Archive for the ‘honors’ Category

Announcing 32 Awards in Crafts, Dramatic Writing, and Sculpture/Installation/New Genres

Monday, January 30th, 2017

Mara Superior, THE PURSUIT OF HAPPINESS (2014), porcelain, wood, gold leaf, 24x20x15 in

The Massachusetts Cultural Council is honored to announce the 2017 Artist Fellowship awards in Crafts, Dramatic Writing, and Sculpture/Installation/New Genres. Sixteen artists will receive fellowships of $12,000, and 16 artists will receive $1,000 finalist awards. See a list of this year’s fellows and finalists, to date.

The awards are anonymously judged, based solely on the artistic quality and creative ability of the work submitted. Applications were open to all eligible Massachusetts artists. A total number of 561 applications were received; 141 in Crafts, 135 in Dramatic Writing, and 285 in Sculpture/Installation/New Genres.

Evan Morse, SEB AND CLAIRE ILLEGALLY STREAM A MOVIE (2016), Hydrocal, pigment, 9x18x15 in

The Crafts panelists were Honee A. Hess, Ji-Eun Kim, Daniel Kornrumpf, and Beth McLaughlin. The Dramatic Writing panelists were Maria Agui Carter, Anne G. Morgan, and Rebecca Noon; the Readers were Steven Bogart and Talaya Delaney. The Sculpture/Installation/New Genres panelists were Nicholas Capasso, Dana Filibert, Jen Mergel, and Allison Maria Rodriguez.

This is the first series of Artist Fellowships awards to be given by the Mass Cultural Council in 2017. In late May 2017, MCC will announce awards in Film & Video, Music Composition, and Photography.

Find a full list of 2017 Artist Fellowships awardees, to date.

Nora Valdez, LONG PATH (2013), Limestone and marble, 12x52x7 in

From the Off-Broadway production of EXPATRIATE by Lenelle Moise, photos by Vanessa Vargas

Images: Mara Superior (Crafts Fellow ’17), THE PURSUIT OF HAPPINESS (2014), porcelain, wood, gold leaf, 24x20x15 in; Evan Morse (Sculpture/Installation/New Genres Fellow ’17), SEB AND CLAIRE ILLEGALLY STREAM A MOVIE (2016), hydrocal, pigment, 9x18x15 in; Nora Valdez (Crafts Fellow ’17), LONG PATH (2013), limestone and marble, 12x52x7 in; from the Off-Broadway production of EXPATRIATE by Lenelle Moise (Dramatic Writing Fellow ’17), photos by Vanessa Vargas.

Apply for a Prestigious Grant for American Painters

Friday, November 4th, 2016

In 2010, through the estate of artists Lillian Orlowsky and William Freed, the Provincetown Art Association and Museum established an annual grant for American painters aged 45 years or older. Since that time, The Lillian Orlowsky and William Freed Foundation Grant has awarded $30,000-$35,000 each year to mature American artists.

Grants, typically ranging $5,000 to $30,000, are offered to American painters aged 45 or older who demonstrate financial need. The fund honors its namesakes, in particular Lillian Orlowsky, who sought to provide financial support to mature artists due to her passionate commitment to art. The goal of the grant is to promote public awareness and a commitment to American art, as well as encouraging interest in artists who lack adequate recognition.

We highly encourage Massachusetts artists who fit the eligibility requirements to apply. See a gallery of work by past Massachusetts recipients, above.

The postmark deadline for the grant is April 3, 2017. Find guidelines, application instructions, and more information.

Fellows Notes – Sep 16

Thursday, September 8th, 2016

Back to school, kiddos! Here’s the latest news from our esteemed alumni – the past awardees of our Artist Fellowships Program.

Ethan Murrow, RIPARIAN LAW (2016), graphite on paper, 36x36in

The Massachusetts Cultural Council (MCC) and the New Art Center in Newton (NAC) join together to present the MCC Artist Fellows in Painting, Choreography, Drawing & Printmaking, and Traditional Arts (9/16-10/15, opening reception 9/16, 6-8 PM). The exhibition will feature: in Painting – Dennis Congdon, Nicole Duennebier, Raúl Gonzalez, Joel Janowitz, Catherine Kehoe, Andrew Gordon Moore, and Cristi Rinklin; in Drawing & Printmaking – Kim Carlino, Erica Daborn, Linda Etcoff, Kevin Frances, Emily Lombardo, Stephen Mishol, and Ethan Murrow; in Choreography – Dahlia Nayar, Candice Salyers, and Sara L Smith; and in Traditional Arts – Dimitrios Klitsas.

