series this past March 2011.

Patrick Donnelly (Poetry Fellow ’08) has a great interview on the Mass Poetry Festival blog, where he discusses opportunities available at The Frost Place, a poetry education center where he is Director of the Advanced Seminar.

Janet Echelman (Crafts & Sculpture/Installation Fellow ’09) was recently interviewed by CNN!

Samantha Fields (Sculpture/Installation Fellow ’11) has a solo show, Ecstasy and Common Sense, at NK Gallery in Boston. The show will run July 6-29, 2011, with an opening reception July 8, 6-8 PM.

Laura Harrington‘s (Playwriting Fellow ’05, ’97) novel Alice Bliss is a People Pick, receiving four out of four stars in the July 4th issue of People Magazine. Laura will join JoeAnn Hart for a reading on Wednesday, July 6, 2011, 7:30 PM, at Gloucester Writer’s Center (call for start time). Laura will also have a joint reading with fellow debut author Rebecca Makkai at the Boston Public Library (Tues, July 12, 2011, 6 PM). And, she’ll have a talk, Q&A, and signing at Stellina’s Restaurant in Watertown, on Wednesday, July 13, 6-7:30 PM.

Gregory Hischak‘s (Playwriting Finalist ’11) new full-length play Volcanic in Origin had its world premiere at the Source Festival in Washington D.C. and runs through July 3, 2011. Read an essay about the play by its dramaturg LaRonika Thomas.

Congratulations to Rania Matar (Photography Fellow ’11, ’07), whose A Girl and Her Room series is featured in a same-titled exhibition at The Mosaic Rooms in London, UK (through July 23, 2011). Also, Umbrage Editions will print a book of photos from the A Girl and Her Room series, scheduled for release Spring 2012. Rania’s exceptional work has recently been awarded the Legacy Award by Debra Klomp Ching in conjunction with the 17th Juried Exhibition at the Griffin Museum of Photography (through August 29); First Place at the Off the Wall Exhibit at the Danforth Museum of Art (through August 7, 2011); First Prize at The Julia M. Cameron Awards: Category Portrait, People and Figure; and Winner in the PDN Magazine Photo Annual 2011 in the Personal Category (featured in the June 2011 edition). Rania’s work is included in a number of group shows: University of Maine Museum of Art Photo National 2011 Exhibition (through September 24, 2011); Photographic Resource Center Exposure 2011 Exhibit (opening reception: July 21, 6:30PM, exhibit through August 21); Beirut Exhibition Center, Rebirth: Lebanon 21st Century Contemporary Art (through July 24, 2011).

Rachel Mello (Painting Finalist ’10) has a solo show of works from her Cities and Shadows Series at Soapbox Gallery in Brooklyn, NY, July 8 through July 20, 2011. There will be an opening reception on Saturday, July 9 5-7 PM. Rachel’s monoprint School of Pliers in Peril is featured in Crest Hardware Art Show in Brooklyn, NY, a show that features art inspired by and/or involving hardware. The show runs through July 30. Also, Rachel’s work was recently featured in Multiple/Unique at the Washington Street Art Center in Somerville.

Congratulations to Nathalie Miebach (Sculpture/Installation Fellow ’09), who received a TED Global Fellowship! As part of the Fellowship, she’ll participate in the TED Global Conference, which will be held in Edinburgh (UK), July 11-15, 2011.

Caleb Neelon (Sculpture/Installation Fellow ’07) was one of the innovative thinkers invited to speak at the June 2011 TEDxBoston! Read a recent interview with Caleb on the Converse blog.

Liz Nofziger (Sculpture/Installation Fellow ’05) is among the artists in Shifting Terrain: Landscape Video at the Currier Museum of Art in Manchester, NH. The exhibition runs July 2-September 18, 2011, with an opening reception July 7, 5:30-7:30 PM.

Masha Obolensky‘s (Playwriting Finalist ’11) ten-minute Girls Play has been selected to participate in The Samuel French Off-Off Broadway Short Play Festival. The festival, now in its 36th year, takes place at The Lion Theatre on Theatre Row in NYC on July 19-24. Read an interview with the playwright on the Festival’s blog.

