Archive for the ‘installation art’ Category

Announcing 32 Awards in Crafts, Dramatic Writing, and Sculpture/Installation/New Genres

Monday, January 30th, 2017

Mara Superior, THE PURSUIT OF HAPPINESS (2014), porcelain, wood, gold leaf, 24x20x15 in

The Massachusetts Cultural Council is honored to announce the 2017 Artist Fellowship awards in Crafts, Dramatic Writing, and Sculpture/Installation/New Genres. Sixteen artists will receive fellowships of $12,000, and 16 artists will receive $1,000 finalist awards. See a list of this year’s fellows and finalists, to date.

The awards are anonymously judged, based solely on the artistic quality and creative ability of the work submitted. Applications were open to all eligible Massachusetts artists. A total number of 561 applications were received; 141 in Crafts, 135 in Dramatic Writing, and 285 in Sculpture/Installation/New Genres.

Evan Morse, SEB AND CLAIRE ILLEGALLY STREAM A MOVIE (2016), Hydrocal, pigment, 9x18x15 in

The Crafts panelists were Honee A. Hess, Ji-Eun Kim, Daniel Kornrumpf, and Beth McLaughlin. The Dramatic Writing panelists were Maria Agui Carter, Anne G. Morgan, and Rebecca Noon; the Readers were Steven Bogart and Talaya Delaney. The Sculpture/Installation/New Genres panelists were Nicholas Capasso, Dana Filibert, Jen Mergel, and Allison Maria Rodriguez.

This is the first series of Artist Fellowships awards to be given by the Mass Cultural Council in 2017. In late May 2017, MCC will announce awards in Film & Video, Music Composition, and Photography.

Find a full list of 2017 Artist Fellowships awardees, to date.

Nora Valdez, LONG PATH (2013), Limestone and marble, 12x52x7 in

From the Off-Broadway production of EXPATRIATE by Lenelle Moise, photos by Vanessa Vargas

Images: Mara Superior (Crafts Fellow ’17), THE PURSUIT OF HAPPINESS (2014), porcelain, wood, gold leaf, 24x20x15 in; Evan Morse (Sculpture/Installation/New Genres Fellow ’17), SEB AND CLAIRE ILLEGALLY STREAM A MOVIE (2016), hydrocal, pigment, 9x18x15 in; Nora Valdez (Crafts Fellow ’17), LONG PATH (2013), limestone and marble, 12x52x7 in; from the Off-Broadway production of EXPATRIATE by Lenelle Moise (Dramatic Writing Fellow ’17), photos by Vanessa Vargas.

Fellows Notes – Jan 17

Monday, January 9th, 2017

Each month, we share the news and honors of Artist Fellows & Finalists. Here’s the newest, in this new month of the new year.

Cover art for BEFORE YOU by Rebecca Doughty (Houghton Mifflin Harcourt 2017)

Regie Gibson, Letta Neely, Monica Raymond, and David Valdes Greenwood are among the artists whose work will be performed at Pinning Our Hopes, an evening of poems and scenes exploring the years ahead under the new president. The show, which is curated by David Valdes Greenwood, has two performances (1/14, 4 PM and 8 PM) and is free/donation-based.

Marky Kauffmann and Rania Matar both have photography in Outspoken: Seven Women Photographers at the de Menil Gallery at Groton School (opening reception 1/18, 7 PM). Marky Kauffmann curated the exhibition.

Kenji Nakayama and Ben Sloat are among the artists in the exhibition All That Glitters Is Not Gold at Drive-by Projects (1/28-3/11, reception 1/28, 4-6 PM).

Rachel Perry, Joe Wardwell, and Deb Todd Wheeler are among the artists exhibiting in Loud and Clear at Miller Yezerski Gallery (1/6-2/7).

Daniela Rivera and Evelyn Rydz are both exhibiting in latinx@mericañaza at Samson Projects.

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Kati Agócs had the U.S. premiere of her string quarter Tantric Variations, performed by the Cecilia String Quartet on Stradivari instruments, at the Library of Congress in Washington, D.C. in December.

Alexandra Anthony has a one-week theatrical run of her film Lost in the Bewilderness in Athens, Greece (1/12-1/18) at the Alkyonis Art Cinema. National Greek TV (ERT) will broadcast the film 1/15. The film’s December premiere in Greece received press attention in Madame Figaro and THETOC.gr.

Carrie Bennett has poetry in Issue 30 of jubilat.

Steven Bogart has a staged reading of his play Rehearsal at First Church in Boston Unitarian Universalist (1/24, 7 PM).

David Bookbinder has recently published two books: 52 (more) Flower Mandalas (an adult coloring book collaboration with Mary O’Malley) and Paths to Wholeness: Fifty-Two Flower Mandalas.

Rebecca Doughty has a new picture book, Before You, which will have a book launch event at Joie de Vivre in Cambridge (1/15, 4-6 PM).

Michael Dowling co-wrote the feature film Brave New Jersey, and it’s screening at the Berkshire Film Festival (1/12, 6 PM reception, 7 PM screening, q&a to follow).

Samantha Fields has a performative sculptural installation in the exhibition Is this Something at the Lasell College Wedeman Gallery (1/24-2/11, reception 1/29, 4-6 PM). Next summer, she will be Artist-in-Residence at the John Michael Kohler Arts Center in Wisconsin.

Sean Greene has a solo exhibition, Impulse Control, at the Williston Northampton School Grubbs Gallery (thru 1/30, reception 1/14, 1 PM).

Carrie Gustafson is exhibiting in the New York Ceramics and Glass Fair (1/18-1/22).

Michael Hoerman‘s poems “Disoriented Fascination,” “The God-box Killer,” and “The B-side of Stuxnet,” published in Eureka Literary Magazine, were nominated for the Pushcart Prize.

Eric Hofbauer‘s album Three Places in New England (with The Eric Hofbauer Quintet) was named one of the Boston Globe’s Top Ten Jazz Albums of 2016.

Joel Janowitz has a solo exhibition, Protected Trees, presented by Cambridge Arts at Gallery 344 (1/23-4/7, reception 1/30, 6-8 PM).

Niho Kozuru is among the artists in Plastic Imagination Fitchburg Art Museum (thru 1/15).