MCC Choreography Fellow Candice Salyers will perform and literary awardees Jane Dykema, Michael Lowenthal, Shubha Sunder, Sheryl White, and Kris Willcox will read at the New Art Center (9/30, 6:30 dance performance, 7 PM reading). Look for more readings by MCC literary Fellows/Finalists in the months ahead.

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Elizabeth Alexander has a solo show, I May Not Be a Lion exhibiting at Elon University in North Carolina (thru 10/6). Watch her artist talk about the show. Also, she is in the group exhibition For the Saturday Evening Girls at Drive-By Projects (9/17-10/29, opening reception 9/17, 4-6 PM).

Marilyn Arsem performs as part of the Arctic Action: International Action Art Festival in Svalbard, Norway (9/19-9/28).

Sarah Bliss co-created a site-specific 16mm film sculpture-installation, pump, filter, reflect, with Chrissy Hunt and Anto Astudillo, and it will be featured in Temporal Currents, a one-night-only live experimental film and sound event at Boston;s Metropolitan Waterworks Museum, featuring filmmakers from the AgX Film Collective and musicians from NonEvent.

John Cameron is in two exhibitions this month: Furniture Masters 2016: Distinctive at 3S ArtSpace in Portsmouth, NH (thru 9/25, Main Event on 9/25). Also, a showcase of work by recent exhibitors at the Smithsonian Craft Show, called D.C. Current, exhibits at the Center for Furniture Craftsmanship in Rockport, Maine (9/23-1/4, opening reception 9/23, 5-7 PM).

Stephen DiRado has been selected to receive the 35th ArtsWorcester Award (9/9, 6 PM), given annually to an individual who has made exceptional contributions to the artistic and cultural life of this city.

William Giraldi publishes a new memoir this month, The Hero’s Body. He’ll read from the book at Harvard Book Store (9/10, 7 PM).

Kelly Goff‘s installation Dumpster was featured in an article in the arts journal Hyperallergic about the 2016 Governor’s Island Art Fair.

Sean Greene is exhibiting in a two-person show (with Jen Simms) at Mingo Gallery in Beverly (thru 10/8, opening reception 9/9, 6 PM). He’s also in a group show at Mount Holyoke College Blanchard Gallery (thru 9/15, opening reception 9/8, 5:30 PM).

Colleen Kiely has drawings in About Face at UMass Amherst’s Augusta Savage Gallery (9/12-9/28).

Jesse Kreitzer‘s film Black Canaries was awarded the Vermont Symphony Orchestera’s VSO Award for Best Integration of Music into Film at the Middlebury Filmmakers Festival. The film also received Grand Jury Awards for “Best Short Film” and “Best Cinematography” at the 12th Annual HollyShorts Film Festival in Hollywood, California.

Danielle Legros Georges takes part in Living in Many Languages: Poetry And Music to Celebrate the Act of Translation at Dewey Square Parks (9/2, 2 PM). She’ll also read as part of the ICA Boston’s Powerful Words, an evening of readings, reflections, and community in response to violence, racial injustice, and trauma (9/8, 6 PM).

Sandy Litchfield has a solo show, Deciduious City, at Carroll and Sons Gallery (9/7-10/1, opening reception 9/9, 5:30 PM).

Tara Masih is the Series Editor for the annual Best Small Fictions series, which just published the 2016 edition.

Rania Matar exhibits her new photography series Invisible Children, capturing the portraits of young Syrian and Palestinian refugees in Lebanon, at C. Grimaldis Gallery in Baltimore (9/15-10/22, opening reception 9/15, 6-8 PM).

Caitlin McCarthy has essays in two upcoming nonfiction anthologies from McFarland & Company: She Loves You: Women Writers Tell How a Teen Idol Changed Their Life and Soap Opera Confidential: Writers and Soap Insiders on Why We’ll Tune in Tomorrow. Also, her script Wonder Drughighlighted in an article in Collective Evolution.

Richard Michelson is publishing a new children’s book, Fascinating: the Life of Leonard Nimoy. There will be a Publication Party and Book Signing (9/9, 6-8 PM) in conjunction with the opening of UNSEEN: Fifty Never Before Exhibited Photographs, in honor of the 50th Anniversary of Star Trek, at R. Michelson Galleries.