Monica Raymond‘s (Playwriting Finalist ’07, Poetry Finalist ’08) story Ludd and the Perkadoodles was a runner up for the contestoria contest at HERE ARTS CENTER. Read it online.

Alison Safford (Sculpture/Installation Fellow ’03) just completed a solo show at Gallery 303 at the New England Institute of Art.

Katy Schneider (Painting Fellow ’00) is featured in Inside/Out, a dual show with David Gloman of expressive landscapes and interiors, at studio21south in North Adams, through July 10, 2011.

Congratulations to Tracy Heather Strain and Randall MacLowry (Film & Video Fellows ’07), whose Lorraine Hansberry Documentary Project won a $30,000 grant from the National Endowment for the Arts!

Naoe Suzuki (Drawing Fellow ’06) is collaborating with the theatre company Dramahound Productions for a fascinating multi-media installation. Mi Tigre, My Lover at the Open Source Gallery in Brooklyn, NY features a play based on Naoe’s paintings, which are inspired by early 20th century female tiger trainer Mabel Stark. The paintings serve as the backdrop for a play by Anne Phelan. The play runs June 25-July 9, 2011, at 306 17th Street, between 5th and 6th Ave, South Slope, Brooklyn.

Rachel Perry Welty‘s (Sculpture/Installation Fellow ’09, Drawing Fellow ’04) Rachel Perry Welty 24/7 at the DeCordova Sculpture Park and Musueum was very favorably reviewed in Art in America Magazine.

Nine Houses: nine matted archival pigment prints by Maxine Yalovitz-Blankenship (Drawing Fellow ’83, Painting Finalist ’82, ’83), has just been published by Tahawus Press. The prints are in a clothbound boxed folio, limited to an edition of fifty, and are accompanied by text and poetry, written in response to the images, by Alan Lightman, Maxine Kumin, Florence Ladd, John Baeder, Elizabeth McKim, and her fellow Guggenheim Fellows: Morris Halle, Philip Levine, Ann Patchett, and Richard Wendorf.

Kevin Young (Poetry Fellow ’10) will present an afternoon of poetry at The Mount, the historic home of Edith Wharton in Lenox, MA. The reading, presented in partnership with the Amy Clampitt Fund, is on July 9, 2011, at 4 PM. Tickets are $12 and are available online.

Evan Ziporyn (Music Composition Fellow ’11) will present in The Music of Evan Ziporyn on Thursday, July 7, 2011, 8 PM, at the Shalin Liu Performance Center as part of the Rockport Music Festival. The composer will perform along with musicians including “friends from Bang on a Can.” Speaking of: from July 13 through July 31, the tenth annual Bang on a Can Summer Music Festival takes place at MASS MoCA in North Adams. Evan Ziporyn, who has been actively involved in the festival since its inception, will pariticpate in the Festival, which is dedicated to programming today’s most innovative new music and includes public performances, recitals, and lectures, plus workshops for participants in everything from Balinese music to improvisation, master classes, music business seminars, and more.

Past Fellows Notes
June 2011
May 2011
Apr. 2011
Mar. 2011
Feb. 2011
Jan. 2011

Are you a past fellow or finalist with an event, honor, or other bit of news you’d like to share? Tell us about it.

Images: production photo from Masha Obolensky’s GIRLS PLAY, featuring scenic design by Caitlin Fergus; Samantha Fields, Detail of SHE SPEAKS FOLLY IN A THOUSAND HOLY WAYS; Liz Nofziger, PORE; Evan Ziporyn, photo by Kevin Yatarola.

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So, you want art this weekend. You’ve come to the right place. Here’s a handy dandy guide to your art-seeking travels.