Scott Listfield is exhibiting in Supersonic Invitational (New York City), Platinum Blend 3 at Modern Eden Gallery (San Francisco), BRINK at Antler Gallery (Portland), and a Rick and Morty-themed exhibition at Gallery 1988 in LA.

Caitlin McCarthy is included in the book The Top 100 Indie Writers in the World.

Nathalie Miebach is in the group show Weather or Not, That Is the Question at the Children’s Museum of New York City (1/16-5/23). She’s also exhibiting in Rooted, Revived, Reinvented: Basketry in America at the University of Missouri Museum of Art and Archeology (1/27-5/14).

Anna Ross has a poem, Back Porch Aubade, published on Harvard Review Online.

Evelyn Rydz‘s exhibition Floating Artifacts is at Tufts University Art Gallery (1/24-5/21, opening reception 1/26, 5-7:30 PM). As mentioned above, she’s also exhibiting in latinx@mericañaza at Samson Projects.

Jenine Shereos has a solo show of new work, Thaw, at Tower Hill Botanic Garden in Boylston (1/14-3/8, reception 2/25, 5-7 PM).

Karen Skolfield won the Jeffrey Smith Editors’ Prize in poetry at Missouri Review.

Shubha Sunder wrote about the writing workshop experience for the Grub Street’s GrubWrites blog.

Read past Fellows Notes. If you’re a past fellow/finalist with news, let us know.

Image: cover art for BEFORE YOU by Rebecca Doughty (Houghton Mifflin Harcourt 2017).

Fellows Notes – Nov 16

Thursday, November 3rd, 2016

It’s November, a month to vote, eat sweet potato casserole, and celebrate new art.

Here’s the latest news from current and past MCC Artist Fellows/Finalists.

Liza Bingham, CARTOON CONTRAIL (2016), acrylic and oil on muslin over panel, 14x20 in

Claire Beckett, Caleb Cole, and Stephen Tourlentes will participate in an Artadia Art & Dialogue event with Whitney Museum of Art Curator Elisabeth Sherman (11/9, 6:30-8:30 PM) at the MassArt Design and Media Center Lecture Hall.

MCC Artist Fellowship Program awardees Kathleen Brennan, Anna V.Q. Ross, and Gary Whited read at the Public Library of Brookline (11/15, 7 PM).

Michael Joseph and Molly Lamb are both included in PhotoLucida’s Critical Mass 2016 Top 50 list.

Congratulations to Georgie Freidman and Emily Lombardo, both of whom are among the School of the Museum of Fine Arts (SMFA) 2017 Traveling Fellows.

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Kati AgocsThe Debrecen Passion is Music Web International’s Recording of the Month. Two songs from the album are up for consideration on the 2017 Grammy ballot.

Liza Bingham has a solo exhibition of paintings, Hot Pink, Soft Pink, Rusty Orange, White, at the new Boston project space and gallery How’s Howard (11/4-12/11, opening reception 11/4 5-9 PM).

Janet Echelman will give a presentation, Soft Structure: Sculpting at the Scale of Cities, hosted by the MIT Department of Architecture, on 11/17, 6-8 PM.

Georgie Friedman has work in Constructed Video at Boston Cyberarts Gallery (11/12-12/18, reception 11/11, 6-8 PM). Also, she has a site-specific video installation at the Strand Theatre in Dorchester, Traces of Wind and Water (thru 11/14), with “Artist Hours” at the site 11/6, 5-6:30 PM. (See news about the artist’s award from SMFA, above.)

Raul Gonzalez has a solo exhibition of drawings and paintings, Forbidden Frontera, at Carroll and Sons Gallery (11/2-12/21, reception 11/4 5:30-7:30 PM).

Justin Kimball has a solo exhibition of photography, Elegy, at Carroll and Sons Gallery (11/2-12/21, reception 11/4 5:30-7:30 PM). Signed copies of Justin Kimball’s book Elegy will be available for purchase.

Niho Kozuru has a solo show, Positive Vibration, at Miller Yezerski Gallery (thru 11/15, opening reception 11/4, 5-8 PM).

Danielle Legros Georges will read at the MIT Stata Center (11/7, 7 PM) and at Porter Square Books (with Kirun Kapur and Steve Yarbrough, 11/11, 7 PM). Her book The Dear Remote Nearness of You was awarded the 2016 Sheila Motton Book Prize by the New England Poetry Club. She will be sitting on the panel “New Directions in Caribbean Poetry” at the Miami Book Fair (11/20).

Scott Listfield is among the artists in Lunar Attraction (thru 9/4/2017) at Peabody Essex Museum. He’s also in the two-person exhibition Anthropecene at Antler Gallery in Portland, OR. Read an interview with the artist on the gallery’s blog.

Melinda Lopez has a new, one-woman play, Mala, at ArtsEmerson (thru 11/20). In recognition of the playwright’s achievements, Mayor Marty Walsh named October 29, 2016 Melinda Lopez Day in Boston. Read excellent reviews of Mala in the Boston Globe, WBUR’s ARTery, and Boston Magazine.

Rachel Mello has a solo exhibition, That Space Between Flying and Falling at Laconia Gallery (thru 12/18, Artist’s Talk 12/2, 6:30-7 PM).

Nathalie Miebach is exhibiting in the group show Intersections: Artists Master Line and Space at Akron Art Museum (thru 1/15). The museum will host a concert featuring work by Boston composers Christian Gentry and Mischa Salkind-Pearl, created in collaboration with Nathalie Miebach (11/3, 7 PM). Also this month, the artist has talks or events at the University of Akron Synapse Art Science Lecture series (11/2), the Sculpture Center in Cleveland (11/4, 11/5) and the New York Art Teacher Association at their annual conference in Albany, NY (11/18).

James Morrow and his dance company, james morrow/The Movement, present A Quarter Past Midnight at the Boston Center for the Arts Calderwood Pavilion (11/11 and 11/12, 8 PM). The performance is part of the dance artist’s Choreography Residency at the BCA.

Carl Phillips will read in the Blacksmith House Poetry Series (11/7, 8 PM).

