Archive for the ‘dance’ Category

Fellows Notes – May 17

Wednesday, May 3rd, 2017

Mass Cultural Council is honored to support the work of individual artists. Fellows Notes is a monthly listing of the last news from awardees in our Artist Fellowships Program.

May 2017:

Hiding in Plain Sight: Folk Masters of Massachusetts showcase concert features past or current recipients of an Artist Fellowship or Traditional Arts Apprenticeship performing at the Shalin Liu Performance Center in Rockport (5/14, 5 PM).

Many superb poets, including numerous past Artist Fellows and Finalists, and taking part in the Massachusetts Poetry Festival (5/5-5/7, Salem, MA). Not to be missed: a reading by Mass Cultural Council Poetry Fellows Scott Challener, Aaron Krol, Richard Michelson, Sarah Sousa, and Elizabeth Witte (5/6, 2 PM), at the Peabody Essex Museum. Other current and past Artist Fellows/Finalist taking part include Tom Sleigh (one of the headliners), Kathleen Aguero, Maria Luisa Arroyo, Carrie Bennett, Duy Doan, Danielle Legros Georges, Regie Gibson, Richard Hoffman, and Rosann Kozlowski. Learn more.

Sophia Ainslie, Ken Beck, Masako Kamiya, Joo Lee Kang, and Mary Kocol are all taking part in the 40th anniversary event at Gallery Naga (5/5, 5-8 PM, after party from 8-11 PM).

Steven Barkhimer, John Kuntz, Melinda Lopez, and John Minigan all have plays published in the New England New Play Anthology (edited by Patrick Gabridge). An event featuring the book takes place at Porter Square Books (5/16, 7 PM).

Congratulations to Sarah Bliss and Allison Cekala, who are among the film artists attending the 2017 Flaherty Film Seminar as LEF New England Fellows.

Charles Coe's poem "Mnemonic" installed as part of Mass Poetry's Raining Poetry project

Charles Coe and Tanya Larkin are among the poets whose work is featured in Mass Poetry’s Raining Poetry project.

Samantha Fields, Matthew Gamber, Masako Kamiya, Justin Kimball, Kelly Popoff, Cristi Rinklin, and Daniela Rivera all received awards from the Berkshire Taconic Community Foundation Artist’s Resource Trust Fund.

Kenji Nakayama and Ben Sloat are exhibiting in Absent at the Lesley University VanDernoot Gallery (5/11-6/10, opening reception 5/11, 6-8 PM).

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Elizabeth Alexander currently has work in the exhibition Deep Cuts: Contemporary Paper Cutting at Currier Museum of Art (thru 5/21). She has solo show, I May Not Be a Lion, at Hodges Taylor Art Consultancy (thru 6/18), with an artist talk 5/20, 10:30 AM-12 noon, moderated by Annie Carlano, Senior Curator of Craft, Design and Fashion at The Mint Museum. Work from her Heirloom series is currently featured in the touring State of the Art exhibitions from Crystal Bridges Art Museum.

Stacey Alickman has a solo exhibition, In Memory: works by Stacey Alickman, at Kingston Gallery (5/3-5/28, opening reception 5/5, 5:30-8:30 PM).

Steven Bogart directs Peerless for Company One Theatre (C1), performed at the Boston Public Library (thru 5-28, 7 PM). All tickets are pay-what-you-can in this production, produced in conjunction with the Library’s “All the City’s a Stage: A Season of Shakespeare.”

Sarah Braman is part of the group exhibition In the Abstract at MASS MoCA (opening reception 5/6, 5:30-7 PM).

Mark Cooper recently showed at Lesley University’s Lunder Art Center. Read a review in WBUR’s ARTery.

John Gianvito screened his film Profit motive and the whispering wind at Harvard Film Archive (5/1, 7 PM), part of its Cinema of Resistance series.

Sean Greene is exhibiting in Eye of the Song: Visual Art by Musicians at The Putney School’s Michael S. Currier Center Gallery (thru 5/20).

Carrie Gustafson exhibited in The Smithsonian Craft Show in April.

Mags Harries has a solo exhibition, Adrift, at Boston Sculptors Gallery (5/10-6/11, opening reception 5/20, 5-8 PM).

James Heflin‘s debut poetry collection Krakatoa Picnic has been published by Hedgerow Books.

Catherine Kernan has a solo show, perimeters, at Soprafina Gallery (5/5-5/27, artist’s reception 5/13, 2-4 PM).

Dawn Kramer will perform in an event called From the Horse’s Mouth, a benefit for The Dance Complex (5/5 and 5/6).

Jesse Kreitzer‘s film Black Canaries received “Special Jury Recognition for Short Narrative Film” at the Ashland Independent Film Festival (AIFF). This marks the 8th film festival award for Black Canaries.

Mira T. Lee is part of The Strategic Writer panel for the Muse and the Marketplace Conference (5/7, 1-2:30 PM).

Danielle Legros Georges reads her poetry in the Brookline Poetry Series at the Brookline Public Library (5/21, 2 PM).

Mary Lum has an exhibition, Assembly (Lorem Ipsum), at MASS MoCA (thru 5/28).

Matthew Mazzotta currently has work at the Cooper Hewitt, Smithsonian Design Museum NYC in a show called By the People: Designing a Better America. Read an ArtSake article about his recent project, Cloud House.

Cecelia Raker‘s play La Llorona will be produced by Fresh Ink Theatre at Boston Playwrights’ Theatre (5/5-5/20).

Abraham Ravett‘s film Holding Hands with Ilse screened in the Massachusetts Multicultural International Film Festival at UMASS Amherst in April.