Nathalie Miebach is in a group show, Encircling the World: Contemporary Art, Science, and the Sublime at the Massachusetts College of Art and Design Bakalar Gallery (9/19-12/3, opening reception 9/19, 6-8 PM).

Ethan Murrow has a solo show of drawings, Water Almanac, at Winston Wächter Fine Art in NY (9/8-10/29, opening reception 9/8, 6-8 PM). The artist utilized portions of his MCC grant to support the creation of art for the show, which features drawings based on the Farmers Almanac.

Lisa Olivieri screens her film Blindsided at the Firehouse Center for the Arts in Newburyport (9/18, 12 PM). Q&A with the director to follow screening.

Monica Rayond‘s play A to Z was a finalist for both the Jane Chambers Award and ATHE Award for Excellence in Playwriting. Paper of Plastic, a short opera for which she wrote the libretto (music, Charles Turner), won second prize in Opera Kansas’s short opera competition.

Marian Roth has a solo exhibition, Marian Roth: The Mysterious World of the Camera Obscura, at the Griffin Museum of Photography (9/8-10/2, talk and reception 9/15, 5-8 PM).

Eric Henry Sanders will have a reading of his new play Where’s Annie? at the A.P.E. Gallery in Northampton (9/17, 7:30 PM).

Congratulations to Karen Skolfield, named a runner-up in the The Iowa Review’s Jeff Sharlet Memorial Award for Veterans writing contest. Five of her poems will be published in the Spring 2017 issue of Iowa Review. This month, she’s participating in events surrounding the Amherst Poetry Festival and Emily Dickinson Poetry Marathon 2016 (9/15-9/17).

Peter Snoad‘s short play Bull will be produced by The Landing Theatre in Houston as part of its Redemption series (9/21-10/3). The play is about the love/hate relationship of two New York City cops with Arturo DiModica’s iconic statue of the Charging Bull which they’re guarding during the Occupy Wall Street protests.

Naoe Suzuki, currently artist-in-residence at the Broad Institute, will have a public dialogue with Broad Institute founding core member Tod Golub called Collaborating at the Intersection of Art and Science (9/27, 3-4 PM).

Scott Wheeler composed the music for Naga, one of the three operas performed as part of the Ouroboros Trilogy at ArtsEmerson (9/10-9/17).

Read past Fellows Notes. If you’re a past fellow/finalist with news, let us know.

Image: Ethan Murrow (Drawing & Printmaking Fellow ’16), RIPARIAN LAW (2016), graphite on paper, 36x36in.

Fellows Notes – Aug 16

Tuesday, August 2nd, 2016

August, that most distinguished of late summer months, arrives with a new array of news from current and past MCC Artist Fellows & Finalists.

Nicole Duennebier (Painting Fellow '16) and Caitlin Duennebier, CONGREGATION ON THE BRIGHTEST NIGHT (2016), acrylic on laminate panel, 48x60 in

Congratulations to Sonia Almeida and Lucien Castaing-Taylor, both of whom are among the 2017 James and Audrey Foster Prize artists!

Amy Archambault and Leslie Schomp are in the Regional Exhibition of Art and Craft at Fitchburg Art Museum (thru 9/4).

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Steven Barkhimer has launched an IndieGoGo campaign to support a new project, the adaptation and staging of a classical Indian play.

Linda Bond is one of the artists exhibiting in Up in Arms: Taking Stock of Guns at Brattleboro Museum (thru 10/23).

Alice Bouvrie is screening her film A Chance to Dress at The Space in Jamaica Plain (8/20, 8 PM).

Timothy Coleman has work in an exhibition at Castle in the Clouds in New Hampshire (8/21, 5:30 PM), with New Hampshire Furniture Masters.

Rebecca Doughty has a show of new work, entitled More Pictures, at the Schoolhouse Gallery in Provincetown (8/26-9/14, opening reception 8/26, 6-9 PM).

Nicole Duennebier has a collaborative exhibition with Caitlin Duennebier, Fragment of Sister Head, at Lens Gallery in Boston (opening reception 8/5, 6-8:30 PM).

Samantha Fields is exhibiting in SEVEN: A Performative Drawing Project (Reunion) at Montserrat College of Art (thru 9/10), and is among the artists in Contexture at Jane Lombard Gallery in NYC (thru 8/31).

Basia Goszczynska has a solo exhibition, Rainbow Credits, on view at the Mid-Manhattan Library (thru 8/1).

Michael Hoerman is on the map! Created by poet C.D. Wright in 1994, A Readers’ Map of Arkansas honors writers who contribute to the rich culture of Arkansas literature, whom Arkansas has nurtured.