Monica Raymond was selected as a Visiting Scholar for 2016-2018 at the Brandeis Women’s Studies Research Center. Also, “The Bag Song” from Paper of Plastic (an opera co-created with composer Charles Turner and performed at the Arkansas Science Slam in Oct) won Rough Magic Shakespeare Company‘s First Prize for a science song.

Jo Ann Rothschild is in the group exhibition Painting Is Not a Good Idea at HallSpace in Dorchester (11/19-1/7, opening reception 11/19, 3-6 PM).

Tracy Heather Strain and Randall MacLowry‘s film company, The Film Posse, created The Battle of Chosin, the latest documentary on the PBS series American Experience.

August Ventimiglia is among the artists in Wood + Paper + Earth at Drive-By Projects (11/5-12/17, reception 11/5, 4-6 PM).

Joe Wardwell has a solo show at LaMontagne Gallery in Winchester (thru 11/11) and another exhibition, Soon I Will Be President at Southern New Hampshire University McIninch Art Gallery (11/3-12/17, opening reception and artist talk 11/3, 5-7 PM).

Elizabeth Whyte Schulze‘s exquisite basketry, described as “three dimensional paintings,” are the Spotlight Exhibition at Mobilia Gallery (thru 12/15).

Suara Welitoff has an exhibition of multimedia and installation work, What Time This Feels at 186 Carpenter in Providence, RI (thru 12/10).

Cary Wolinsky has a solo exhibition of photography, Cary Wolinsky: Fiber of Life at Fuller Craft Museum (thru 2/26).

Read past Fellows Notes. If you’re a past fellow/finalist with news, let us know.

Image: Liza Bingham, CARTOON CONTRAIL (2016), acrylic and oil on muslin over panel, 14×20 in.

Fellows Notes – Oct 16

Thursday, October 6th, 2016

October-y news from current and past MCC Artist Fellows/Finalists.

Shelley Reed, ON THE WALL (AFTER HONDECOETER) (2010), oil on canvas, 48x36 in

Caleb Cole, Dana Filibert, Shelley Reed, and Sarah Wentworth are among the artist exhibiting in Fertile Solitude at the Mills Gallery at Boston Center for the Arts (10/14-12/18, opening reception 10/14, 6-8 PM). The exhibition, curated by FLUX.Boston creator Elizabeth Devlin, explores the idea of reprieve from everyday life through the physical framework of a maze that exhibition visitors are free to explore.

MCC Artist Fellows and Finalists will read at Forbes Library in Northampton (10/19, 7 PM). The readers are D M Gordon, Heather Kamins, Richard Michelson, Sarah Sousa, and Elizabeth Witte. Learn more and find the event on Facebook.

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Sachiko Akiyama has a solo exhibition of paintings and sculptures, Sachiko Akiyama: Between Here and There, at Matter & Light Fine Art (thru 10/31).

Alexandra Anthony‘s film Lost in the Bewilderness screens at the Robbins Library in Arlington, MA (10/20, 7 PM), as part of the Arlington International Film Festival’s 2016 Robbins Library Monthly Film Series. Free and open to the public, Q & A with Alexandra Anthony to follow.

Alice Bouvrie is screening her film A Chance To Dress at MIT (10/13, 7 PM). The filmmaker along with the subjects of the film, Dr. John “Tephra” Southard and his wife, Rev. Jean Southard, will be present for a post-screening Q & A.

Matt Brackett‘s first solo show in Boston in four years will take place at Alpha Gallery (10/7-11/2, opening reception 10/7, 6-8 PM). One of the included paintings, Moonstone, was one of 35 works out of over 2,400 applicants to receive a Certificate of Excellence in the Portrait Society of America’s International Portrait Competition last spring. See the artist’s Studio Views post on ArtSake.

Charles Coe is among the artists selected for the Boston Artists-in-Residence Program.

Mary Jane Doherty will have the West Coast premiere of her documentary Primaria at the San Francisco Dance Film Festival (10/23, 2 PM).

Tory Fair has a solo show of drawing/sculpture hybrids, Tory Fair: Paperweight at VERY in Boston (thru 10/22).

Jake Fried‘s animation was featured on the science technology/pop culture blog io9.

Georgie Friedman has unveiled a site-specific video installation at the Strand Theatre in Dorchester, Traces of Wind and Water (thru 11/14), part of her work as a City of Boston Artist in Residence Program. There is a Boston AIR reception 11/14 at the Strand.

Beth Galston has a solo show at the Cynthia Reeves Gallery in North Adams (thru 11/13).

Marky Kauffmann was invited to participate in the Berlin Foto Biennale after being named a finalist in the 2015 Julia Margaret Cameron Award for Women Photographers. Also, she’ll exhibit in the group show Mirror with a Memory at the Peter Miller Gallery in Providence, RI (10/20-11/12, opening reception 10/20, 5-9 PM).

Lisa Kessler received a George Gund Foundation commission to photograph in the Cleveland public schools. The photography collection will be on exhibit at the Cleveland Public Main Library in downtown Cleveland (thru 10/28). A smaller traveling exhibit will be on display at several library branches around the city.

Colleen Kiely will have a solo show at the Simmons College Trustman Art Gallery (10/11-11/9, opening reception 10/20, 5-7 PM, artist’s talk 10/26, 12-1 PM). She’ll also have work in the pop-up exhibit Stark Naked at Gallery Kayafas, 10/16, 7-10 PM.

Niho Kozuru has a solo show, Positive Vibration, at Miller Yezerski Gallery (thru 11/15).

Dawn Kramer, along with Stephen Buck, will participate in this year’s Roslindale Open Studios (10/22-10/23).

Yary Livan was featured in the Lowell Sun.

Melinda Lopez has a new play, Mala, at ArtsEmerson (10/27-11/20). Also, she contributed a short play to Still Waiting a series of vignettes created to accompany the play Waiting for Lefty at Boston College Robsham Theatre (10/13-10/16).

Tara Masih is the Series Editor for the annual Best Small Fictions series, which just published the 2016 edition.