Marian Roth has a 20-year retrospective, On Bended Light, at the Provincetown Art Association and Museum (5/5-7/16, opening reception 5/12, 6 PM).

Congratulations to Jim Shepard, who won the Rea Award, a $30,000 prize for a short story writer.

Leslie Sills has an exhibition of paintings, Sanctuary, at Catamount Arts in St. Johnsbury, Vermont (thru 6/25, artist talk 6/22, 6 PM).

Elaine Spatz-Rabinowitz has an exhibition, Arctic Abrasions, at Miller Yezerski (thru 5/23).

Jeff Warmouth will offer a presentation as part of the exhibit Games and Politics at Boston Cyberarts (5/17, 7-9 PM).

Debra Weisberg recently completed 22-ft long commission for Facebook Cambridge Office. Read more on ArtSake.

Linda K. Werthheimer wrote an essay for WBUR’s Cognoscenti about how her mother broadened her experience with diverse cultures.

Read past Fellows Notes. If you’re a past fellow/finalist with news, let us know.

Image: Charles Coe’s poem “Mnemonic” installed as part of Mass Poetry’s Raining Poetry project.

What Is Your Greatest Need as an Artist?

Wednesday, April 12th, 2017

Periodically, we pose questions to artists about issues they face in their work and lives. This month, we asked practitioners in a variety of disciplines, What is your greatest need, as an artist?

Image from GODDESSES DESCENDING, choreography by Michelle Marroquin. Photo by Tracey Eller.

Michelle Marroquin, choreographer
My needs, if all things were possible?
1. Funding that would be earmarked specifically for dancers to engage in new work. Residencies might include a stipend for the choreographer but rarely pay for dancers. Because I cannot get enough time with my dancers this season, I am working on a solo.
2. Consistent access to space and more performance venues that are supportive and equipped to produce dance. A crew. Someone other than my husband to climb up and down ladders.
3. Administrative support to help enhance work flow. Someone to help increase outreach, search for opportunities, and fundraise. A dream is to have a production assistant.
4. Lifestyle support: Food stamps for artists. A guaranteed minimum income for the process, not just the products. Health insurance for artists. Affordable continuing education. In sum, less intermittent support and more ongoing, lifestyle support.

Robert Knox, writer and poet
I’m a fiction writer and poet. My greatest need is ways to connect with readers. Happily, I’m in a stage of life when my most pressing needs are no longer time or money. But I want to see the books that I finally have time to write get into print, or get read, or even noticed somehow. Commercial publication of fiction is a narrow funnel, except for certain formulaic genres, and agents look to meet specific marketing needs. Newspapers, a declining industry in which I’m partially employed, review few books. After my novel Suosso’s Lane was published a year ago by a small independent, I find most of its readers myself through public programs at libraries. Many of the fiction writers I know publish their own books and sell them on Amazon. Poetry is an even more self-contained universe. I’m not proposing any solutions here, just stating a need: How do we get read?

Dana Clancy, WINTER WEIGHT (2015/2017), oil over acrylic on panel, 36x48 in

Dana Clancy, painter
As an artist-professor-parent, I structure my life around building and maintaining artistic momentum. Momentum arises from consistent and focused time in the studio (including that hour before class or late night after our family dinner). It is also fed by important conversations with artist friends and with students. For me, as a painter whose work is based on responding to contemporary museums, it is vital to my work to spend time with other artists’ work that I find moving and important.

Recently, as part of BADA Second Saturdays, I hosted a conversation event at Alpha Gallery about what artists look for and gain from seeing work in person in the context of the museum. Many of us spoke about how the role of the museum has shifted to symbolize a space apart from fast-click looking. If I have to work quickly and efficiently in the studio, momentum for me includes time to slow down to look on a more critical level and feel highly present with what I am seeing.

As I start a new body of work, the momentum I seek also includes connecting more broadly to other artists, and feeling that I’m doing my part to give voice to the importance of art and culture at a time when funding and support are under threat.

Duy Doan, poet
Outside of the daily search for time and space to write, having mentors has been vital to my writing life. Mentors – writers who have read more, written more, and of course experienced more – can give you career advice and feedback about your writing, detailed as well as overarching, in ways that your peers cannot. I’m grateful to have had a range of extremely supportive mentors both in the literary world and outside of it. When I was an undergraduate at UT Austin, Martin Kevorkian, Judith Kroll, Joseph Slate, Oscar Casares, and Ian Hancock – scholars, poets, fiction writers – all gave me the language to talk about writing with a close eye and ear. These professors encouraged me through challenging times and guided me through the dizzying MFA application process. I attended Boston University where I studied with Robert Pinsky, Louise Glück, and Rosanna Warren, all of whom pushed me to pursue writing, first and foremost, in an organic way. Many writers encounter these kinds of supportive relationships through school, but I think the important conversations continue outside of an academic setting. Casual conversations about poems, outside of the professional world of poetry, are always a pleasure, a vital one.

Yuri Tozuka, BUNNY (2016), sterling silver, fine silver, garnet, coral, 17x3x1.5 in

Yuri Tozuka, metalsmith
A studio space has been my greatest need as an artist for a quite long time. I have been creating most of my work on my bench underneath a loft bed in my little apartment. Because of this, I am constantly in a battle when it comes to the actual construction of the piece; between what I can really make in this space and what I truly want to create. Noise, dusts, and fumes have to be minimal in this environment, which sounds better for everyone’s health, but as a metalsmith, this limits opportunities to play with different techniques, scales, ideas and to go outside of the box.