Your starting point is Taunton, Massachusetts, on Sat., June 4, 2011, for the Dighton Cow Chip Festival. There, you’ll behold chainsaw sculptor “The Machine” Jesse Green as he lives out his slogan – “Carving Dreams into Reality” – by sculpting (live, in real-time, and using the previously mentioned chainsaw) a cow sculpture that’s to become Taunton’s newest fixture.

Then, make your way due north until you reach the cool waters of the Charles River, where the Cambridge River Festival (Sat, June 4) can offer you music, puppetry, dance, theatre, improv, a parade, children’s programming, and all manners of interactive and creative fun.

Cross the Charles River to Boston – specifically, to the Rose Kennedy Greenway. There, FIGMENT Boston (June 4-5) awaits you. FIGMENT Boston is a part of the national FIGMENT project, a “forum for the creation and display of participatory and interactive art by emerging artists across disciplines.” Over 80 artists are participating in FIGMENT Boston this year, including live video installation, interactive music performance, architectural dance installation, and many, many other interesting projects that are too hard to compact into a reasonable sentence. May we humbly suggest this event is likely to be far out.

Next, head north to Salem, MA. You’ll find the Salem Arts Festival, a weekend-long (June 3-5) celebration of visual, performing, and literary art. You can take a magic carpet ride, learn bellydance, do improv, and see tons of art.

Now, I understand that, with four festivals already under your belt, you’re weary, hungry, possibly a touch over-festive. But you must persevere. For a little over 30 miles from Salem is the formidable city of Lowell, where you’ll breathlessly rush through the doors of the Merrimack Repertory Theatre. There, the Lowell National Historical Park hosts an evening of Irish dance and fiddle music Saturday night, featuring master artists and their apprentices, from the MCC’s Traditional Apprenticeship Program. Read more at our sibling blog, Keepers of Tradition, on this fascinating evening of solo, duet, and group performances.

You may rest now.

It’s Sunday morning (almost noon – you slept late). Rise, and see art.

First, head to South Boston, where there’s a Spring Open Studio at the Distillery & King Terminal (Sun., June 5, 2011). See the current participating artists and check out some previous work by some of those same artists in an older post we did about their Fall open studios.

Finally, make your way, by roller skate, rickshaw, unicycle, or – if need be – an easier mode of transport, to the Tufts University Art Gallery in Medford. A show of MCC Fellows just opened (see pictures of the opening on our Facebook page). If you want a sense of the range and vision of work being produced by visual artists in Massachusetts, you have arrived at your destination. While you’re there, use your cell to call a special number for audio commentary by the artists.

There. You’ve reached the end of our guide. But feel free to expand the map.

Image: Gallery view of paintings by Monica Nydam, from a show of MCC Fellows at Tufts University Art Gallery.

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June is here. Sunshine is real. Let’s experience some art.

Here are a few ideas, care of our Fellows Notes (current news of past MCC fellows/finalists).

We are excited to announce New and Recent Work by 13 Massachusetts Cultural Council Award Recipients in Painting and Drawing, an exhibition at Tufts University Art Gallery in Medford. The exhibition will run June 2 – July 31, 2011, with an opening reception Thursday, June 2, 5:30-8 PM. The 13 exhibiting artists are all Fellows in Drawing and Painting from the 2010 grant cycle, including: Cree Bruins, Christopher Faust (his painting Vanishing Point is above), Jan Johnson, Masako Kamiya, Yanick Lapuh, Joshua Meyer, Monica Nydam, Daniel Ranalli, Harold Reddicliffe, Matthew Rich, Cristi Rinklin, Evelyn Rydz, and Michael Zelehoski. There will be an Artists’ Talk on Thursday, June 2, 5-6 PM, featuring Cree Bruins, Jan Johnson, Yanick Lapuh, Joshua Meyer, and Michael Zelehoski.

Numerous MCC fellows/finalists contribute artwork to Flourish, a juried exhibition of alumni of the Massachusetts College of Art and Design. The show, running June 8-July 9, 2011 in the Sandra & David Bakalar Gallery, features work by Elizabeth Alexander (Sculpture/Installation Fellow ’11), Claire Beckett (Photography Fellow ’07), Candice Smith Corby (Painting Fellow ’08), and Adam Lampton (Photography Finalist ’07), among other MassArt alums. Tammy Dayton (Moth Design), Michelle Lamunière (curator, Harvard Art Museum), and Edward Saywell (curator, Museum of Fine Arts, Boston) served on the selection committee.