Rania Matar has photography in the exhibition Mortal Things: Portraits Look Back and Forth at Tufts University Art Center (thru 12/4). Her solo show Becoming: Girls, Women, and Coming of Age exhibits at Pictura Gallery in Bloomington, IN (10/7-11/26, opening reception 10/7 5-8 PM, artist talk 10/11, 7 PM). In December, that same gallery will exhibit Rania’s work in Pulse Miami. Her work is included in Aftermath: The Fallout of War – America and the Middle East at Harn Museum of Art in Gainesville, FL (thru 12/ 31. artist talk 10/23, 2 PM) Her work is also exhibiting at Galerie Janine Rubeiz, Beirut Lebanon and at C. Grimaldis Gallery

Mary Bucci McCoy is in the experimental group exhibition Fiction (With Only Daylight Between Us) at boeckercontemporary in Heidelberg, Germany (10/15-31). Also, she will have a public conversation with Brooklyn artist David Mann at Rafius Fane Gallery in SoWa, Boston (10/8, 2-4 PM).

Joshua Meyer has a solo show, Seek My Face: The Art of Joshua Meyer, 2000-2016 at The Dortort Center for Creativity in the Arts at UCLA (thru 12/23, reception 10/27, 7-9 PM).

Richard Michelson was featured in WBUR Radio for his children’s book about Leonard Nimoy, Fascinating.

Nathalie Miebach is in the group show Intersections: Artists Master Line and Space at Akron Art Museum (thru 1/15). Also, she’ll give a talk at Ohio Wesleyan University (10/19, 7 PM) as part of the Sagan National Colloquium.

Ethan Murrow has a large-scale wall drawing in Escape Routes at the John Michael Kohler Art Center in Sheboygan, WI (thru 1/15). See an interview about the process.

Jendi Reiter‘s debut novel Two Natures was published in September by Saddle Road Press. Broadside Bookshop in Northampton, MA is hosting her local book launch (10/19, 7 PM).

Jo Ann Rothschild will exhibit work in the Fall Open House at the Studio at 535 Albany Street in Boston (10/27, 5-8 PM).

Samuel Rowlett has a solo exhibition of recent multimedia work, A Thing Not Planned for Imagery or Belief, on view in the South Gallery at Greenfield Community College (thru 11/3). There will be a gallery talk 10/26, 12 PM, and a closing reception 11/2, 5:30-7 PM.

James Rutenbeck‘s film Class of ’27 is an Editor’s Pick from The Atlantic.

Jane Smaldone‘s exhibition Rocks & Roses and The Return of the Fox shows at Clark Gallery in Lincoln (thru 10/31).

Stephen Tourlentes has work in the group exhibition Surveillance at The Nelson-Atkins Museum of Art in Kansas City, MO (thru 1/29).

Joe Wardwell has a solo show at LaMontagne Gallery in Winchester (thru 11/11) and another exhibition, Soon I Will Be President at Southern New Hampshire University McIninch Art Gallery (11/3-12/17, opening reception and artist talk 11/3, 5-7 PM).

Cary Wolinsky has a solo exhibition of photography, Cary Wolinsky: Fiber of Life at Fuller Craft Museum (10/8-2/26, opening reception 11/6, 2-5 PM).

Jung Yun reads from her novel Shelter at Busboys and Poets in Washington, D.C. in honor of Domestic Violence Awareness Month (10/5, 6-8 PM), sponsored by the Asian/Pacific Islander Domestic Violence Resource Project.

Angela Zammarelli is exhibiting in the group show The Unity of Opposites at A.P.E. Gallery in Northampton, MA (thru 10/30, opening reception 10/14, 5-8 PM). She is currently in residence at The Studios at MASS MoCA and will be participating in an open studios 10/19, 5-7 PM.

Read past Fellows Notes. If you’re a past fellow/finalist with news, let us know.

Images and media: Shelley Reed, ON THE WALL (AFTER HONDECOETER) (2010), oil on canvas, 48×36 in; Alexandra Anthony’s interview from the 40 Years of Fellowships Project.

Fellows Notes – Sep 16

Thursday, September 8th, 2016

Back to school, kiddos! Here’s the latest news from our esteemed alumni – the past awardees of our Artist Fellowships Program.

Ethan Murrow, RIPARIAN LAW (2016), graphite on paper, 36x36in

The Massachusetts Cultural Council (MCC) and the New Art Center in Newton (NAC) join together to present the MCC Artist Fellows in Painting, Choreography, Drawing & Printmaking, and Traditional Arts (9/16-10/15, opening reception 9/16, 6-8 PM). The exhibition will feature: in Painting – Dennis Congdon, Nicole Duennebier, Raúl Gonzalez, Joel Janowitz, Catherine Kehoe, Andrew Gordon Moore, and Cristi Rinklin; in Drawing & Printmaking – Kim Carlino, Erica Daborn, Linda Etcoff, Kevin Frances, Emily Lombardo, Stephen Mishol, and Ethan Murrow; in Choreography – Dahlia Nayar, Candice Salyers, and Sara L Smith; and in Traditional Arts – Dimitrios Klitsas.

MCC Choreography Fellow Candice Salyers will perform and literary awardees Jane Dykema, Michael Lowenthal, Shubha Sunder, Sheryl White, and Kris Willcox will read at the New Art Center (9/30, 6:30 dance performance, 7 PM reading). Look for more readings by MCC literary Fellows/Finalists in the months ahead.

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Elizabeth Alexander has a solo show, I May Not Be a Lion exhibiting at Elon University in North Carolina (thru 10/6). Watch her artist talk about the show. Also, she is in the group exhibition For the Saturday Evening Girls at Drive-By Projects (9/17-10/29, opening reception 9/17, 4-6 PM).

Marilyn Arsem performs as part of the Arctic Action: International Action Art Festival in Svalbard, Norway (9/19-9/28).

Sarah Bliss co-created a site-specific 16mm film sculpture-installation, pump, filter, reflect, with Chrissy Hunt and Anto Astudillo, and it will be featured in Temporal Currents, a one-night-only live experimental film and sound event at Boston;s Metropolitan Waterworks Museum, featuring filmmakers from the AgX Film Collective and musicians from NonEvent.

John Cameron is in two exhibitions this month: Furniture Masters 2016: Distinctive at 3S ArtSpace in Portsmouth, NH (thru 9/25, Main Event on 9/25). Also, a showcase of work by recent exhibitors at the Smithsonian Craft Show, called D.C. Current, exhibits at the Center for Furniture Craftsmanship in Rockport, Maine (9/23-1/4, opening reception 9/23, 5-7 PM).