Having said that, this creative space issue made me focus on my technique, such as lost-wax casting, and also pushed me to try out different materials other than metal.

I have tried having a separate studio space, and the only down side was that it was too far away for me to get to as frequently as I needed. In the near future, I am planning to move into a house with an actual studio space, where only my husband and our dog will be able to complain about my hammering.

 

Dana Clancy has work in the group show All Things Great and Small at Geoffrey Young Gallery in Great Barrington (5/3-5/28, opening reception 5/6, 5:30-7:30 PM). She recently had a solo exhibition, Sightlines, at Alpha Gallery – read a Boston Globe review.

Duy Doan recently won the Yale Younger Poet Competition, selected by Carl Phillips, for his manuscript We Play a Game. Yale University Press will publish We Play a Game in April 2018. Duy is the director of the Favorite Poem Project.

Robert Knox discusses his novel Suosso’s Lane at the Ventress Memorial Library in Marshfield (4/13, 7 PM). He’ll read from his poetry collection Gardeners Do It With Their Hands Dirty at Plymouth Public Library (4/24, 7 PM). Currently, he has poetry published in Verse-Virtual.com, where he is a contributing editor.

Michelle Marroquin is a dancer and performance artist whose training includes ballet, modern dance, Mexican folk dance, and Odissi Classical Indian dance. She premiered her most recent work Goddesses Descending at Park Hill Orchard in September 2016.

Metalsmith Yuri Tozuka has exhibited at galleries and institutions including Mobilia Gallery, Massachusetts College of Art and Design, Hancock 309 Gallery, and 24K Studios in San Francisco.

Images: from GODDESSES DESCENDING, choreography by Michelle Marroquin, photo by Tracey Eller; Dana Clancy, WINTER WEIGHT (2015/2017) , oil over acrylic on panel, 36×48 in; Yuri Tozuka, BUNNY (2016), sterling silver, fine silver, garnet, coral, 17x3x1.5 in.

Fellows Notes – Feb 17

Monday, February 6th, 2017

Fevrier, Febrero, Februar… presenting this month’s news from awardees of our Artist Fellowships Program.

Jenine Sheroes, THAW (2015), site-specific installation at at Jamaica Pond in Boston, Massachusetts

Sonia Almeida and Lucien Castaing-Taylor are among the artists recognized by the ICA Boston James and Audrey Foster Prize 2017. Their work will part of the ICA’s Foster Prize exhibition (2/16-7/9).

Samantha Fields, Andrew Mowbray, and Bob Oppenheim have work in Stitch: Syntax/Action/Reaction at the New Art Center in Newton (2/16-3/31, reception 2/16, 6-8 PM). The exhibition is part of the Curatorial Opportunities Program; Samatha Fields co-curated the exhibition with Jessica Burko.

Dana Filibert and Naoe Suzuki are among the artists exhibiting in Cloudlands at the Albany International Airport (thru 7/31, reception 2/17 5:30-7:30 PM).

Kenji Nakayama and Ben Sloat are among the artists in the exhibition All That Glitters Is Not Gold at Drive-by Projects (thru 3/28).

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Alexandra Anthony‘s film Lost in the Bewilderness had a theatrical run at Alkyonis New Star Cinema in Athens, Greece. The run was extended 11 more days than originally planned and opened at a second theatre, New Studio Art Cinema, as well.

Karl Baden has a solo exhibit of recently rediscovered prints, Thermographs 1976, at Miller Yezerski Gallery (2/11-3/14, reception and gallery talk 2/11, 3-5 PM).

Mary Bucci McCoy has a solo exhibition, Terra Recognita at Jane Deering Gallery in Gloucester (thru 2/26). She’s also exhibiting in Combined at Gray Contemporary in Houston (thru 2/18).

Kim Carlino has a solo exhibition, The Primary Line, at the UMass Amherst Herter Gallery (2/28-3/27, reception 3/1, 5-7 PM). She’s also recently launched a new website.

Vico Fabbris had a painting, Azumacea, featured on Linda Hoffman’s Apples, Art, and Spirit Blog.

Kieran Jordan has opened a new dance studio space in Hyde Park. She’ll have a New Studio Open House (2/26, 12-4 PM), with live music and pop-up performances.

Rania Matar is exhibiting her photography series Invisible Children at PhotoMed Liban in Beirut (thru 2/8). The series was recently reviewed by Hyperallergic and Photograph Magazine. She will also exhibit in the group exhibition Aftermath: The Fallout of War – America and the Middle East at The Gund Gallery at Kenyon College (thru 4/20). Rania is artist-in-residence at Kenyon College this coming semester, thanks to a Mellon Foundation supported artist residency. She’s also exhibiting in Becoming at RayKo PhotoCenter (thru 2/21) and Outspoken: Seven Women Photographers at the de Menil Gallery at Groton School.

Richard Michelson‘s picture book Fascinating has been selected for as a Notable Social Studies Trade Book for Young People 2017 by the National Council for the Social Studies (NCSS) and the Children’s Book Council.

Nathalie Miebach has work in two exhibitions opening this month: Art of the Weather at the Clay Center for Arts and Sciences in Charleston, WV (2/4-8/15), and Crooked Data: (Mis)Information in Contemporary Art at University of Richmond Museum, (2/7-5/5).

Monica Raymond‘s short play Hijab (with Adrianjne Krystansky) will have a reading at the Brandeis Women’s Studies Research Center (2/16, 12:30 PM). It’s part of a program, HIJAB and Notes From the Field, that will discuss the cultural significance of women’s veiling around the world. Also, Monica’s monologue Ernesto had a staged reading at Theater Iati (NYC) in January.