Six MCC fellows/finalists are in new issue of Hayden’s Ferry Review: Sally Bellerose (Fiction/Creative Nonfiction Finalist ’04), Simeon Berry (Poetry Fellow ’06), Patrick Ryan Frank (Poetry Fellow ’06), Elizabeth Graver (Fiction/Creative Nonfiction Fellow ’06), Caroline Klocksiem (Poetry Fellow ’08), and Tara L. Masih (Fiction/Creative Nonfiction Finalist ’96).

Alan Colby (Sculpture/Installation Fellow ’07) and Linda Price-Sneddon (Sculpture/Installation Fellow ’01) both have work in a group show curated by Jeff Hull at A Street Gallery, 4 Clarendon St, Boston MA. The show runs June 4-30, 2011, with an opening reception Saturday, June 4, 3-5 PM.

Rebecca Doughty (Painting Finalist ’10), Eric Gottesman (Photography Fellow ’09), Frances Hamilton (Drawing Fellow ’98), and Dawn Southworth (Drawing/Printmaking/Artist Books Finalist ’04) are all exhibiting work in Picture Books, featuring art in all media that pictures, or, references a book within the composition, or, is a book of some kind. The show runs at Clark Gallery in Lincoln from June 6-August 6, 2011. There will be an opening reception 4-6 PM on Saturday, June 11, following a daylong sidewalk book sale.

Two MCC fellows/finalists are featured in the show Fresh Work: A Sampler of New England Photographers as part of the Flash Forward Festival Boston. Toni Pepe (Photography Finalist ’11) and Camilo Ramirez (Photography Fellow ’09) will both have work on display at the Fairmont Battery Wharf in Boston, June 3-June 5, 2011, with an opening reception on Friday, June 3, at 7 PM.

Photography by Claire Beckett (Photography Fellow ’07) is included in The Workers, a multi-disciplinary exhibition exploring the many aspects of labor, at MASS MoCA in North Adams.

S. Bear Bergman (Playwriting Fellow ’05) received a Lambda Literary Award for co-editing Gender Outlaws: The Next Generation.

Liza Bingham (Painting Finalist ’10) will have work in the 2011 Season Preview Exhibit at the Schoolhouse Gallery in Provincetown, MA, June 3-29, 2011, with an opening reception on June 3, 6-9 PM.

Alexander Chee (Fiction/Creative Nonfiction Fellow ’10) is currently a Fellow at Civitella Ranieri in Umbertide, Italy. The residency encourages the creative process by providing uninterrupted time to devote to work, as well as a collaborative spirit with the visual artists, writers, and musicians who are invited as Fellows.

Laura Harrington (Playwriting Fellow ’05, ’97) will publish her new novel, Alice Bliss (Pamela Dorman Books, Penguin/Viking, 2011), in June 2011. She’ll have numerous author events in New England: Harvard Bookstore in Cambridge (Weds, June 8, 2011, 7 PM); Barnes & Noble in Peabody, MA (Thurs, 6/9, 7 PM); Jabberwocky Bookstore in Newburyport (Fri, 6/10, 7 PM); Concord Bookshop in Concord (Sun, 6/12, 3 PM); Broadside Bookshop in Northampton (Tues, 6/14, 7 PM); Toad Hall Books at the Rockport Library (Wed, 6/15, 7 PM); and a joint reading with fellow debut author Rebecca Makkai at the Boston Public Library (Tues, July 12, 2011, 6 PM). Read an ArtSake interview with Laura.

Gregory Hischak‘s (Playwriting Finalist ’11) new full-length play Volcanic in Origin will have its world premiere at the Source Festival in Washington D.C., June 10-July 3, 2011.