Stephen DiRado has been selected to receive the 35th ArtsWorcester Award (9/9, 6 PM), given annually to an individual who has made exceptional contributions to the artistic and cultural life of this city.

William Giraldi publishes a new memoir this month, The Hero’s Body. He’ll read from the book at Harvard Book Store (9/10, 7 PM).

Kelly Goff‘s installation Dumpster was featured in an article in the arts journal Hyperallergic about the 2016 Governor’s Island Art Fair.

Sean Greene is exhibiting in a two-person show (with Jen Simms) at Mingo Gallery in Beverly (thru 10/8, opening reception 9/9, 6 PM). He’s also in a group show at Mount Holyoke College Blanchard Gallery (thru 9/15, opening reception 9/8, 5:30 PM).

Colleen Kiely has drawings in About Face at UMass Amherst’s Augusta Savage Gallery (9/12-9/28).

Jesse Kreitzer‘s film Black Canaries was awarded the Vermont Symphony Orchestera’s VSO Award for Best Integration of Music into Film at the Middlebury Filmmakers Festival. The film also received Grand Jury Awards for “Best Short Film” and “Best Cinematography” at the 12th Annual HollyShorts Film Festival in Hollywood, California.

Danielle Legros Georges takes part in Living in Many Languages: Poetry And Music to Celebrate the Act of Translation at Dewey Square Parks (9/2, 2 PM). She’ll also read as part of the ICA Boston’s Powerful Words, an evening of readings, reflections, and community in response to violence, racial injustice, and trauma (9/8, 6 PM).

Sandy Litchfield has a solo show, Deciduious City, at Carroll and Sons Gallery (9/7-10/1, opening reception 9/9, 5:30 PM).

Tara Masih is the Series Editor for the annual Best Small Fictions series, which just published the 2016 edition.

Rania Matar exhibits her new photography series Invisible Children, capturing the portraits of young Syrian and Palestinian refugees in Lebanon, at C. Grimaldis Gallery in Baltimore (9/15-10/22, opening reception 9/15, 6-8 PM).

Caitlin McCarthy has essays in two upcoming nonfiction anthologies from McFarland & Company: She Loves You: Women Writers Tell How a Teen Idol Changed Their Life and Soap Opera Confidential: Writers and Soap Insiders on Why We’ll Tune in Tomorrow. Also, her script Wonder Drughighlighted in an article in Collective Evolution.

Richard Michelson is publishing a new children’s book, Fascinating: the Life of Leonard Nimoy. There will be a Publication Party and Book Signing (9/9, 6-8 PM) in conjunction with the opening of UNSEEN: Fifty Never Before Exhibited Photographs, in honor of the 50th Anniversary of Star Trek, at R. Michelson Galleries.

Nathalie Miebach is in a group show, Encircling the World: Contemporary Art, Science, and the Sublime at the Massachusetts College of Art and Design Bakalar Gallery (9/19-12/3, opening reception 9/19, 6-8 PM).

Ethan Murrow has a solo show of drawings, Water Almanac, at Winston Wächter Fine Art in NY (9/8-10/29, opening reception 9/8, 6-8 PM). The artist utilized portions of his MCC grant to support the creation of art for the show, which features drawings based on the Farmers Almanac.

Lisa Olivieri screens her film Blindsided at the Firehouse Center for the Arts in Newburyport (9/18, 12 PM). Q&A with the director to follow screening.

Monica Rayond‘s play A to Z was a finalist for both the Jane Chambers Award and ATHE Award for Excellence in Playwriting. Paper of Plastic, a short opera for which she wrote the libretto (music, Charles Turner), won second prize in Opera Kansas’s short opera competition.

Marian Roth has a solo exhibition, Marian Roth: The Mysterious World of the Camera Obscura, at the Griffin Museum of Photography (9/8-10/2, talk and reception 9/15, 5-8 PM).

Eric Henry Sanders will have a reading of his new play Where’s Annie? at the A.P.E. Gallery in Northampton (9/17, 7:30 PM).

Congratulations to Karen Skolfield, named a runner-up in the The Iowa Review’s Jeff Sharlet Memorial Award for Veterans writing contest. Five of her poems will be published in the Spring 2017 issue of Iowa Review. This month, she’s participating in events surrounding the Amherst Poetry Festival and Emily Dickinson Poetry Marathon 2016 (9/15-9/17).

Peter Snoad‘s short play Bull will be produced by The Landing Theatre in Houston as part of its Redemption series (9/21-10/3). The play is about the love/hate relationship of two New York City cops with Arturo DiModica’s iconic statue of the Charging Bull which they’re guarding during the Occupy Wall Street protests.

Naoe Suzuki, currently artist-in-residence at the Broad Institute, will have a public dialogue with Broad Institute founding core member Tod Golub called Collaborating at the Intersection of Art and Science (9/27, 3-4 PM).

Scott Wheeler composed the music for Naga, one of the three operas performed as part of the Ouroboros Trilogy at ArtsEmerson (9/10-9/17).

Read past Fellows Notes. If you’re a past fellow/finalist with news, let us know.

Image: Ethan Murrow (Drawing & Printmaking Fellow ’16), RIPARIAN LAW (2016), graphite on paper, 36x36in.

Artist’s Voice: Erica Daborn

Thursday, September 1st, 2016

The Massachusetts Cultural Council (MCC) and the New Art Center (NAC) will present the 2016 Massachusetts Cultural Council Artist Fellows in Painting, Choreography, Drawing & Printmaking, and Traditional Arts on September 16-October 15, 2016, at the NAC.

Erica Daborn, one of the exhibiting artists, shares how her installations envision a tragic history that’s yet to happen.

Funeral for the Last Elephant

I have been working for six years on this project, Dialogues With Mother Earth: A Journey Through Time and Space. I consider the project to be a response to accelerating and irrefutable evidence of climate change. My goal is to provoke a reflection on the relationship between our 21st century societal values and the ways in which they have contributed to the degradation of our environment. The series of mural-sized narrative drawings in charcoal record fictitious historical events related to climate change as seen from the year 2051.