Zehra Khan is among the artists in AMP: Art Market Provincetown (thru 8/11).

Scott Listfield has a solo show at Lancaster Museum of Art as part of the Made in America series (8/13-10/30).

Rachel Mello is one of the artists exhibiting in TEN Kingston Associates: Our Voices at Kingston Gallery (8/3-8/28, opening reception 8/5, 5:30-8 PM).

Lisa Olivieri‘s film Blindsided got a great review in afterellen.com.

Cecelia Raker‘s play La Llorona was a runner-up for the Princess Grace Award.

Daniel Ranalli will lead a conversation on the work of Liz Deschenes at ICA Boston (8/31, 2 PM). The discussion is free with museum admission.

Monica Rayond‘s play A to Z was a finalist for both the Jane Chambers Award and ATHE Award for Excellence in Playwriting. Paper of Plastic, a short opera for which she wrote the libretto (music, Charles Turner), won second prize in Opera Kansas’s short opera competition.

Jendi Reiter‘s debut novel Two Natures will be published in September by Saddle Road Press of Hilo, HI, and is currently available for pre-order on Amazon. Broadside Bookshop in Northampton, MA is hosting her local book launch (10/19, 7 PM).

Read past Fellows Notes. If you’re a past fellow/finalist with news, let us know.

Image: Caitlin Duennebier and Nicole Duennebier (Painting Fellow ’16), CONGREGATION ON THE BRIGHTEST NIGHT (2016), acrylic on laminate panel, 48×60 in.

For the Win

Thursday, July 21st, 2016

In mid-August, we plan to publish our guidelines for the 2017 Artist Fellowships cycle.

In preparation, we’ve updated our Tips on Applying for an MCC Artist Fellowships article on ArtSake. We’ve also recently updated our compendium of opportunities to find funding as a Massachusetts artist.

If you’re a Massachusetts artist hoping for funding to make your work, both articles are worth your time.

And while we’re on the topic of awards and grants, congratulations are in order for a number of local artists who’ve recently won honors in the arts.

 

Production still from Y2Y, a film-in-progress by Laurie Kahn

LEF Foundation Moving Image Fund Awards Local Filmmakers
LEF Foundation, a crucial supporter of nonfiction film in New England, recently announced $30,000 in pre-production grants to early-stage film projects. Some of the funded projects include Laurie Kahn’s Y2Y, about a visionary homeless shelter for young adults in Harvard Square, Alex Morelli’s The White Pine Project, about a former mining town that becomes a travel stop for families of maximum security prisoners, and Soon-Mi Yoo and Haden Guest’s Traveling Gods, about the divergent paths Christianity has taken in Korea and Japan. The $5,000 awards go to films that “demonstrate excellence in technique, strong storytelling ability, and originality of artistic vision and voice.”

The next grant deadline for the LEF Foundation Moving Image Fund is January 27, 2017 for projects seeking production or post-production support.

 

Detail of painting by Masako Kamiya, photo by Clements/Howcroft Photography

Lillian Orlowsky and William Freed Foundation Grants Awarded to Three Massachusetts Painters
The Provincetown Art Association and Museum’s Lilian Orlowsky and William Freed Foundation Grant (for American painters aged 45 or older) awards monetary prizes from $5,000 to $30,000. Congratulations to the recently announced 2016 grantees, including Massachusetts-based artists Masako Kamiya (Painting Fellow ’10, ’06), Frank Gregory, and Marjorie Kaye.

The 2017 application for this grant will be available after September 1, 2016.

 

Find more grant and other opportunities in ArtSake’s Artist Opportunities round-ups.

Images: Production still from Y2Y, a film-in-progress by Laurie Kahn; detail of painting by Masako Kamiya, photo by Clements/Howcroft Photography.

MCC Announces 35 Awards in Choreography, Fiction/Creative Nonfiction, and Painting

Thursday, May 19th, 2016

Nicole Duennebier, TUNICATE AND GOLDEN SAC (2014), acrylic on panel, 48x34 in

The Massachusetts Cultural Council is honored to announce the 2016 MCC Artist Fellowship awards in Choreography, Fiction/Creative Nonfiction, and Painting. Eighteen artists will receive fellowships of $12,000, and 17 artists will receive $1,000 finalist awards. See a full list of this year’s fellows and finalists.