Shelley Reed has a solo exhibition, A Curious Nature, at Fitchburg Art Museum (2/12-6/4). Her painting Predator/Prey (after Oudry) will also be the fulcrum of the group exhibition A Feast of Beasts (2/12-9/3).

Renee Ricciardi is the curator of The Uncertainty Principle, an exhibition about “Chance, Wonder, & Quantum Mysteries by Emerging New England Photographers” at the Fort Point Arts Community Gallery (2/8-2/22, reception 2/16, 5:30-7:30 PM).

Anna Ross has a poem, Back Porch Aubade, published on Harvard Review Online.

Sage Schmett exhibits her sculptural work in Hoarder Vacui at the Harvard Ed Portal Crossings Gallery (thru 2/24).

Jenine Shereos has two solo exhibitions in MA: Thaw, at Tower Hill Botanic Garden in Boylston (thru 3/8, reception 2/25, 5-7 PM); and Im/material: Cloth in Collaboration with Nature, at UMass Amherst Hampden Gallery (2/26-3/27, reception 2/26, 2-4 PM).

Deb Todd Wheeler, along with exhibiting in Loud and Clear (thru 2/7) at Miller Yezerski Gallery, will perform with her band The LENNYcollective the Lily Pad in Cambridge (2/4, 8 PM).

Jung Yun is a finalist for the 2016 Barnes and Noble Discover Awards.

Read past Fellows Notes. If you’re a past fellow/finalist with news, let us know.

Image: Jenine Sheroes, THAW (2015), site-specific installation at at Jamaica Pond in Boston, Massachusetts.

Fellows Notes – Dec 16

Thursday, December 1st, 2016

Here’s a December-ific roundup of the latest news from MCC’s Artist Fellows/Finalists.

Kelly Popoff, BARRICADE (2015), oil on canvas, 63x88 in

Laura Baring-Gould, Niho Kozuru, and Gretchen Romey-Tanzer are all exhibiting in CraftBoston Holiday (12/2-12/4) at Hynes Convention Center.

David Bookbinder and Mary O’Malley have collaborated on the adult coloring book 52 (more) Flower Mandalas. Mary converted David’s “flower mandala” photographs into illustrations, to color for inspiration and stress relief.

Ryan P. Casey, Wendy Jehlen, and Candice Salyers have all received funding in the inaugural cycle of NEFA’s New England Dance Fund.

Sean Downey, Cristi Rinklin, Joe Wardwell are exhibiting in Irregular Landscapes (thru 2/22, opening reception 12/8, 6-8 PM) at the Hynes Convention Center.

Nicole Duennebier, Asia Kepka, Rachel Mello, Mary O’Malley, and Nina Wishnok are all exhibiting in Plenty at 13 Forest Gallery (thru 1/14).

Warner Friedman, Janet Rickus, and Dawn Southworth at SCOPE Miami Beach with Clark Gallery (12/1-12/4).

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Sophia Ainslie is participating in Vernon Street Open Studios (12/3-12/4). She also has work in Holiday Smalls at Gallery NAGA (12/17). Recently, she completed a commissioned mural for the lobby of Enso Flats in Brockton.

Alexandra Anthony will attend the official Athens, Greece premiere of her film Lost in the Bewilderness (12,15, 7:30 PM, Alkyonis New Star Cinema). Read about the event.

Robert Beavers is among the artists in the 2017 Whitney Biennial.

Ben Berman will have a new book of poems, Figuring in the Figure, coming out from Able Muse Press, March 2017 (now available for pre-order).

Cree Bruins has a solo show, Drawn to Light, at Kingston Gallery (thru 1/1).

Caleb Cole‘s photography exhibition Other People’s Clothes is at the Mayor’s Art Gallery of Boston City Hall (thru 12/9). He’s also exhibiting in Fertile Solitude at the Boston Center for the Arts Mills Gallery (thru 12/18).

Mary Jane Doherty has two upcoming screenings: her dance documentary Secundaria screens at Prince Theater in Philadelphia (12/14, 7 PM), hosted by the Pennsylvania Ballet and Philadelphia Film Society. Her film Primaria has its Latin American premiere at La Festival Internacional del Nuevo Cine LatinoAmericano in Havana, Cuba (12/16, 5:30 PM).

Amy Dryansky reads at Blacksmith House (with Paul Breslin, 12/12, 8 PM), as part of the Blacksmith House Poetry Series.

Congratulations to Janet Echelman, who recently won a fellowship from United States Artists.

Christy Georg has work in the group exhibition Breaking the Block at the Santa Fe Convention Center Community Gallery (12/16-3/2, reception 12/16, 5-7 PM). She is also featured at the New Mexico Museum of Art in the Alcoves series: small one-person exhibitions featuring contemporary artists working in New Mexico (12/9-1/29, reception 12/11, 10:30 AM-12 PM).

Asia Kepka has a booksigning at 13 Forest Gallery (12/8, 6-8 PM) for the book Horace and Agnes: A Love Story, along with co-creator Lynn Dowling.

Jesse Kreitzer has received the James Goldstone Award for Emerging Vermont Filmmaker from the Vermont International Film Foundation, with an awards ceremony 12/15, 7 PM, at the Main Street Landing Film House.

Scott Listfield has work in SCOPE Miami Beach, through Thinkspace Gallery (11/29-12/4).

Rania Matar is exhibiting at PULSE Miami Beach with Pictura Gallery (12/1-12/4).

Rachel Mello has a solo show, That Space Between Flying and Falling, at Laconia Gallery (thru 12/18, artist talk 12/2, 6:30-7 PM).