Seeking Higher Ground

The Murder of Mystery

s Revenge

I am using an immersive form of installation to direct the audience’s response to these issues through a comparison of ancient and modern information technologies.

Through this combination of theatre and visual art rather than scientific information I’m challenging viewers to examine the deeper causes of climate change. The installation engages them both intellectually and experientially, by first jettisoning them into a fast-paced technologically dominant environment (THE FUTURE), then forcing a slow crawl back into a quiet, cave-like space (THE PAST).

S.O.S.(Save Our Seeds)

The FUTURE – a sensory overload Media Room – reduces the ability to think or respond intelligently due to a profusion of images and overlapping, loud voices, a case of Too Much Information. The PAST – these are the murals – provides physical engagement with the environment through restricted movement and limited light source, while simultaneously offering primitive static images that play on intuition and history. Finally. a resting place in a pleasant low light quiet room, the silence only broken by occasional animal and bird cries (THE PRESENT), provides viewers with an opportunity to offer their own thoughts provoked by the experience in the form of letters to “Mother Earth.”

Oprah and Noah Save the Animals

In the drawings I explore, in a non-alarmist, story-book manner, those aspects of contemporary living that have impacted the environment including consumerism, depletion of natural resources, the ravages of the meat industry, disposable plastics, genetic modification etc. Because the completed project will be experiential (as opposed to an Al Gore-style lecture) I intend it to reach beyond the already-converted to a broader audience including one that has been resistant to the subject. I’m also offering this project as a teaching tool for schools and colleges. I want to encourage people who have not thought much about theses issues to recognize, to take action and to prepare for the global crisis that is already here.

Full project description
Video demo of narrative

All images courtesy of Erica Daborn. From top to bottom: Funeral for the Last Elephant Charcoal on canvas 70 x 154″; Seeking Higher Ground Charcoal on Canvas 70 x 172″; The Murder of Mystery Charcoal on Canvas 70 x 178″; Ahab’s Revenge: Charcoal on canvas 70 x 203″; S.O.S. (Save Our Seeds) Charcoal on canvas 70 x 164″; Oprah and Noah Save the Animals Charcoal on canvas 70 x 159″

Apply Now for an Artist Fellowship in Crafts, Dramatic Writing, and Sculpture/Installation/New Genres

Friday, August 19th, 2016

Beth Galston, LUMINOUS GARDEN (AERIAL) detail, detail (2009) Urethane resin, LEDs, wire, electronics 912x12 ft

We’re thrilled to announce the launch of the 2017 Massachusetts Cultural Council Artist Fellowship Program. The Artist Fellowships are unrestricted, anonymously judged, competitive grants for individual artists in recognition of artistic excellence.

Fellowship awards are currently $12,000. Finalist awards are $1,000.

There are two deadlines per fiscal year, divided by discipline. Applications are now being accepted in Crafts, Dramatic Writing, and Sculpture/Installation/New Genres. Deadline: Monday, October 3, 2016.

MCC will accept applications in Film & Video, Music Composition, and Photography beginning December 15, 2016. Deadline: Monday, January 23, 2017.

Who should apply for an Artist Fellowship? Massachusetts artists creating original work who meet eligibility requirements (see guidelines) are encouraged to apply. Read our tips on applying for an MCC Artist Fellowship.

Read full program guidelines, eligibility requirements, and application instructions.

 

Image and media: Beth Galston (Sculpture/Installation/New Genres Fellow ’13), LUMINOUS GARDEN (AERIAL) detail, detail (2009) Urethane resin, LEDs, wire, electronics 912×12 ft; video celebrating 40 years of the Massachusetts Artist Fellowships.

Christy Georg: Art from Surprising Places

Thursday, August 18th, 2016

Last month, we asked a group of artists Has a surprising or unusual locale ever proven a boon to your art-making?

Here, sculptor Christy Georg addresses the same topic, having recently returned home from a surprising locale herself: the Kohler industrial factory in Wisconsin.

Christy Georg at work during the Kohler Arts Industry Residency

The risks and strides I’ve taken within my art practice have taught me to completely believe in my ideas and in my ability to achieve difficult, interesting goals. Thoroughness conceptually, as well as with materials and process in the studio are a defining factor of what makes being an artist essential to me. Endurance and perseverance are evident in both the subject and the practice of my art career. Nineteen artist residencies have taken me to interesting and highly influential places over the years which allowed my ideas to grow in ways never conceivable in the limit of what a “home” might provide. And so for for 13 weeks this year I found myself beginning production on a new body of work in the pottery factory at Kohler Company in Wisconsin.

Christy Georg at work during the Kohler Arts Industry Residency

“Don’t be too disappointed if the project proves impossible,” I was told. There is no more delicious prize in the world than successfully achieving a nearly-impossible goal, and I enjoyed pushing myself mentally and physically to produce such a complicate, physically large, and multi-part project.

Christy Georg at work during the Kohler Arts Industry Residency

The Arts/Industry Program places two artists in studios alongside normal factory production in both the pottery and the foundry. Watching the three shifts of workers coming and going kept my appetite for production crazy high. The pottery casting facility is kept hot and humid for the clay, but the taxing environment just made me want to be tough enough to overcome it. I made sixteen multi-part plaster molds, which overflowed the studio and had to be well engineered to I could manipulate them alone with the help of a hoist. Slip-casting the vitreous china is also very physical and I felt like my movements became choreographed over my sweaty and very long work days; a machine in the factory engaged in nearly 24-hour production, and with an unusually high rate of success.

– Christy Georg, August 2016

Created in Arts/Industry, a long-term residency program of the John Michael Kohler Arts Center in Sheboygan, Wisconsin. Arts/Industry takes place at Kohler Co.

Created in Arts/Industry, a long-term residency program of the John Michael Kohler Arts Center in Sheboygan, Wisconsin. Arts/Industry takes place at Kohler Co.

GreatGuns01

GreatGuns05

Christy Georg is a sculptor whose numerous honors include a Lighton International Artists Exchange Program Grant and an MCC Finalist award in Sculpture/Installation/New Genres. She teaches sculpture at Santa Fe Community College and is also an Adventure Guide for both Santa Fe Mountain Adventures and Santa Fe Walkabouts.