Rania Matar (Photography Fellow ’11, ’07) is among the ten photographers selected by Whitney Johnson, picture editor at The New Yorker, for inclusion in EXPOSURE 2011, the 16th chapter of the Photographic Resource Center’s juried members exhibition. Selected work will be on exhibition from Thursday, July 21 to Sunday, August 21, with an opening reception at the PRC on Thursday, July 21.

Koji Nakano (Music Composition Finalist ’11, ’09) will present the second concert in his Asian Young Musicians Connection, which commissions new music by Asian composers. The concert takes place Friday, June 3, 2011, 7:30 PM, at the California State University at San Bernardino Recital Hall.

Anne Neely (Painting Finalist ’10) has work in the exhibition Maine As Muse, at Lohin Geduld Gallery in NYC, through July 8, 2011.

Masha Obolensky‘s (Playwriting Finalist ’11) ten-minute Girls Play has been selected to participate in The Samuel French Off-Off Broadway Short Play Festival. The festival, now in its 36th year, takes place at The Lion Theatre on Theatre Row in NYC on July 19-24. Girls Play was the winner of the 2010 KCACTF National Ten-Minute Play Award.

On Saturday, June 11, 2011, Susan Rivo (Film & Video Finalist ’11) will have a work-in-progress screening of her fascinating documentary Left on Pearl at The Berkshire Conference on the History of Women at UMass-Amherst (Thu, June 9–Sun, June 12). Left on Pearl explores a forgotten episode in local history, when, in March 1971, a group of women took over a Harvard University building to dramatize the need for a Women’s Center. Susan will also participate in a panel discussion at the conference called “Documenting Second Wave Feminism through Film.” Learn about the conference.

Candice Smith Corby‘s (Painting Fellow ’08) autobiographical, deadpan-humored mixed-media paintings are part of Patio, an exhibition at Drive-By Projects in Watertown. The show, which also features Matthew Clowney, Amze Emmons, Steve Novick, and Douglas Weathersby, runs June 9-August 25, 2011, with an opening reception – featuring Weathersby’s lemonade stand! – Friday, June 10, 6-8 PM.

Cam Terwilliger (Fiction/Creative Nonfiction Fellow ’08) has a short story, Cherry Town, in the most recent issue of The Literary Review. His story Reply Hazy appears in The Good Men Project. And he shares great advice gleaned from years of serving as a reader for literary journals and awards, in The Review Review.

Hannah Verlin (Sculpture/Installation Fellow ’11) has a solo show, Knowing Not Knowing, at Boston Sculptors Gallery in Boston, through June 26, 2011. There’s a SOWA First Friday reception: June 3, 5–8 PM.

Past Fellows Notes
May 2011
Apr. 2011
Mar. 2011
Feb. 2011
Jan. 2011

Are you a past fellow or finalist with an event, honor, or other bit of news you’d like to share? Tell us about it.

Images: Chris Faust, VANISHING POINT (2010), Acrylic on canvas, 36×48 in; Camilo Ramirez, FLIGHT SUIT (2008), Archival Inkjet Print, 16 in x 20 in; Cover art for ALICE BLISS by Laura Harrington (Pamela Dorman Books, Penguin/Viking, 2011).

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Anybody remember the video game Air-Sea Battle for the Atari 2600, circa late-70s/early-80s? When trying to come up with a unifying theme for this post, I remembered that game, which involved various pixelated battles between 8-bit planes, ships, and anti-aircraft guns. (I should’ve known I was headed for a life in the arts when my friend and I used to spend all afternoon making our anti-aircraft guns, whose pivoting canons looked a little like mouths, have long strange conversations rather than shoot down planes.)

Anyway, some of the recent news from awardees in our Artist Fellowships Program does indeed relate to the air, the sea, and battle (though perhaps not so much to talking anti-aircraft guns… perhaps a theme for an artist’s future project? Get on that, Massachusetts artists’ community!)