Kelly Popoff has a solo show, O Children at Herter Art Gallery at UMass Amherst (thru 12/16).

Monica Raymond is part of the first Artists’ Lab at Studio 550 in Cambridge, which is having an end-of-lab open (12/7, 10 AM-1 PM) at 550 Mass Ave, Cambridge.

Jendi Reiter‘s short story “Taking Down the Pear Tree” won the 2016 New Letters Prize for Fiction from the literary journal of the University of Missouri-Kansas City.

Susan Rivo‘s documentary Left on Pearl was accepted at the Black Maria Film Festival, with the additional honor of receiving a Director’s Choice Award.

Kay Ruane has an exhibition, Two Drawings, at Miller Yezerski Gallery (thru 12/23, artist reception 12/2, 5-8 PM).

Karl Stevens has a weekly comic strip, Penny, in The Village Voice.

Sarah Wentworth has a solo show of performed photos of Fishline Creature at the St Botolph Club (12/7-1/13, opening reception 12/7, 5:30-7 PM). Also, her work has been included in White Columns’ Artist Registry.

Michael Zelehoski has a solo show, Surface Tension, at Mackin Projects (12/10-1/7, opening reception 12/11, 6-8 PM).

Michael Zelehoski, ANIMISM (2016), assemblage with repurposed wood and florescent bulbs, 65x67 in

Read past Fellows Notes. If you’re a past fellow/finalist with news, let us know.

Images: Kelly Popoff, BARRICADE (2015), oil on canvas, 63×88 in; Michael Zelehoski, ANIMISM (2016), assemblage with repurposed wood and florescent bulbs, 65×67 in.

Historic Artist Opportunities

Tuesday, September 20th, 2016

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Of Note: The National Museum of African American History & Culture has opened in Washington DC.

Poets Entries are now being accepted for the New Criterion’s Poetry Prize of $3,000 and publication by St. Augustine’s Press. The prize is given annually for a poetry collection that pays close attention to form. Erica Dawson, Roger Kimball, and David Yezzi will judge. Submit a manuscript of up to 60 pages with a $25 entry fee byVisit the website for complete guidelines. Learn more.
Deadline:  September 30, 2016

Artist Business Grants MASS MoCA’s Assets for Artists program is seeking Boston-based applicants for its Matched Savings Program, which supports creative entrepreneurs with a matching grant and artist-focused business and financial training. Eligible applicants must have a home or studio address in the City of Boston. Learn more.
Deadline: September 30, 2016

Poets, Fiction Writers Entries are currently being accepted for the University of Massachusetts Press Juniper Prizes. Four prizes of $1,000 each and publication by University of Massachusetts Press are given annually for a first poetry collection, a poetry collection, a short story collection, and a novel or novella. Learn more.
Deadline: September 30, 2016

Short Fiction Entries are now being accepted for the University of Iowa Press Short Fiction Awards. Two awards of publication by University of Iowa Press are given annually for first collections of short fiction. Writers who have not published a book of fiction are eligible. Learn more.
Deadline: September 30, 2016

MCC Artist Fellowships The Massachusetts Cultural Council is currently accepting Artist Fellowship applications for Crafts, Dramatic Writing, and Sculpture/Installation/New Genres. Artist Fellowships are unrestricted, anonymously judged grants for Massachusetts artists in recognition of artistic excellence. Fellowship awards are currently $12,000. Finalist awards are $1,000. Learn more.
Deadline: Monday, October 3, 2016

STARS Residencies The Massachusetts Cultural Council’s STARS Residencies Program (Students and Teachers Working with Artists, Scientists, and Scholars) provides grants of $500-$5,000 to schools to support creative learning residencies of three days or more in the arts, sciences, and humanities. Learn more.
Application opens October 6, 2016 at 4pm

Videos, Animations, Computer Generated Work Proposals for the next round of Art on the Marquee are currently being accepted. Looking for work 30 second videos, animations or computer generated work, that use the entire Marquee in creative ways. Please submit a storyboard, statement, work samples, and CV to info@bostoncyberarts.org The call is limited to artists who live anywhere in the state of Massachusetts. Learn more.
Deadline: October 16th, 2016 (midnight)

Boston Choreographers The Boston Foundation and The Aliad Fund have announced Next Steps for Boston Dance, a new grant program that provides multi-layered support for Boston-area choreographers creating original work in any genre. Offers 250 hours of rehearsal space; 6-10 consultations with experts in chosen areas of need/interest; $5,000 in implementation funds for the artist to take a “next step” in his/her work or career; a series of cohort meetings to connect choreographers, build relationships, and allow for co-learning. A minimum of three grants will be awarded in this pilot round/first year of Next Steps. Learn more.
Deadline: Oct 24, 2016 at 5pm

Ten-minute Plays Submissions of ten-minute plays by New England playwrights are now being accepted for the Boston Theater Marathon XIX to be held May 14, 2017, at the Stanford Calderwood Pavilion at the Boston Center for the Arts. Learn more.
Deadline: November 15, 2016

Writing Conference Scholarships If you’re interested in attending Muse and the Marketplace, GrubStreet’s national conference for writers, in Boston Spring 2017 but could use financial support, GrubStreet is offering numerous $250 scholarships for attendees. Learn more.
Deadline: November 21, 2016

Image credit: Circa 1940s: “Miss America.” (Joe Schwartz). From the photography collection of the National Museum of African American History and Culture.

New Artist Opportunities in Boston and Beyond

Thursday, September 15th, 2016

 

We’ve been excited to see a number of new funding and support opportunities for Boston/New England artists announced recently. Here’s a brief rundown.