Christy Georg

Images: all images from Christy Georg’s work-in-progress GREAT GUNS, a recreation of the armament of the main gundeck of the USS Constitution in slip-cast porcelain. Work created in Arts/Industry, a long-term residency program of the John Michael Kohler Arts Center in Sheboygan, Wisconsin. Arts/Industry takes place at Kohler Co.

Fellows Notes – Jun 16

Wednesday, June 1st, 2016

Summery news from current and past MCC Artist Fellows/Finalists.

Nathalie Miebach, BLUEBERRIES (2016), Wood, rope, paper, reed, 10x6x9 in

Congratulations to Ilisa Barbash, Jane Gillooly, Lucien Castaing-Taylor, and Lucia Small, all of whom will receive funding from the LEF Foundation as part of their Spring 2016 Moving Image Fund awards.

Carrie Bennett and Frannie Lindsay join Jennifer Barber for a poetry reading at Porter Square Books on 6/8, 7 PM and another at Newtonville Books on 6/16, 7PM.

Five new works created by teams of women artists – which include four past MCC awardees – will be presented as the latest Art on the Marquee by Boston Cyberarts. Ambreen Butt, Mags Harries, Nathalie Miebach, and Deb Todd Wheeler are all creating work for the 80-foot-tall multi-screen LED marquee outside the Boston Convention & Exhibition Center (opening reception 6/1, 6:30-8:30 PM).

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Elizabeth Alexander will have a solo exhibition, Spring Will Be a Little Late This Year at Boston Sculptors Gallery (6/8-7/17, artists reception 6/11, 2-5 PM).

Sandra Allen is among the artists in exhibiting in TreeMuse at the Suffolk University Art Gallery (6/9-7-7, reception 6/9, 5-7 PM).

Claire Beckett‘s solo exhibition Converts at Carroll & Sons Gallery received a great review in the Boston Globe. Her work was also featured on Slate.com.

Congratulations to Sari Boren, who was awarded a 2016 Emerging Artist Grant from the St. Botolph Club Foundation. Recently, her essay Failure to Ignite; A Body at Rest was published in the literary journal Hobart.

Christy Georg is artist-in-residence in the Kohler Arts/Industry Program thru July 2016.

Michael Hoerman recently published three poems in the Spring 2016 issue of Eureka Literary Magazine. This summer, he attends the inaugural Sedona Arts Center residency in Sedona, AZ.

Danielle Legros Georges received the honorary degree of Doctor of Humane Letters from Emerson College in May.

Holly Lynton has a solo exhibition of her series Bare Handed in the Filter Photo Festival in Chicago, IL (6/3-6/23, opening reception 6/3, 6-9 PM). She recently participated in the FIX Photo Festival in London, exhibiting with Laura Noble Gallery, and she was part of Photo Finish at Station Independent Projects in NYC.

Julie Mallozzi has launched a crowdfunding campaign on IndieGoGo for her film project, The Circle.

Thomas McNeely‘s novel Ghost Horse was recently on the shortlist for the 2016 William Saroyan International Prize for Writing (winner to be announced later this summer) and as a finalist for the 2015 Lascaux Prize in Fiction.

Richard Michelson will read (with David Giannini) as part of the Collected Poets Series at Mocha Maya’s Coffee House in Shelburne Falls (6/2, 7 PM).

Congratulations to Nathalie Miebach, who won a Virginia A. Groot Foundation Grant. She exhibits a new body of work, The Little Ones, at Miller Yezerski Gallery (thru 7/5, opening reception 6/3, 6-8 PM). As noted above, she’s one of the artists featured in Boston Cyberarts’ latest Art on the Marquee.

Sue Murad will premiere her new film, A Visitor’s Guide to Reorientation on Spectacle Island, co-created with Maria Molteni and Hermione Spriggs. The 20-minute film will screen as part of the Fort Point Arts Community Spring Open Studios, at the FPAC Space at Envoy Hotel, (6/17, 7:30, 8:30, and 9 PM).

Anne Neely has a solo show, Ireland: Place and Ritual at the Paul Dietrich Gallery (thru 7/8).

Mary O’Donoghue was featured on Christopher Lydon’s NPR program Radio Open Source on a program called Ireland Rises Again!

Lisa Olivieri‘s film Blindsided was featured in Boston Spirit Magazine.

Cecelia Raker will have readings for her play-in-progress La Llorona, first with Playwrights’ Reading Room at Morrill Memorial Library in Norwood (6/6, 7 PM), and then with Fresh Ink Theatre at Boston Public Library (6/14, 6:30 PM). This past year, she has been a Company One PlayLab Fellow and in July, she’ll have work in the PlayLab Fellowship showcase (7/24).

Monica Raymond has poems and a play monologue in the literary journal Drunken Boat.

Shelley Reed has an exhibition, up close, at Sears Peyton Gallery in New York (thru 6/18).

Congratulations to Anna Ross, whose new poetry chapbook Figuring is now available.

Emily Ross and her recent novel Half in Love with Death were featured in a recent Boston Globe article.

Eric Henry Sanders has a radio play to be read in the Life in the 413 event at New Century Theatre in Northampton (6/4, 7 PM).

Ben Sloat is one of the artists in the three-person show Uncannyland at One Mile Gallery in Kingston, NY (6/4-6/25, opening reception 6/4, 6-9 PM).

Naoe Suzuki had an artist residency at the Studios at MASS MoCA, organized by the Assets for Artists Initiative, in April. In 2016, she is Artist in Residence at Broad Institute, a collaborative community pioneering a new model of biomedical research, based in Cambridge, MA. Check out Naoe’s Tumblr site for her project Flow, an extension of the participatory installation she created at UMass Lowell last year.

Jung Yun‘s novel Shelter got a great review in the Briefly Noted section of The New Yorker. She has an article, My Fargo, in the April edition of The Atlantic.

Read past Fellows Notes. If you’re a past fellow/finalist with news, let us know.

Image: Nathalie Miebach, BLUEBERRIES (2016), Wood, rope, paper, reed, 10x6x9 in.

How Do You Approach the Business of Art?

Friday, April 1st, 2016

Periodically, we pose a question to artists about an issue they face in their work and lives.

