Archive for February 6th, 2017

Arts and the Public Dollar

Monday, February 6th, 2017

Quote by Anita Walker of the Mass Cultural Council: Artists, writers, and historians produce a priceless record of our civilzation. And the public dollar ensures that that record belongs to and is co-authored by the citizens of this nation.Quote by Anita Walker, executive director of the Massachusetts Cultural Council

Last month, various news outlets reported that federal funding for the National Endowment for the Arts (NEA) and National Endowment for the Humanities (NEH) is in danger of elimination. Massachusetts Cultural Council Executive Director Anita Walker summarized the possible funding threat in a recent essay exploring the arts, democracy, and the legacy of President John F. Kennedy, whose efforts led to the creation of NEA and NEH.

Supporters of arts and culture in the Commonwealth can be gratified to know that elimination of arts and culture funding is not expected on a state level, at least not in the near term. Governor Baker’s recently announced budget proposal for fiscal year 2018 includes a small increase for arts and culture funding in Massachusetts. The Governor’s budget proposal is the first step in a months-long process involving both the State Senate and House.

See MCC’s Advocacy Action Center for updates on the budget process and for the latest data on the nonprofit cultural sector’s contributions to the Massachusetts economy and quality of life.

Fellows Notes – Feb 17

Monday, February 6th, 2017

Fevrier, Febrero, Februar… presenting this month’s news from awardees of our Artist Fellowships Program.

Jenine Sheroes, THAW (2015), site-specific installation at at Jamaica Pond in Boston, Massachusetts

Sonia Almeida and Lucien Castaing-Taylor are among the artists recognized by the ICA Boston James and Audrey Foster Prize 2017. Their work will part of the ICA’s Foster Prize exhibition (2/16-7/9).

Samantha Fields, Andrew Mowbray, and Bob Oppenheim have work in Stitch: Syntax/Action/Reaction at the New Art Center in Newton (2/16-3/31, reception 2/16, 6-8 PM). The exhibition is part of the Curatorial Opportunities Program; Samatha Fields co-curated the exhibition with Jessica Burko.

Dana Filibert and Naoe Suzuki are among the artists exhibiting in Cloudlands at the Albany International Airport (thru 7/31, reception 2/17 5:30-7:30 PM).

Kenji Nakayama and Ben Sloat are among the artists in the exhibition All That Glitters Is Not Gold at Drive-by Projects (thru 3/28).

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Alexandra Anthony‘s film Lost in the Bewilderness had a theatrical run at Alkyonis New Star Cinema in Athens, Greece. The run was extended 11 more days than originally planned and opened at a second theatre, New Studio Art Cinema, as well.

Karl Baden has a solo exhibit of recently rediscovered prints, Thermographs 1976, at Miller Yezerski Gallery (2/11-3/14, reception and gallery talk 2/11, 3-5 PM).

Mary Bucci McCoy has a solo exhibition, Terra Recognita at Jane Deering Gallery in Gloucester (thru 2/26). She’s also exhibiting in Combined at Gray Contemporary in Houston (thru 2/18).

Kim Carlino has a solo exhibition, The Primary Line, at the UMass Amherst Herter Gallery (2/28-3/27, reception 3/1, 5-7 PM). She’s also recently launched a new website.

Vico Fabbris had a painting, Azumacea, featured on Linda Hoffman’s Apples, Art, and Spirit Blog.

Kieran Jordan has opened a new dance studio space in Hyde Park. She’ll have a New Studio Open House (2/26, 12-4 PM), with live music and pop-up performances.

Rania Matar is exhibiting her photography series Invisible Children at PhotoMed Liban in Beirut (thru 2/8). The series was recently reviewed by Hyperallergic and Photograph Magazine. She will also exhibit in the group exhibition Aftermath: The Fallout of War – America and the Middle East at The Gund Gallery at Kenyon College (thru 4/20). Rania is artist-in-residence at Kenyon College this coming semester, thanks to a Mellon Foundation supported artist residency. She’s also exhibiting in Becoming at RayKo PhotoCenter (thru 2/21) and Outspoken: Seven Women Photographers at the de Menil Gallery at Groton School.

Richard Michelson‘s picture book Fascinating has been selected for as a Notable Social Studies Trade Book for Young People 2017 by the National Council for the Social Studies (NCSS) and the Children’s Book Council.

Nathalie Miebach has work in two exhibitions opening this month: Art of the Weather at the Clay Center for Arts and Sciences in Charleston, WV (2/4-8/15), and Crooked Data: (Mis)Information in Contemporary Art at University of Richmond Museum, (2/7-5/5).

Monica Raymond‘s short play Hijab (with Adrianjne Krystansky) will have a reading at the Brandeis Women’s Studies Research Center (2/16, 12:30 PM). It’s part of a program, HIJAB and Notes From the Field, that will discuss the cultural significance of women’s veiling around the world. Also, Monica’s monologue Ernesto had a staged reading at Theater Iati (NYC) in January.

Shelley Reed has a solo exhibition, A Curious Nature, at Fitchburg Art Museum (2/12-6/4). Her painting Predator/Prey (after Oudry) will also be the fulcrum of the group exhibition A Feast of Beasts (2/12-9/3).

Renee Ricciardi is the curator of The Uncertainty Principle, an exhibition about “Chance, Wonder, & Quantum Mysteries by Emerging New England Photographers” at the Fort Point Arts Community Gallery (2/8-2/22, reception 2/16, 5:30-7:30 PM).

Anna Ross has a poem, Back Porch Aubade, published on Harvard Review Online.

Sage Schmett exhibits her sculptural work in Hoarder Vacui at the Harvard Ed Portal Crossings Gallery (thru 2/24).

Jenine Shereos has two solo exhibitions in MA: Thaw, at Tower Hill Botanic Garden in Boylston (thru 3/8, reception 2/25, 5-7 PM); and Im/material: Cloth in Collaboration with Nature, at UMass Amherst Hampden Gallery (2/26-3/27, reception 2/26, 2-4 PM).

Deb Todd Wheeler, along with exhibiting in Loud and Clear (thru 2/7) at Miller Yezerski Gallery, will perform with her band The LENNYcollective the Lily Pad in Cambridge (2/4, 8 PM).

Jung Yun is a finalist for the 2016 Barnes and Noble Discover Awards.

Read past Fellows Notes. If you’re a past fellow/finalist with news, let us know.

Image: Jenine Sheroes, THAW (2015), site-specific installation at at Jamaica Pond in Boston, Massachusetts.


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