New England Dance Fund
The New England Foundation for the Arts (NEFA) announced its New England Dance Fund, which awards “small, catalytic grants directly to choreographers who identify and articulate a critical opportunity that will significantly advance their career in dance.” The program, which aims to strengthen the dance sector in the region, is in addition to NEFA’s existent portfolio of support for dance artists. The next deadline to apply is September 26, 2016.

Assets for Artists in Boston
Assets for Artists is a unique program that offers financial and entrepreneurial training to artists as well as an innovative matched savings grant program. It’s administered by MASS MoCA with a host of partnering and sponsoring orgs (including us). This year, the City of Boston joins as a partner, providing dedicated funding for 10 matched savings grants (from $1,000 – $2,000 each) for Boston-based artists, and financial and business workshops to strengthen the professional skills of those 10 artists and others. Deadline to apply is September 30, 2016.

The Boston Foundation’s Next Steps for Boston Dance
The Next Steps for Boston Dance program aims to support Greater Boston choreographers with access to rehearsal space, consulting meetings with expert advisors, cohort/collaborator meetings, and $5,000 in funding. The deadline to apply is October 24, 2016, 5 PM EST.

The Boston Foundation’s Live Arts Boston (LAB)
The Live Arts Boston (LAB) program will provide up to $15,000 in flexible, project-specific support to artists in dance, theater, spoken word, performance art, circus arts, some music genres, and inter- or multi-disciplinary combinations. Priority will be given to projects that emphasize new work, culturally-specific work, unique and interdisciplinary partnerships/collaborations, or risk-taking and innovative programming. The launch date is September 30, 2016, and the deadline will be November 15, 2016, 5 PM EST.

The Boston Cultural Council’s Opportunity Fund
The Opportunity Fund is designed to support individual artists living or working in Boston to “share their work with the public or teach others, continue professional development, and hone their skills.” Applications for grants up to $1,000 will be accepted on a monthly basis. Artists can apply here, and grants will be distributed every month except October and April, when other Boston Cultural Council grants applications are due.

 

If you have a program to benefit Massachusetts artists that you’d like us to share, we’re all ears.

Media: excerpt from CLOTHESLINE AS LIVE INSTRUMENT by Dahlia Nayar (Choreography Fellow ’16), a past recipient of support from NEFA’s dance initiatives.

Artist Opportunties for All

Wednesday, June 15th, 2016

White-house-lit-up-1

Call for Art Seeking submissions from New England area contemporary artists and artist groups/organizations of all mediums to exhibit in The Enso Art Gallery, located in downtown Brockton MA. Email the following to cierra@ensoartgallery.com: a link to a portfolio of work; resume, or a brief description of your art related experiences; a paragraph summary of the work you wish to present.
Deadline: Ongoing

Documentary Filmmakers Fledgling has an open rolling application process for grants to support outreach and engagement for social issue documentary film projects that have the potential to inspire positive social change around issues that affect the most vulnerable. Grants typically range from $10K?—?$25K, and the awards support audience engagement planning and implementation. Support for planning is for building the strategy for outreach and engagement and can be used before a project is complete to prepare for its launch. Grants are not available to support production or post-production. Learn more.
Deadline: Rolling

Playwrights Residency The Ingram New Works Lab is an artistic home for playwrights and a fertile environment for the creation of new plays. During monthly Lab meetings in Nashville, playwrights share and develop a new work and receive  support and project guidance. During their residency, each playwright will be expected to work toward the creation of a brand new play that will be presented in a staged reading featured at the Ingram New Works Festival in May 2017. Learn more.
Deadline: June 13, 2016

Call to Artists The Rocky Neck Art Colony is currently accepting entries for their upcoming exhibition, A Visual Feast. This exhibition will be on view at the very peak of summer activity on Rocky Neck which sees hundred of visitors every day. Learn more.
Deadline: June 22, 2016

Call for Art Galatea Fine Art announces a call for artists for its upcoming juried exhibition, New England Collective VII. Open to artists from New England working in all media. Learn more.
Deadline: July 10, 2016

Choreographers The New England Dance Fund will award small, catalytic grants directly to choreographers who identify and articulate a critical opportunity that will significantly advance their career in dance. The fund aims to strengthen the dance sector in the New England region. Learn more.
Deadline: July 15, 2016

Call for Artists Roxbury Open Studios is a once-a-year opportunity to welcome the public to view and purchase paintings, drawings, sculptures, textiles, jewelry, other fine arts, and studio crafts. The event provides a means for individual creativity to play its part in the cultural and economic development of Roxbury. Learn more.
Deadline: August 1, 2016

GROUNDBREAKING GRANT OPPORTUNITY**New MacArthur Competition for 100 Million $ Grant **The John D. and Catherine T. MacArthur Foundation has announced a competition through which a single $100 million grant will be awarded to a project designed to solve a critical problem affecting people, a place, or the entire world. Learn more.
Deadline: September 2, 2016 (11:00 a.m. Central)

Image: the White House lit up with rainbow colors, done in commemoration of the Supreme Court’s ruling to recognize same-sex marriage nationwide, in June 2015.

Artist Opportunities Wow Factor

Tuesday, June 7th, 2016

Yup.

Of Note: On June 8, 2016, Dance for World Community Speaker Series event presents from their speaker series, Spotlight on Climate Change. Though the connection between dance and climate change may not be immediately apparent, at Dance for World Community they believe that everyone, including artists, has a role to play in changing the world for the better. Learn more.