It can be challenging to balance artistic creation with the business, financial, or other career aspects of artists’ work. Artists are encouraged to see their art career as a “business” – but how does that translate into practice? We asked artists in different disciplines, What is your approach to the business of art, and how has it changed over time?

Part two of a two-part discussion.

Jake Fried, animator
Ultimately, my experimental animations must transcend financial concerns, otherwise they become something else for someone else. Luckily, making deeply personal work that I believe in has increasingly led to new and rewarding paid opportunities.

My main source of income is teaching, mostly at the Museum of Fine Arts, Boston and the Massachusetts College of Art and Design. This past year I have created commissioned work for Adult Swim and the Marionette Record label, among others. I have screened my films at many international festivals, gallery shows and artist talks that provide awards and fees. And finally I’ve been awarded grants and fellowships, including one recently in Film & Video from the MCC.

As much as possible I want my artistic and financial success to stem directly from being true to my vision – it’s a hustle and I’m always chasing new opportunities to make this happen, but it’s worth it to make the work I believe in.

Jenine Shereos, LEAF (2013), human hair, 5x3 in, photo by Robert Diamante

Jenine Shereos, sculptor/installation artist
A few years ago, some of my work was featured on a popular art and design blog. I received a lot of exposure from this, and it had a ripple effect over the years as people continued to share the images on social media and other online venues. Many positive opportunities arose from this publicity, but it was definitely a learning experience as well. I had people contact me with bizarre commission requests, dealt with copyright issues, and even had an offer from Ripley’s Believe it or Not! This experience taught me the importance of being my own agent. To say no to things that don’t fit with my vision and to seek out the opportunities that I feel will enhance my career as an artist. I spend a lot of time researching residencies, grants, and other opportunities online. Recently, artist residencies have played a significant role in my artistic journey and have afforded me time away to focus on my art.

Similar to my artistic practice, I see the business aspect of my work as an organic process that continues to grow and evolve over time. I don’t know if I’ll ever be able to support myself fully from my art, but the obstacles keep me thinking creatively. Sometimes I feel frustrated by a sense of disconnection in my life, although I know I am not alone and many artists face the same struggle. On the one hand, my work has been shown internationally in museums and included in major publications. At the same time, I am nearing forty and waiting tables while piecing together odd jobs. Recently, I was sharing my frustrations with a friend and he asked if there was anyone I know personally who is making their living exclusively as an artist who I could look to as a model. After thinking through the many artists I have met over the years, I couldn’t think of a single one. I am slowly realizing that maybe this isn’t necessarily the end goal. I try to focus on the fact that I love making art and know I will always find a way to continue to do so against any odds.

Publicity photo from THE LAUNCH PRIZE, written by MJ Halberstadt, produced March 2016 at the Calderwood Pavilion of the Boston Center for the Arts, directed by Tiffany Nichole Greene, featuring Katharine Chen Lerner, Bari Robinson, John Tracey, and Angela K Thomas

MJ Halberstadt, playwright
People joke that Masters Programs in playwriting are “red headed stepchildren” that can’t be boxed neatly into more easily articulable Theatre or Creative Writing programs. Similarly, reconciling playwriting within the framework of a business model presents questions and problems. On one hand, I’m an artist-for-hire because different companies present my work. When they do, I am not the play’s “producer.” On the other hand, I am a free-lancer because I am the sole proprietor of my own playwriting “business.” The minimum viable product of what I can produce is a script, not a play, which is not sellable by itself – except, arguably, in the case of having the script published. It becomes necessary to tease apart distinctions, especially between my script and a company’s production of it. Combined, they make the product (a “play”) but assigning value to my part in it is tricky, especially when all of the theatre world is starving for monetary resources and many of the producers of my work are personal friends. I’m not a playwright for gain; in fact, only about a dozen American playwrights sustain themselves entirely off royalties. That’s why I have a totally unrelated day job at present; this is getting more and more difficult to reconcile since my playwriting “career” demands more of me each year.

[MJ takes a sip from a glass of whiskey.]

If my “brand” has “worth,” it’s not quantifiable. If anything, I’m building up artistic capital through making myself known and archiving reviews and, yes, “networking.” The hope is that it’ll pay off if and when I sell a TV pilot or get a job teaching playwriting.

[MJ takes another – longer – sip.]

 

Related reading: Who Is Your Audience? and How Do You Define Success as an Artist?

Jake Fried (inkwood.net) is an experimental animator whose work has shown on Carton Network’s Adult Swim, at the Tate Modern, in the Sundance Film Festival, and many other festivals and venues. He recently screened work in the Boston Underground Film Festival and has upcoming screenings at the Ashland Independent Film Festival, the Annecy International Animation Film Festival, and the Melbourne International Animation Festival.

MJ Halberstadt’s (mj-halberstadt.squarespace.com) new play is That Time the House Burned Down, produced by Fresh Ink Theatre at Boston Playwrights Theatre April 8-23. His play The Launch Prize was produced by Bridge Rep in Boston in March ’16 (read a great review in the Boston Globe). In February, he was profiled by Emerson College, and he wrote about race and privilege in theatre for HowlRound. In 2014, he was one of the artists selected to participate in Assets for Artists, a program supporting artists through financial and business training opportunities and matched savings.

Jenine Shereos (jenineshereos.com) is a sculptor and installation artist specializing in fiber and textile processes. Her work has been exhibited nationally and internationally, including in France, Italy, Switzerland, Poland, Portugal, Hungary, Austria, and Canada, and has been published in the Los Angeles Times, The Boston Globe, The Huffington Post, Make Magazine, and and the compendium Textiles: The Art of Mankind. Her work is currently on view at Centraal Museum in Utrecht, Netherlands, and in 2017, she will have a solo show at the Hampden Gallery at UMass Amherst.

Images and Media: BRAIN LAPSE by Jake Fried; Jenine Shereos, LEAF (2013), human hair, 5×3 in, photo by Robert Diamante; publicity photo from THE LAUNCH PRIZE, written by MJ Halberstadt, produced March 2016 at the Calderwood Pavilion of the Boston Center for the Arts, directed by Tiffany Nichole Greene, featuring Katharine Chen Lerner, Bari Robinson, John Tracey, and Angela K Thomas.


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