This month, Jan Johnson (Drawing Fellow ’10) is one of the artists exhibiting  at the A.I.R. Gallery in Brooklyn, NY in A woman’s work is never done. The show, curated by Susanne Altmann, includes work by women artists that focuses on diverse artistic approaches and blends “the personally meaningful with a close and objective eye toward cultural observation” (read more). The show runs through January 30, 2011.

Jan’s recent work (see above) are drawings made with needle and thread, sometimes incorporating found and mixed media elements. It’s fascinating work. You can see images of the A.I.R. exhibition, including Jan’s work, on A.I.R. Gallery’s Facebook page.

One of my favorite local art blogs is Boston Handmade, a blog by a group of Massachusetts-based artists whose creative work is made by hand. So imagine my delight when in a recent post, member/blogger Karen Mahoney of City by the Sea Ceramics wrote about a visit to Fuller Craft Museum in Brockton, where she discovered the work of Nathalie Miebach (Sculpture/Installation Fellow ’09). She wrote:

Last week I went to the Fuller Craft Museum in Brockton and had so much fun! I discovered one artist in particular I’m excited to have found and I’d like to share her with you.

Sculptor Nathalie Miebach compiles the data of tides, temperature, winds, moon phases and other specifics of various environments and creates sculptures made of “reed, wood, data”. She had two pieces in one of the current exhibits at Fuller, The New Materiality: Digital Dialogues at the Boundaries of Contemporary Craft.

Along with showing in The New Materiality, Nathalie has a new solo exhibition opening at the Fuller this month: Changing Waters, Nathalie’s largest installation to date. It will be on exhibit January 15, 2011 – September 25, 2011, with an opening reception February 27, 2011, 2-5 PM.

So, that’s air and sea, now for the battle. In November, Eric Henry Sanders‘s (Playwriting Fellow ’09) play Reservoir had its world premiere at The Drilling CompaNY Theatre in New York (read about the play and hear a scene performed on ArtSake). The show was extended through January 16, and the New York Times recently reviewed the play, writing:

Woyzeck, Georg Büchner’s 1837 play about a soldier driven to madness and murder by poverty, exploitation and jealousy, is sometimes considered the first modern tragedy and is a primary source of absurdist theater… Reservoir, a timely, urgent reimagining, smartly written by Eric Henry Sanders and presented by the Drilling Company, tracks Büchner’s general story line but focuses on the dilemmas of a contemporary military life.

The review praises Eric’s characterizations, calls his resolution “satisfyingly ambiguous,” and suggests “the best lesson from Reservoir is how to draw new meaning from a classic.”

Well done, all. For more news from past MCC fellows/finalist, read Fellows Notes.

Images: two works by Jan Johnson: CHART OF YOU, ME, THE BABY, THE GUEST AND GOD (2009), Silk and cotton thread on cotton, 16 1/2×11 in; RING AROUND, WE ALL FALL DOWN AND HOW TO GET UP AGAIN (2007), Cotton thread on cotton, 11 1/2×17 in; two works by Nathalie Miebach: BOSTON TIDES (2006), Reed, wood, data, 6x6x2 ft; Detail of WARM WINTER (2007), Reed, wood, data, 6x5x6 ft, both photos taken at Fuller Craft Museum by Karen Mahoney; poster for RESERVOIR by Eric Henry Sanders, produced by The Drilling CompaNY.

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This post is a pictorial tour of some of the exceptional stuff past fellows/finalists from MCC’s Artist Fellowships Program are currently up to.

1. Reimagined tea pots. Leslie Sills (Crafts Fellow ’95) created the above work, called HIGH TEA. The sculptural teapot is among the works included in The Teapot Redefined, an exhibition of sculptural teapots at Mobilia Gallery in Cambridge (through Oct. 31). The work was inspired by Leslie’s artist residency this past summer at Watershed Center for the Ceramic Arts, which borders a sheep farm in Newcastle, Maine.

2. National film releases. Jeff Zimbalist’s (Film & Video Fellow ’05) documentary The Two Escobars is being released in San Francisco this month, is currently running in New York, and will have an LA release next week. The film recently received a glowing review by The Onion’s AV Club (and those discerning hipsters are tough to impress!).