Fiction New American Press is currently accepting entries for their
New American Fiction Prize of $1,000 and publication for a book of fiction. The judge is Gina Frangello. Submit a collection of short stories or flash fiction, a novella, or a novel of at least 100 pages. Learn more.
Deadline: June 15, 2016

Call for Art The Science Inspires Art: Food exhibition will document artworks that reflect on the topic of food from the historical record to molecular gastronomy, to issues of food safety, seed security, new food production technologies, and the backyard garden. They are seeking 2D images of original art executed in any media for this 18th annual art-sci juried exhibition at the New York Hall of Science to be held September 17, 2016 to February 26, 2017. Learn more.
Deadline: June 20, 2016

Artist Residency The Bemis Center for Contemporary Arts
Eligibility: Residency opportunities are open to national and international artists 21+ years of age, showing a strong professional working history. A variety of disciplines are accepted including, but not limited to, visual arts, media/new genre, performance, architecture, film/video, literature, interdisciplinary arts, music composition, and choreography. Learn more.
Deadline: July 1, 2016

Poetry Chapbook Bull City Press is accepting chapbook manuscripts of poetry, fiction, and creative nonfiction during its open reading period. There is a “pay what you want” optional reading fee. Learn more.
Deadline: July 6, 2016

Artists, Writers Residency Applications are currently being accepted for the National Parks Service’s Artist-in-Residence Program in Zion National Park. Resident artists spend 30 days living in a historic cabin and explore and surround themselves in the sights, sounds, textures, and wonders of Zion to find inspiration for their work. Each artist conducts two public presentations on their work and residency experience. Date, time, and location of these presentations will be announced closer to each artist’s residency. Learn more.
Deadline: July 17, 2016

 

MCC Announces 35 Awards in Choreography, Fiction/Creative Nonfiction, and Painting

Thursday, May 19th, 2016

Nicole Duennebier, TUNICATE AND GOLDEN SAC (2014), acrylic on panel, 48x34 in

The Massachusetts Cultural Council is honored to announce the 2016 MCC Artist Fellowship awards in Choreography, Fiction/Creative Nonfiction, and Painting. Eighteen artists will receive fellowships of $12,000, and 17 artists will receive $1,000 finalist awards. See a full list of this year’s fellows and finalists.

The awards are anonymously judged, based solely on the artistic quality and creative ability of the work submitted. Applications were open to all eligible Massachusetts artists. A total number of 1109 applications were received: 54 in Choreography, 485 in Fiction/Creative Nonfiction, and 570 in Painting.

From 2125 STANLEY STREET by Dahlia Nayar

Cover art for SHELTER (Picador 2016) by Jung Yun

The Choreography panelists were Junichi Fukuda, James Morrow, Cheri Opperman, and Sydney Skybetter.

The Fiction/Creative Nonfiction panelists were Jane Brox, Kristiana Kahakauwila, Helen Elaine Lee, and Mehdi Tavana Okasi; the readers were Alicia Anstead, Sybil Baker, LaShonda Barnett, Sarah Blackman, Lydia Conklin, Steven Edwards, Joseph Fazio, Sheba Karim, Kate Leary, Tien-Yi Lee, William Peters, and Harry Stecopoulos.

The Painting panelists were Philip Brou, Gwen Strahle, Azadeh Tajpour, and Mary Tinti.

This is the second series of Artist Fellowships awards to be given by the MCC in 2016. In February 2016, MCC announced 32 awards in Drawing & Printmaking, Poetry, and Traditional Arts.

Find a full list of 2016 Artist Fellowships awardees.

Catherine Kehoe, STILL LIFE WITH WHITE PEONY (2015), oil on panel, 8x8 in

Raul Gonzalez III, EL MALVERDE (2012), fluid acrylic, pencil and pen, 12x9.5 in

Images: Nicole Duennebier, TUNICATE AND GOLDEN SAC (2014), acrylic on panel, 48×34 in; still photo from 2125 STANLEY STREET by Dahlia Nayar; cover art for SHELTER (Picador 2016) by Jung Yun; Catherine Kehoe, STILL LIFE WITH WHITE PEONY (2015), oil on panel, 8×8 in; Raul Gonzalez III, EL MALVERDE (2012), fluid acrylic, pencil and pen, 12×9.5 in.

Fellows Notes – Mar 16

Tuesday, March 1st, 2016

Traveling portraits, poems of the moment, new art shared locally and abroad: here’s the March news from current and past MCC Fellows/Finalists.

Domingo Barreres, AMBITION (2001), oil, polymer, 81x61.5 in

Mass Poetry’s Poem of the Moment has recently featured poems by Carrie Bennett (Expedition Notes 34), Sarah Sousa (Epistle), and Rodney Wittwer (& the Sun Is a Fine Buggy of China: Balloons!).

Portraits by Laura Chasman and Andrea Sherrill Evans are included in Go Figure at Salve Regina University’s Dorrance H. Hamilton Gallery (thru 3/16). (More news about Laura Chasman below.)

Caleb Neelon and Candice Smith Corby are exhibiting Sting! 22: ES LOG ART at The Beehive, featuring work curated by and relating to work by Doug Weathersby of Environmental Services. The exhibition opened 3/2.

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Marilyn Arsem will be in discussion with Sandrine Schaefer about her recent 100 Ways to Consider Time performance at the Museum of Fine Arts Boston. The discussion is part of the Reports from Afield series by mobius and takes place at Samsøñ 3/18, 5-8 PM, free to the public with q&a following the talk.