The awards are anonymously judged, based solely on the artistic quality and creative ability of the work submitted. Applications were open to all eligible Massachusetts artists. A total number of 1109 applications were received: 54 in Choreography, 485 in Fiction/Creative Nonfiction, and 570 in Painting.

From 2125 STANLEY STREET by Dahlia Nayar

Cover art for SHELTER (Picador 2016) by Jung Yun

The Choreography panelists were Junichi Fukuda, James Morrow, Cheri Opperman, and Sydney Skybetter.

The Fiction/Creative Nonfiction panelists were Jane Brox, Kristiana Kahakauwila, Helen Elaine Lee, and Mehdi Tavana Okasi; the readers were Alicia Anstead, Sybil Baker, LaShonda Barnett, Sarah Blackman, Lydia Conklin, Steven Edwards, Joseph Fazio, Sheba Karim, Kate Leary, Tien-Yi Lee, William Peters, and Harry Stecopoulos.

The Painting panelists were Philip Brou, Gwen Strahle, Azadeh Tajpour, and Mary Tinti.

This is the second series of Artist Fellowships awards to be given by the MCC in 2016. In February 2016, MCC announced 32 awards in Drawing & Printmaking, Poetry, and Traditional Arts.

Find a full list of 2016 Artist Fellowships awardees.

Catherine Kehoe, STILL LIFE WITH WHITE PEONY (2015), oil on panel, 8x8 in

Raul Gonzalez III, EL MALVERDE (2012), fluid acrylic, pencil and pen, 12x9.5 in

Images: Nicole Duennebier, TUNICATE AND GOLDEN SAC (2014), acrylic on panel, 48×34 in; still photo from 2125 STANLEY STREET by Dahlia Nayar; cover art for SHELTER (Picador 2016) by Jung Yun; Catherine Kehoe, STILL LIFE WITH WHITE PEONY (2015), oil on panel, 8×8 in; Raul Gonzalez III, EL MALVERDE (2012), fluid acrylic, pencil and pen, 12×9.5 in.

MCC Announces 32 Awards in Drawing & Printmaking, Poetry, and Traditional Arts

Tuesday, February 2nd, 2016

Kevin Frances, NEW APARTMENT, NEW CITY: SCENE 4 (2013), Japanese woodblock print

The Massachusetts Cultural Council is honored to announce the 2016 MCC Artist Fellowship awards in Drawing & Printmaking, Poetry, and Traditional Arts. Sixteen artists will receive fellowships of $12,000, and 16 artists will receive $1,000 finalist awards. See a list of this year’s fellows and finalists.

The awards are anonymously judged, based solely on the artistic quality and creative ability of the work submitted. Applications were open to all eligible Massachusetts artists. A total number of 708 applications were received: 351 in Drawing & Printmaking, 342 in Poetry, and 15 in Traditional Arts.

Ethan Murrow, DOODLEBUGGING (2015), sharpie on plywood set in concrete hole covered by glass

Dimitrios Klitsas carving at his bench (2014)

The Drawing & Printmaking panelists were Sandra Allen, Matt Brown, Deborah Davidson, and Scott Schnepf. The Poetry panelists were David Daniel, Cate Marvin, Ifeanyi Menkiti, and Emily Pettit. The Poetry readers were Karen Craigo, Oliver de la Paz, Danielle Legros Georges, James Heflin, Ashley M. Jones, Lee Ann Roripaugh, Karen Skolfield, and Stephen Tapscott. The Traditional Arts panelists were Eric A. Galm, Kate Kruckenmeyer, and Lynn Martin-Graton.

This is the first series of Artist Fellowships awards to be given by the MCC in 2016. In late May/early June 2016, MCC will announce awards in Choreography, Fiction/Creative Nonfiction, and Painting.

MCC is celebrating 40 years of Artist Fellowships in the Commonwealth of Massachusetts.

Find a full list of 2016 Artist Fellowships awardees, to date.

Emily Lombardo, THE CAPRICHOS: PLATE 52 - WHAT A TAILOR CAN DO! (2014), etching

Kim Carlino, COSMOLOGICAL FORMATIONS, SERIES VII, XII, watercolor, ink, and mixed media on tyvek

Cover art from SPLIT THE CROW by Sarah Sousa (Parlor Press 2015)

Images: Kevin Frances, NEW APARTMENT, NEW CITY: SCENE 4 (2013), Japanese woodblock print; Ethan Murrow, DOODLEBUGGING (2015), sharpie on plywood set in concrete hole covered by glass; Dimitrios Klitsas carving at his bench (2014); Emily Lombardo, THE CAPRICHOS: PLATE 52 – WHAT A TAILOR CAN DO! (2014), etching; Kim Carlino, COSMOLOGICAL FORMATIONS, SERIES VII, XII, watercolor, ink, and mixed media on tyvek; cover art from SPLIT THE CROW by Sarah Sousa (Parlor Press 2015).