3. Chinese World Expos. Martha Jane Bradford (Drawing Fellow ’85) collaborated with Chantal Harvey to produce Acquarella: The Fable, digital/virtual art on view in the Air Tree Exhibit in the Madrid Pavilion of the World Expo in Shanghai, curated by Spanish curator and virtual arts leader Cristina García-Lasuén. Martha (Alizarin Goldflake in Second Life) produced, directed, and designed most of the virtual environment, while Chantal Harvey helmed the 3-D computer animation. Watch the clip with narration in English or Chinese.

4. Literary/culinary benefit events. Former Poetry Slam National Champion Regie Gibson (Poetry Fellow ’10) will emcee the literary feast A Taste of Grub, a November 5 fundraiser for Grub Street, a writers’ service organization based in Boston.

5. Edens-in-progress. TRIIIBE (Sculpture/Installation Fellows ’09), the artists collective of Alicia, Kelly, and Sara Casilio and photographer Cary Wolinsky, is turning Boston University’s massive 808 Gallery space into a site-specific installation. In Search of Eden will evolve as creators and observers participate in developing a present day version of the Garden of Eden. If you’re in search of art that’s visually arresting, socially engaged, and possessed of a truly unique vision, then traveler, I think I know where to find your paradise.

6. Collaborative, two-part installations. Liz Nofziger (Sculpture/Installation Fellow ’05) and Linda Price-Sneddon (Sculpture/Installation Fellow ’01) have created a multi-media installation showing at two different art venues. Part one of That Which Changes That Which Stays the Same shows at the Villa Victoria in Boston through November 3, 2010. Part two shows at the Essex Art Center in Lawrence through December 8, with an Artists’ Talk Wednesday, November 17, 7-8 PM. The artists’ collaboration is itself the result of a collaboration (woah, meta) between Villa Victoria and Essex Art Center, called Exchange.

For more exceptional stuff, check out Fellows Notes.

Images: Leslie Sills, HIGH TEA (front and side view), ceramic; still from THE TWO ESCOBARS by Jeff and Michael Zimbalist; still from ACQUARELLA by Martha Jane Bradford and Chantal Harvey; Regie Gibson; promotional image for A Taste of Grub; TRIIIBE, FINE; installation view of THAT WHICH CHANGES THAT WHICH STAYS THE SAME by Liz Nofziger and Linda Price-Sneddon.

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Nine Boston-area artists are in the Institute of Contemporary Art/Boston’s 2010 James and Audrey Foster Prize Exhibition.

We’ve been sharing Studio Views with the finalists for the prestigious $25,000 Foster Prize, and I’ve found it interesting the way artists’ descriptions of their art-making often seem to parallel the work itself. Fred H.C. Liang writes with evocative complexity about his complex, evocative work, and Evelyn Rydz unifies disparate elements in her description the way disparate, recontextualized images are brought together in her drawings. Meanwhile, Stephen Tourlentes‘s attention to process in his description and in his work allows the thematic overtones of his photos to resonate ever more clearly.

And here, Matthew Rich (Painting Fellow ’10) shares his studio and work in many, many fewer words than I’ve just used, much in the way his cut-paper compositions employ a subtlety and minimalism to distinctive, arresting effect.

1. My studio (looking towards the Northeast).

2. My materials (values)

3. More materials (complements)

4. My palette (large[new] to small[old] colors).

5. My workspace (the table, the floor).

6. My drums (in the corner).

7. A finished work (TWIST, 2009)

8. Another finished work (COMBINATION, 2009)

Work by Matthew Rich, along with that of the other eight 2010 Foster Prize finalists, will be exhibited at the Institute of Contemporary Art/Boston through January 17, 2011.

Images: all images courtesy of Matthew Rich; six studio images; TWIST (2009) Latex on cut paper, linen tape 36×58 in; COMBINATION (2009) Latex on cut paper, linen tape, 38×60 in.

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