Rick Ashley has a photograph from his Michael project in the Smithsonian’s traveling exhibition The Outwin: American Portraiture Today. The exhibition runs 3/12/2016-1/8/2016 at the National Portrait Gallery, and then travels to the Tacoma Art Museum, the Art Museum of South Texas, and the Kemper Museum of Contemporary Art in Kansas City.

Domingo Barreres has a solo show, Domingo Barreres: Paintings, Drawings and Prints with Lingering Vibrations from Spain at The Fort Point Arts Community’s Gallery at 249 A (thru 3/28, artists talk 3/10, 6 PM).

Congratulations to Laura Chasman who received a grant from the Artist Resource Trust, Berkshire Taconic Foundation for 2016. She also received a fellowship to attend Vermont Center Studio Residency in September. Recently, two of her portraits were included in the recent exhibition Director’s Favorites at the New Britain Museum of American Art.

Tsar Fedorksy has a solo exhibit of photography, The Light Under the Door, at Garner Center at New England School of Photography (NESOP), (thru 3/18). Read about the exhibition on the Elin Spring Photography blog. She will also exhibit in Exposure 2016 from the Photographic Resource Center (4/28-6/26). She had 2015 exhibitions at Danforth Art, the Camera Club of New York, and Candela Books + Gallery (Richmond, VA) and she was featured online at Feature Shoot and Don’t Take Pictures’ Photo of the Day.

Congratulations to Georgie Friedman, one of 3 artists whose projects will be realized in the Boston Artist-in-Residence Program. She also has work in 32° – The Art of Winter at the Shelburne Museum in Vermont (thru 5/30) and her installation Slippery Slope is on view at Union College in Schenectady. She was recently featured in Good and Long Looks at the Providence College Reilly Gallery.

John Gianvito‘s film WAKE (SUBIC) screened at the Viennale Film Festival and made it to Top Ten Lists of 2015 in Artforum, Sight & Sound, and Senses of Cinema. It recently screened at the Rotterdam International Film Festival and had its North American premiere on 2/27 at the Museum of Modern Art in conjunction with their annual Doc Fortnight series. The first Boston screening will be Sunday 3/13, 3 PM at the Harvard Film Archive.

Mags Harries has a solo show, Precautionary Tales at Gallery Kayafas in Boston (3/4-4/9, opening 3/4 5:30-8 PM).

Nona Hershey has work in Art On Paper New York at Pier 36 (3/3-3/6).

Michael Hoerman was handpicked by the Sedona Arts Center for its inaugural summer residency program. They are bringing together “artists, cultural managers, and interesting people from all over the world” at Verde Valley School, a private school on 1,300 acres in Sedona, AZ.

Kieran Jordan Dance presents Little Gifts at Green Street Studios in Cambridge (3/11-3/12, 8 PM).

Rebecca Kaiser Gibson has readings at the Brookline Public Library (with Holly Guran, Brookline Poetry Series 3/20, 2-4 PM), Brewbakers Café in Keene, NH (3/27, 4 PM), and Boston Athenaeum (4/26, 12 PM).

Mariko Kusumoto‘s translucent textile jewelry exhibits at Mobilia Gallery in Cambridge (3/15-4/16).

Danielle Legros Georges is the guest speaker for the Writer’s Union Annual Book Party at the Durrell Family Theater in the Central Square YMCA (3/20 2-5 PM).

Fred H.C. Liang‘s solo show Stream is at Carroll and Sons Gallery (thru 4/16, opening reception 3/4, 5:30-7:30 PM).

Caitlin McCarthy‘s unproduced TV pilot Free Skate has been named “One To Watch” by the 2016 WriteHer List. She was recently interviewed by Forty Over 40, and she spoke about TV writing at the Woods Hole Film Festival and the Orange Beach Public Library, in February.

Richard Michelson reads in the Calliope Poetry Series in Falmouth (3/13) and at the Martha’s Vineyard Playhouse Poetry Café (3/15).

Lisa Olivieri‘s film Blindsided will be having its Boston Premiere as part of the The National Association of Social Workers (MA Chapter) Film Series at Belmont’s Studio Cinema (4/3, 2 PM).

Monica Raymond reads from “A Walk on Norfolk Street,” a poetry sequence about the Tsarnaev brothers and the Boston bombings, at goodTHANG, a multi-media extravaganza at Arts at the Armory (Somerville) on Good Friday (3/25).

Susan Rivo‘s documentary Left on Pearl screens at Kendall Square Theatre for International Women’s Day (3/8, 7 and 9 PM). Followed by Q & A with the filmmakers and members of the Executive Producers’ Collective.

TRIIIBE, aka the identical triplets Alicia, Kelly, and Sara Casilio along with photographer Cary Woliknsky, have a solo show at Fitchburg Art Museum, TRIIIBE: same difference (thru 6/5), and the show was recently reviewed in WBUR’s ARTery. A companion exhibition of work by TRIIIBE is at Gallery Kayafas (thru 4/9).

Sarah Wentworth has more than a dozen photos from her Untitled (fishline) series in the 3-person show Caprices at the Simmons College Trustman Gallery (3/16-4/14). The fishline series features performed photos centered on a costume made of knit fishing line, taken on Deer Isle, Maine.

Jung Yun has readings for her new novel Shelter at Odyssey Bookshop (3/15, 7 PM) and at Newtonville Books (with James Scott, 3/22, 7 PM).

Michael Zelehoski has work in Objects and Everyday Goods at Mike Weiss Gallery in NYC (thru 3/26).

Read past Fellows Notes. If you’re a past fellow/finalist with news, let us know.

Image: Domingo Barreres, AMBITION (2001), oil, polymer, 81×61.5 in.


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