Congratulations to NEA Creative Writing Fellows in MA

Monday, December 21st, 2015

Cover art for ENON by Paul Harding (Random House 2013), THROUGH THE DOOR OF LIFE by Joy Ladin (U of WI Press 2012), EVERYTHING I NEVER TOLD YOU (paperback: Penguin 2015); KING OF THE GYPSIES by Lenore Myka (BkMk Press 2015)

The National Endowment for the Arts recently announced the 2015 Creative Writing Fellowships in Prose. Congratulations to all recipients of this prestigious literary honor, but particularly to Lenore Myka of Somerville, Celeste Ng of Cambridge, Paul Harding of Topsfield, and Joy Ladin of Hadley (also a past MCC awardee in Fiction/Creative Nonfiction). And speaking of past MCC awardees, congratulations to Mehdi Okasi, a 2014 Fellow who subsequently moved to NY and is also among the new NEA Fellowship awardees.

The grants are $25,000 and support ongoing work in prose.

Well done (and written), all.

Image: cover art for ENON by Paul Harding; THROUGH THE DOOR OF LIFE by Joy Ladin; EVERYTHING I NEVER TOLD YOU by Celeste Ng; KING OF THE GYPSIES by Lenore Myka.

Alexandra Anthony: a Filmmaking Tale Worthy of Myth

Wednesday, September 2nd, 2015

When she won a state fellowship in 1987, Alexandra Anthony thought her personal documentary Lost in the Bewilderness was nearly complete. But real life doesn’t have a neat ending. Like a journey out of Greek myth, the film project searched for decades before finding its way home.

The Massachusetts Cultural Council is celebrating 40 Years of Fellowships by sharing video interviews with some of the extraordinary artists who have received Artist Fellowships since the program’s inception in 1975.

  • On MCC’s YouTube Channel, experience the stories of some of the amazing artists we’ve funded over the last 40 years.
  • If you’re a past Fellow or Finalist of the program, sign our Alumni Book to get back in touch and share your own story.
  • Contact us if you have ideas for the project.

Video Credits: all film footage courtesy of Alexandra Anthony (Film & Video Fellow ’81, ’87, ’07); title animation by Basia Goszczynska (Film & Video Fellow 2013); intro music by Laura Andel (Music Composition Fellow 1999), “Sao Dao,” music by Laura Andel, BMI ©1997, performed by the Laura Andel Orchestra; montage and closing music by Deborah Henson-Conant (Music Composition Fellow 1984, ’87), “Merceditas” and “996” from “Invention and Alchemy” © 2006, performed/recorded by The Grand Rapids Symphony, David Lockington, Conductor.

Composer Lewis Spratlan: Long Journey of a Dream

Wednesday, August 19th, 2015

American composer Lewis Spratlan won an Artist Fellowship the first year the grants were offered, in 1975. He had just begun working on an opera, Life Is a Dream, whose journey spanned five decades, from near-abandonment to the one of the highest honors in American music.

The Massachusetts Cultural Council is celebrating 40 Years of Fellowships by sharing video interviews with some of the extraordinary artists who have received Artist Fellowships since the program’s inception.

  • Visit MCC’s YouTube Channel to find more intriguing stories from past Fellows.
  • If you’re a past Fellow or Finalist of the program, sign our Alumni Book to get back in touch and share your own story.
  • Contact us if you have ideas for the project.
  • Use #YayArtists to follow the project in Twitter.

Video Credits: music by Lewis Spratlan (Music Composition Fellow 1975, ’88), “Hesperus Is Phosphorus” (Innova Recordings 2015), performed by Network for New Music and The Crossing, conducted by Donald Nally, in 2012; video footage of “Hesperus Is Phosphorus by Meg Sarachan; photographs courtesy of Lewis Spratlan, Samuel Masinter/Amherst College, and Santa Fe Opera Theater; title animation by Basia Goszczynska (Film & Video Fellow 2013); intro music by Laura Andel (Music Composition Fellow 1999); “Sao Dao,” music by Laura Andel, BMI ©1997, performed by the Laura Andel Orchestra.


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