“Gimme your hands cause you’re wonderful (wonderful)” – David Bowie
Printmaking Residency The Zea Mays Printmaking Residency Program provides an opportunity for artists to work in a cutting-edge studio, research center, educational institution and artist community. They strive to create an environment that is both professional and personal with great respect for the creative process of each artist. They provide artists an opportunity to learn the latest developments in safer and non-toxic printmaking while pursuing their printmaking projects.
Learn more.
Deadline: Rolling basis
Photographers Entries are now being accepted for the Center for Photography at Woodstock’s Photography Now 2016 exhibition. The juror is James Estrin, the New York Times Lens Blog. Learn more.
Deadline: January 31, 2016
Call for Art Entries are now being accepted by the Lamont Gallery, Phillips Exeter Academy, for their exhibition Stay Woke: Art and Change. The exhibition hopes to explore how personal and individual experiences intersect with larger sociopolitical agendas and what can or should the arts do to respond, reflect, heal or trouble the water. All media accepted including literary/performing arts, installations and interventions. For selected artists, the gallery will work to find creative ways to display art (e.g., not all work will need to be framed). Limited shipping support. No entry fee. To submit: send: 3-6 JPEG images named “LastName_FirstNameNumber” (send separate images rather than links. For video submissions, include a URL. Chosen videos will need to be supplied on a self-looping DVD), corresponding numbered image list with your name, title of work, materials, dimensions, a note about special installation considerations, price/value (gallery commission: 25%), statement, artist resume, complete contact information (name, mailing address, phone and email). In the subject line of the email, include your last name & “Stay Woke Submission.” Send entries to: lamontgallery@gmail.com, or submit your work via Google Drive or Dropbox.
Deadline: January 23, 2016
Call for Art Lincoln Studios Gallery, 289 Moody Street in Waltham, will present an exhibition called Love and Fate (February 5-March 1, 2016). The Lincoln Studios Gallery (formerly The Lincoln Arts Project) is a new exhibit opportunity, sponsored by the Monique Rancourt Artisan Gallery in support of non traditional space and the arts in Waltham. Open to all media. All submissions must be ready to hang with secure wire. Entry fee $10.00 due as artists drops off artwork for review. Gallery Sales: 20% gallery commission, and 80% to the artist. All artists will be notified of their show status. Artists who were not accepted, must pick up, Sunday Jan 31 from 12 – 6pm. Opening Night is Friday Feb. 5th and it will include fortune tellers who will give short Romantic readings. Their goal is to move beyond the traditional whispers over wine and cheese and create an interesting conversation. Closing/Artist Pickup – Tuesday March 1st – Thurs March 3, 12-6 pm. If you cannot pick up your artwork, make appropriate arrangements to have your work picked up on time (friends, family or co-workers can pick up your artwork for you). If work is not picked up on time, artists will be invoiced $15 per a day in late fees and will not allowed to enter another exhibition until paying their invoices. At the end of the exhibition staff is not responsible for any pick-up transportation, damage or theft once exhibition concludes. Questions, contact Sarah Leon at artofsarahleon@gmail.com.
Deadline: Drop off January 29 & 30, 2016 (12-6pm)
Artist Residency The Emmanuel College Art Department offers an eight-week residency to four artists each summer from mid June to mid August. The residency supports a diverse group of artists, providing time and space for established and emerging artists to develop their work. Learn more.
Deadline: February 1, 2016
Call to Artists Entries are now being accepted for the Cotuit Center for the Arts’s juried show Unsafe: Life after 9/11. Artists working in all media (painting, sculpture, photography, video, found objects, etc.) and writers from all genres (fiction, poetry, nonfiction, etc.) are invited to submit works that convey the impact the attacks on the World Trade Center Towers have had on life in America. Artists are encouraged to write accompanying text that will help elucidate the significance of their works of art. Writers are encouraged to submit objects or documents that provide physical context for their written passages. Passages should be brief enough to fit on wall labels or contained in a volume. Adjudicators are particularly interested in the long-term effects of 9/11 on families and society in general. Short video diaries or remembrances are encouraged. Works that convey the personal and social impact of the tragedy will be preferred. The exhibit will run in tandem with the world premiere of Jim Dalglish’s play Unsafe. Works will be displayed in the upstairs theater exhibition space of the center during the run of the show. Exhibition Dates: 3/24 – 4/23, 2016. Opening Reception: April 2, 2016. Submit high resolution digital images of the works of art and their accompanying descriptions or .mov files to Kim Baker at kim@cotuitcenterforthearts.org
Deadline: February 1, 2016
Photographers The Photographic Resource Center in Boston is currently acccepting entries for their exhibition EXPOSURE: The 20th Annual PRC Juried Exhibition. They are looking for a broad range of work, including both traditional and non-traditional approaches to photography. Learn more.
Deadline: February 7, 2016 (11:59pm)
Call for Artist The Provincetown Art Association and Museum (PAAM) seeks submission for a juried exhibition (February 12-April 3, 2016). Arlette and Gus Kayafas, of Gallery Kayafas, are the jurors. No theme and no size restriction, but work must arrive dry and equipped with a hanging device. All media accepted. Early drop-offs can occur the weekend prior to Drop-Off Day during Museum hours only (Thursday-Sunday, 12-5pm). Learn more.
Deadline: Drop-Off February 9 from 12-4pm.
Leave a Reply